Dmitri Shostakovich typically catalogued his compositions and occasionally his arrangements of other composers' music with opus numbers. He began this practice with the early Scherzo in F-sharp minor and continued until the end of his life. Nevertheless, most of his juvenilia, unfinished works from his artistic maturity (such as the operas Orango and The Gamblers), and numerous completed works were left unnumbered. There were also instances when Shostakovich took an opus number assigned to one work, then gave it to another, or was undecided about the numbering of a finished composition. Further complicating the matter was an error he committed in compiling his own music in the 1930s. This led to his soundtracks for The Youth of Maxim and Girl Friends sharing the same opus number.[1]
Op. number | Title | Instrumentation | Year | Notes |
---|---|---|---|---|
Hymn to Freedom | Piano | 1915-1916 | Same as The Soldier[5] | |
Longing for the Homeland (The Soldier) | Piano | 1915-1917 | Same as Hymn to Freedom[5] | |
Funeral March in Memory of the Victims of the Revolution | Piano | 1917 | ||
1 | Scherzo in F♯ minor | Orchestra | 1919 (or 1920–1921)[6] | Transcribed for solo piano as Op. 1a (possibly based upon piano original) |
The Gypsies, opera after Pushkin | Orchestra | 1919-1920 | Partially destroyed.[5] | |
In the Forest, trilogy | Piano | 1919-1920[5] | ||
Two Marzurkas | Piano | 1919-1920[5] | ||
Polka | Piano | 1919-1920[5] | ||
Minuet, Prelude, and Intermezzo | Piano | 1917 or 1919–1920 | Incomplete. Manuscript was preserved by Alexandra Rozanova, who in 1917–spring 1919 had taught piano privately to Shostakovich.[7] | |
2 | Eight Preludes | Piano | 1919–1920 | Formerly known as "Five Preludes," under which name it was published in 1966 in commemoration of Shostakovich's 60th birthday. All eight were published for the first time in 2018. Part of an unrealized collaborative project with friends from the Petrograd Conservatory, the extant manuscript of which is held by Irina Shostakovich. |
Murzilka | Piano | 1920 (or 1944–1952)[8] | ||
Piano Sonata in B minor | Piano | 1920–1921 | Partially lost. Slow movement reworked into Piano Trio No. 1 in C minor. Scherzo in F♯ minor orchestration of third movement.[6] | |
3 | Theme and Variations in B♭ major | Orchestra | 1921-1922 | Transcribed for solo piano as Op. 3a |
4 | Two Fables of Krilov | Mezzo-soprano (or unison female chorus ad libitum in "The Ass and the Nightingale")[9] and chamber orchestra | 1922 | Transcribed for mezzo-soprano and piano as Op. 4a |
5 | Three Fantastic Dances | Piano | 1922 | Shostakovich orchestrated the first dance for a class exercise (unpublished).[10] |
6 | Suite in F♯ minor | Two pianos | 1922 | |
7 | Scherzo in E♭ major | Orchestra | 1923-1924 | Transcribed for solo piano as Op. 7a |
8 | Piano Trio No. 1 in C minor | Piano, violin, and cello | 1923 | Originally titled Poem. Before its posthumous publication, Boris Tishchenko completed a stretch of 22 measures which had gone missing subsequent to this work's performances in 1925. |
9 | Three Pieces | Cello and piano | 1923-1924 | Lost |
10 | Symphony No. 1 in F minor | Orchestra | 1924-1925 | |
11 | Two Pieces | String octet[3] | 1924-1925 | |
12 | Piano Sonata No. 1 | Piano | 1926 | |
13 | Aphorisms, ten pieces | Piano | 1927 | |
14 | Symphony No. 2 in B major To October | Orchestra and chorus | 1927 | |
15 | The Nose, opera in three acts after Gogol | Orchestra | 1927-1928 | |
16 | Tahiti Trot | Orchestra | 1928 | |
17 | Two Pieces by Scarlatti | Wind orchestra | 1928 | |
18 | Music to the silent film The New Babylon | Small orchestra | 1928-1929 | |
19 | Music to the comedy The Bedbug by Mayakovsky | Orchestra | 1928-1929 | Orchestral versions of three numbers possibly lost. These have been reorchestrated from piano scores by Mark Fitz-Gerald.[11] |
20 | Symphony No. 3 in E♭ major The First of May | Orchestra with chorus | 1929 | |
21 | Six Romances on Texts by Japanese Poets | Tenor and orchestra | 1928-1932 | |
22 | The Golden Age, ballet in three acts | Orchestra | 1929-1930 | |
23 | Two Pieces for Erwin Dressel's Opera Poor Columbus' (Armer Columbus) | Orchestra | 1929 | |
24 | Music to the play The Gunshot by Bezymensky | Orchestra | 1929 | |
25 | Music to the play Virgin Soil by Gorbenko and L'vov | Orchestra | 1930 | Lost |
26 | Music to the film Alone (Odna) | Orchestra | 1930-1931 | In addition to Shostakovich's suite, Op. 26a, Gennady Rozhdestvensky assembled his own three-part suite. |
27 | The Bolt, ballet in three acts | Orchestra | 1930-1931 | Alexander Gauk arranged a suite from the ballet, Op. 27a, sometimes also titled "Ballet Suite No. 5."[12] Shortly thereafter, Shostakovich compiled his own suite, which dropped two movements, as well as movement titles which referred to the original ballet libretto.[13] |
28 | Music to the play Rule, Britannia! by Piotrovsky | Orchestra | 1931 | |
Two Pieces | String quartet | 1931 | The first movement is an arrangement of Katerina's aria from Act I, Scene 3 of Lady Macbeth of the Mtsensk District. The second movement is an arrangement of the Polka from The Golden Age. | |
Overture to The Green Company | Orchestra | 1931 | Possibly not composed by Shostakovich.[citation needed] | |
Prologue to Orango, an unfinished opera | Orchestra | 1932 | Unfinished. Some material recycled from The Bolt and The Big Lightning.[5] | |
29 | Lady Macbeth of the Mtsensk District, opera in four acts after Leskov | Orchestra | 1930–1932 | Shostakovich assembled a suite of three orchestral interludes as Op. 29a. Shostakovich arranged the Passacaglia interlude for solo organ. |
Reduction of the Symphony of Psalms by Igor Stravinsky | Mixed choir and piano four-hands | 1930–1935 | Shostakovich presented the score to Stravinsky during the latter's trip to the Soviet Union in 1962. | |
From Karl Marx to our Own Days, a symphonic poem | Solo voices, chorus and orchestra | 1932 | Incomplete | |
The Big Lightning, unfinished comic opera | Orchestra, chorus, and vocal soloists | 1932 | ||
30 | Music to the film Golden Mountains | Orchestra | 1931 | Shostakovich assembled a suite from the music for orchestra as Op. 30a. This suite contains an added number ("Fugue: Largo-Allegro") for organ concertante that had been excised from the final cut of the film, as well as the coda from the Third Symphony which was also not included in the original film score.[8] |
31 | Music to the stage revue Hypothetically Murdered by Voyevodin and Riss | Orchestra | 1931 | Orchestral score and libretto lost. Reconstruction from extant piano sketches by Gerard McBurney as Op. 31a. Four extracts transcribed by the composer for piano as Op. 31b. |
32 | Music to the play Hamlet by Shakespeare | Orchestra | 1931–1932 | |
33 [sic] | Impromptu (Экспромт)[4] | Viola and piano | 1931 | The score was discovered in 2017 among documents belonging to Vadim Borisovsky in the Moscow State Archives. The manuscript dated 2 May 1931 bears the title Impromptu Op. 33.[4] |
33 | Music to the film Counterplan | Orchestra | 1932 | "Song about the Oncoming Train", "My Heart's Aching and Moaning" were arranged for voice and piano as Op. 33a "We meet this Morning (The Song of the Young Workers)" was arranged for voice and piano as Op. 33b |
34 | 24 Preludes | Piano | 1932-1933 | |
Impromptu: Madrigal | Voice and piano | 1933 | Composed and first performed during a birthday party for Lyubov Berg, secretary of MALEGOT. Title page states: "Words by Mikhail Pravdin, music by Dmitri Shostakovich, idea by Samuil Zinkovsky." First public performance by Larisa Shevchenko accompanied by Sofia Khentova in Kiev in 1983. It was first published in 2015. The original manuscript is lost, but a photocopy is preserved in the Shostakovich Archives in Moscow. | |
35 | Piano Concerto No. 1 | Piano, solo trumpet, and strings | 1933 | |
36 | Music to the animated film The Tale of the Priest and of his Workman Balda | Chamber orchestra, chorus, and vocal soloists | 1933–1934 | Unfinished and partially lost. Shostakovich compiled a suite from the music as Op. 36a. Sofia Khentova and Vadim Bibergan have each assembled their own differing completions of the score. |
37 | Music to the play The Human Comedy after Balzac | Small orchestra | 1933–1934 | "Gavotte" later arranged for solo piano in Dances of the Dolls. |
38 | Music to the film Love and Hate | Orchestra | 1934 | Original score lost. Only piano sketches for eight cues and a published version of one of the film's songs are extant. Score reconstructed from the original soundtrack by Mark Fitz-Gerald.[14] |
38a | Suite for Jazz Orchestra No. 1 | Chamber ensemble | 1934 | |
Symphonic Movement | Orchestra | 1934 | Incomplete draft of earlier version of Fourth Symphony.[5] | |
39 | The Limpid Stream, ballet in three acts | Orchestra | 1934–1935 | Suite for orchestra from the music as Op. 39a. Music later recycled by Levon Atovmyan for the Ballet Suites Nos. 1 – 4 and The Lady and the Hooligan. |
40 | Sonata for Cello and Piano | Cello and piano | 1934 | |
Moderato | Cello and piano | 1934? | Discovered in the archives of the Glinka Museum in 1986. Dating uncertain, but believed to be from mid-1930s; it may have been an unused sketch for the Cello Sonata.[15] | |
41 | Music to the film The Youth of Maxim | Orchestra | 1934–1935 | |
41a | Music to the film Girl Friends | Small orchestra | 1934–1935 | Partially lost. Score reconstructed from the original soundtrack recording by Mark Fitz-Gerald. Excerpts from Shostakovich's String Quartet No. 1 were added with permission from the composer upon the film's restoration in the 1960s.[16] |
42 | Five Fragments | Small orchestra | 1935 | |
43 | Symphony No. 4 in C minor | Orchestra | 1935–1936 | Original score lost. Only transcription for two pianos as Op. 43a survived. Original instrumental parts for aborted 1936 Leningrad premiere discovered in 1961, whereupon the score was reconstructed. |
44 | Music to the play Hail, Spain by Alexander Afinogenov | Orchestra and chorus | 1935–1936 | |
45 | Music to the film The Return of Maxim | Orchestra | 1936–1937 | |
46 | Four Romances on Verses by Pushkin | Bass and piano | 1936–1937 | Orchestration (omitting the last song) for bass and orchestra as Op. 46a. |
47 | Symphony No. 5 in D minor | Orchestra | 1937 | |
48 | Music to the film Volochayev Days | Orchestra | 1936–1937 | |
The Twelve Chairs, operetta | Orchestra | 1937–1938 | Incomplete | |
49 | String Quartet No. 1 in C major | String quartet | 1938 | Portions reused in restored version of the film Girlfriends. |
50 | Music to the film The Vyborg Side | Orchestra | 1938 | |
51 | Music to the film Friends | Orchestra | 1938 | Vocalise from the music arranged for unaccompanied chorus as Op. 51a. |
52 | Music to the film The Great Citizen, first part | Orchestra | 1938 | |
53 | Music to the film The Man with a Gun | Orchestra | 1938 | |
Suite for Jazz Orchestra No. 2 | Jazz Orchestra | 1938 | Formerly confused with the Suite for Variety Orchestra. | |
54 | Symphony No. 6 in B minor | Orchestra | 1939 | |
55 | Music to the film The Great Citizen, second part | Orchestra | 1939 | |
56 | Music to the animated film The Stupid Little Mouse | Orchestra | 1939 | |
Suite on Finnish Themes | Soloists, chorus, chamber orchestra, piano | 1939 | ||
57 | Piano Quintet in G minor | Piano quintet | 1940 | |
58 | Orchestration of the opera Boris Godunov by Modest Mussorgsky | Orchestra | 1939–1940 | |
Three Pieces | Solo violin | 1940 | Possibly lost. Originally designated Op. 59.[8] | |
59 | Music to the film The Adventures of Korzinkina | Orchestra | 1940 | |
Katyusha Maslova, opera after Tolstoy's novel Resurrection | Orchestra | 1940 | Unfinished | |
58a | Music for Grigori Kozintsev's production of King Lear by William Shakespeare | Orchestra | 1940 | |
60 | Symphony No. 7 in C major Leningrad | Orchestra | 1941 | |
The Gamblers, unfinished opera after Nikolai Gogol | Orchestra | 1941–1942 | Portions extensively quoted in second movement of Viola Sonata. Originally designated Op. 61. | |
61 | Piano Sonata No. 2 in B minor | Piano | 1943 | |
"The Oath to the People's Commissar" | Bass, chorus and piano | 1941 | ||
"Songs of a Guard's Division" ("The Fearless Regiments Are On the Move"), marching song | Bass and mixed chorus with simple accompaniment for bayan or piano | 1941 | ||
Polka in F♯ minor | Harp duet | 1941 | ||
62 | Six Romances on Verses by British Poets | Bass and piano | 1942 | Arranged by Shostakovich for large orchestra and bass as Op. 62a; chamber orchestra and bass as Op. 140. |
63 | Music to the revue Native Country, suite Native Leningrad | Orchestra | 1942 | |
Reduction of the second movement from the Symphony No. 10 by Gustav Mahler | Piano four-hands | 1942–1949 | Incomplete. Possibly composed after Jack Diether approached Shostakovich with proposal to complete Mahler's Symphony No. 10. | |
"Solemn March" | Military band | 1942 | ||
Patriotic Song after Yevgeniy Dolmatovsky | Voices | 1943 | ||
"Song about the Red Army" after Mikhail Golodny | Voices | 1943 | ||
Russian Folk Songs | Chorus | 1943 | ||
Three Russian Folk Songs | Two soloists, chorus, piano accompaniment | 1943 | ||
64 | Music to the film Zoya | Orchestra | 1944 | |
65 | Symphony No. 8 in C minor | Orchestra | 1943 | |
66 | Music to the spectacle Russian River | Soloists, choir, and orchestra | 1944 | |
67 | Piano Trio No. 2 in E minor | Piano, violin, cello | 1944 | |
68 | String Quartet No. 2 in A Major | String quartet | 1944 | |
69 | Children's Notebook, six pieces | Piano | 1944-1945 | |
Symphonic Fragment (first version of Symphony No. 9) | Orchestra | January 1945 | Incomplete. | |
Violin Sonata | Violin and piano | 1945 | Left incomplete after first movement's double exposition. | |
70 | Symphony No. 9 in E♭ major | Orchestra | 1945 | |
71 | Music to the film Simple People | Orchestra? | 1945 | |
72 | Two Songs to the spectacle Victorious Spring after Mikhail Arkadyevich Svetlov | Voices and orchestra | 1945 | Arranged for piano as Op. 72a |
73 | String Quartet No. 3 in F major | String quartet | 1946 | |
74 | Poem of the Motherland, cantata | Mezzosoprano, tenor, two baritones, chorus and orchestra | 1947 | |
Reduction of Arthur Honegger's Symphonie Liturgique | Two pianos | 1947 | Shostakovich produced his reduction after listening to Honegger’s symphony at the 1947 Prague Spring Festival. | |
75 | Music to the film The Young Guard | Orchestra | 1947-1948 | |
76 | Music to the film Pirogov | Orchestra | 1947 | |
Three Pieces | Orchestra | 1947-1948 | Unpublished | |
77 | Violin Concerto No. 1 in A minor | Violin and orchestra | 1947-1948 | Initially published as Op. 99, its original numbering was restored by the composer. |
78 | Music to the film Michurin | Orchestra | 1948 | |
79 | From Jewish Folk Poetry, song cycle | Soprano, contralto, tenor, and piano | 1948 | Orchestration as Op.79a. |
80 | Music to the film Encounter at the Elbe | Voices and piano | 1948 | |
Anti-Formalist Rayok (Peep Show) | Four voices, chorus, and piano | 1948 | ||
81 | Song of the Forests, oratorio after Yevgeniy Dolmatovsky | Tenor, bass, mixed and boys' chorus, and orchestra | 1949 | |
82 | Music to the film The Fall of Berlin | Orchestra | 1949 | |
83 | String Quartet No. 4 in D major | String quartet | 1949 | |
Merry March | Two pianos | 1949 | ||
84 | Two Romances on Verses by Mikhail Lermontov | Male voice and piano | 1950 | |
85 | Music to the film Belinsky | Orchestra and chorus | 1950 | |
86 | Four Songs to Words by Yevgeniy Dolmatovsky | Voice and piano | 1951 | |
87 | Twenty-Four Preludes and Fugues | Piano | 1950-1951 | |
88 | Ten Poems on Texts by Revolutionary Poets | Chorus and boys' chorus a capella | 1951 | |
89 | Music to the film The Unforgettable Year 1919 | Orchestra | (1951) | |
The Homeland Hears | Chorus and tenor soloist with wordless chorus | 1951 | ||
Ten Russian Folk Song Arrangements | Soloists, mixed chorus and piano | 1951 | ||
90 | The Sun Shines on Our Motherland, cantata after Yevgeniy Dolmatovsky | Mixed and boys' chorus with orchestra | 1952 | |
91 | Four Monologues on Verses by Aleksandr Pushkin | Bass and piano | 1952 | |
92 | String Quartet No. 5 in B♭ major | String quartet | 1952 | |
Dances of the Dolls | Piano | 1952 | ||
Greek Songs | Voice and piano | 1952-1953 | ||
93 | Symphony No. 10 in E minor | Orchestra | 1953 | |
94 | Concertino in A minor | Two pianos | 1953 | |
95 | Music to the film Song of the Great Rivers | Orchestra | 1954 | |
96 | Festive Overture in A major | Orchestra | 1954 | |
"Poem of Labour" from Unity | Mixed chorus and orchestra | 1954 | ||
Two Songs from Unity ("A Song of Unity" and "Peaceful Labour") | Voice and piano | 1954 | ||
Waltz from Unity | Orchestra | 1954 | ||
Music for Grigori Kozintsev's production of Hamlet by William Shakespeare | Orchestra | 1954 | Gigue and Finale added to the music from the 1932 production for Akimov. | |
Pendozalis, Greek song | Voice and piano | 1954 | ||
October Dawn | Soloists and chorus | 1954 | ||
Tarantella | Two pianos | 1954 | ||
97 | Music to the film The Gadfly, based on the novel by Voynich | Orchestra | 1955 | Fashioned with the composer's approval into The Gadfly Suite, Op. 97a by Levon Atovmyan. |
98 | Five Romances on Verses by Yevgeny Dolmatovsky | Bass and piano | 1954 | |
99 | Music to the film The First Echelon | Orchestra | 1955-1956 | |
100 | Spanish Songs | (Mezzo)soprano and piano | 1956 | |
101 | String Quartet No. 6 in G major | String quartet | 1956 | |
Suite for Variety Orchestra | Variety orchestra | post-1956 | ||
102 | Piano Concerto No. 2 in F major | Orchestra | 1957 | |
103 | Symphony No. 11 in G minor The Year 1905 | Orchestra | 1957 | |
104 | Cultivation: Two Russian Folk Song Arrangements | Chorus a capella | 1957 | |
Eleven Variations on a Theme by Mikhail Glinka | Piano | 1957 | Based on a theme from A Life for the Tsar. Collaborative project with Eugen Kapp, Vissarion Shebalin, Andrei Eshpai, Rodion Shchedrin, Georgi Sviridov, Yuri Levitin, and Dmitry Kabalevsky to commemorate the centennial of Glinka's death. Shostakovich contributed variations VIII, IX, and XI.[17][8] | |
105 | Moscow, Cheryomushki, operetta in three acts | Orchestra | 1958 | |
106 | Re-orchestration of Modest Mussorgsky's opera Khovanshchina | Orchestra | 1959 | |
107 | Cello Concerto No. 1 in E♭ major | Cello and orchestra | 1959 | |
108 | String Quartet No. 7 in F♯ minor | String quartet | 1960 | |
109 | Satires (Pictures of the Past), Five Romances on Verses by Chorny | Soprano and piano | 1960 | |
110 | String Quartet No. 8 in C minor | String quartet | 1960 | |
111 | Music to the film Five Days, Five Nights | Orchestra | 1960 | |
Novorossiysk Chimes, the Flame of Eternal Glory | Orchestra | 1960 | Based on Shostakovich's entry for the 1943 contest to determine the new national anthem of the Soviet Union. | |
Quartet Movement | String quartet | 1961 | Draft first movement of early version of String Quartet No. 9. Complete score possibly destroyed by the composer. | |
112 | Symphony No. 12 in D minor The Year 1917 | Orchestra | 1961 | |
113 | Symphony No. 13 in B♭ minor Babi-Yar | Bass, bass chorus, and orchestra | 1962 | |
114 | Katerina Izamailova, opera in four acts after Nikolai Leskov | Orchestra | 1956-1963 | Revision of Op. 32 |
115 | Overture on Russian and Kirghiz Folk Themes | Orchestra | 1963 | |
116 | Music to the film Hamlet | Orchestra | 1963-1964 | |
117 | String Quartet No. 9 in E♭ major | String quartet | 1964 | |
118 | String Quartet No. 10 in A♭ major | String quartet | 1964 | |
119 | The Execution of Stepan Razin, cantata after Yevgeny Yevtushenko | Bass, mixed chorus, and orchestra | 1964 | |
120 | Music to the film A Year Is Like a Lifetime | Orchestra | 1965 | |
121 | Five Romances on Texts from the Magazine Krokodil | Bass and piano | 1965 | |
122 | String Quartet No. 11 in F minor | String quartet | 1966 | |
123 | Preface to the Complete Collection of My Works and Brief Reflections on this Preface | Bass and piano | 1966 | |
124 | Two Choruses after Alexander Davidenko | Chorus and orchestra | 1962 | |
125 | Re-orchestration of Robert Schumann's Cello Concerto in A minor | Cello and orchestra | 1963 | |
126 | Cello Concerto No. 2 in G minor | Cello and orchestra | 1966 | |
127 | Seven Songs on Poems by Alexander Blok | Soprano, violin, cello, and piano | 1967 | |
128 | Romance "Spring, Spring" to Verses by Pushkin | Bass and piano | 1967 | |
129 | Violin Concerto No. 2 in C♯ minor | Violin and orchestra | 1967 | |
130 | Funeral-Triumphal Prelude | Orchestra | 1967 | |
131 | October, symphonic poem in C minor | Orchestra | 1967 | |
132 | Music to the film Sofiya Perovskaya | Orchestra | 1967 | |
133 | String Quartet No. 12 in D♭ major | String quartet | 1968 | |
134 | Sonata for Violin and Piano | Violin and piano | 1968 | |
135 | Symphony No. 14 | Soprano, bass, string orchestra, and percussion | 1969 | |
136 | Loyalty, eight ballads after Yevgeny Dolmatovsky | Male chorus | 1970 | |
137 | Music to the film King Lear | Orchestra | 1970 | |
138 | String Quartet No. 13 in B♭ minor | String quartet | 1970 | |
139 | "March of the Soviet Militia" | Military band/Wind orchestra | 1970 | |
140 | Six Romances on Verses by British Poets | Bass and chamber orchestra | 1971 | Re-orchestration of Op. 62 for Rudolf Barshai's Moscow Chamber Orchestra. |
Yelabuga Nail | Voice and piano | 1971[18] | Unpublished setting of poem by Yevgeny Yevtushenko. | |
Intervision | Orchestra | 1971 | Commissioned by the Intervision Network for use in its news broadcasts. | |
141 | Symphony No. 15 in A major | Orchestra | 1971 | |
142 | String Quartet No. 14 in F♯ major | String quartet | 1972-1973 | |
143 | Six Poems by Marina Tsvetayeva | Contralto and piano | 1973 | Orchestration as Op.143a. |
144 | String Quartet No. 15 in E♭ minor | String quartet | 1974 | |
145 | Suite on Verses of Michelangelo Buonarroti | Bass and piano | 1974 | Orchestration as Op.145a. |
146 | Four Verses of Captain Lebyadkin to texts by Dostoevsky | Bass and piano | 1975 | |
147 | Sonata for Viola and Piano | Viola and piano | 1975 | Last completed composition by Shostakovich. |
Symphony No. 16 | Orchestra | 1975 | Possibly a speculation. In Soviet Weekly, April 1976, they reported that Shostakovich's last work had been performed. However, during rehearsals of Op. 145, Shostakovich considered the work his sixteenth symphony.[5] |
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Operas and operetta |
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Ballets |
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Symphonies |
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Concertos |
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Orchestral works |
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Concert/brass band |
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Film music |
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Vocal music |
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Chamber music |
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Piano music | |||||||
Family |
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Named for Shostakovich |
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Related articles |
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