Mahvash (Persian: مهوش), born Masoumeh Azizi Borujerdi (Persian: معصومه عزيزى بروجردى), was an Iranian singer, dancer, film actress and stage performer.[1] She came from a poor family and was lauded as a singer (performer) of the people in the 1950s.[2]
Iranian singer, dancer, movie actress and stage performer in the 1950s and 1960s
Mahvash was born Masoumeh Azizi Borujerdi in Borujerd, Iran to a poor family, when Mahvash was a teenager the family came to Tehran. At an early age, Mahvash lost her mother. Later she went on to perform in Tehran's cabarets (Persian: kafe-i motrebi) and cafes in the late 1940s to early 1950s and drew large support from the working people.[3]
However, there is confusion around her biography, and different accounts of what type of performances were happening at this age and where.[4] The most common story is that she performed risqué songs in the cabarets, on the radio and in movies.[5] Another prevalent story is she began in a classical ruhowzi dance troupe as a dancer, pishparde singer, and actress;[3] and she married a violinist who secured her entertainment engagements.[3]
Career
She gained the admiration of the masses’ by articulating in her songs the problems, difficulties, and frustrations of the common people, struggles which she knew very well.[1][6] Her most famous songs involved a call and response-style singing with her male audience.[5]
The grave of Mahvash at Ibn Babawayh Cemetery, Rey
She published a book in 1957 which she termed an "autobiography" which was entitled Secrets of Sexual Fulfillment (Persian: Raz-e Kamyabi-ye Jensi). This book was more of a sex manual had pictures of her in a bathing suit and was published and widely distributed despite being prosecuted for the book in June 1960.[5] It seems that Mahvash's ability to speak to the marginalized majority absolved her of her forays into prostitution and other publicly indecent behavior.
When Mahvash died in a car accident in 1961, her public funeral went down in Iran's history as the largest of its day, with thousands of Iranians on the streets to mark her passing.[2] Iranian religious authorities were unwilling to accept burying her in a Muslim cemetery because as an entertainer she was considered "unclean" and "unchaste",[5] however when the large amount of mourners celebrated her passing they relented.[5]
She is buried in the Ibn Babawayh Cemetery in Tehran.
Filmography
Acting
1956 – The Sun Shines[fa] (Persian: خورشید میدرخشد, romanized:Khorshid Miderakhshad), with director Sardar Saker[5]
1956 – Layla and Majnun (1956 film)[fa] (Persian: لیلی و مجنون, romanized:Leyli va Majnun), with director Ali-Mohammad Nourbakhsh[fa][7]
1957 – Ladder of Progress[fa] (Persian: نردبان ترقی, romanized:Nardebane Taraghi)
1957 – The Happy Naked One[fa] (Persian: برهنه خوشحال, romanized:Berahneh Khoshhal), starring with Mohsen Mahdavi[fa][8]
1959 – A Girl from Esfahan[fa] (Persian: دختری از اصفهان, romanized:Dokhtari az Esfahan), with director George Ovadiah
1959 – Two Brides for Three Brothers[fa] (Persian: Do Aroos Baraye se Baradar), with director Mohammad Abdi (film director)[fa][7]
1961 – What's the Difference (Persian: Ki Be Kiyeh), with director Reza Karimi[7]
Singing
1962 – The Lost Flower[fa] (Persian: گل گمشده, romanized:Gole Gomshodeh), featured singing and dancing by Mahvash, with director Abbas Shabaviz[7]
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