music.wikisort.org - CompositionThe Flip is an album by the jazz saxophonist Hank Mobley recorded on July 12, 1969 in Paris, France, and released on the Blue Note label.[2][3] It features performances by Mobley with four European-based musicians: trumpeter Dizzy Reece, trombonist Slide Hampton, pianist Vince Benedetti, bassist Alby Cullaz, and drummer Philly Joe Jones.
1970 studio album by Hank Mobley
The Flip |
---|
 |
|
Released | June 1970[1] |
---|
Recorded | July 12, 1969 |
---|
Studio | Studio Barclay, Paris |
---|
Genre | Jazz |
---|
Length | 37:38 |
---|
Label | Blue Note BST 84329 |
---|
Producer | Francis Wolff |
---|
|
|
Reception
Professional ratingsReview scores |
---|
Source | Rating |
---|
Allmusic |     [4] |
The Guardian |     [5] |
The Penguin Guide to Jazz Recordings |    [6] |
Allmusic awarded the album 4 stars with review by Thom Jurek saying, "While not as groundbreaking as A Caddy for Daddy, Dippin' or Soul Station, Flip is nonetheless a solid hard groove date for Mobley ... Flip is a very worthwhile side to add to the Mobley shelf".[4]
The Guardian's John Fordham called it "Pretty standard Blue Note hard bop, but from an original who doesn't make an exhibition of how original he is" observing "The music has something of a Blue Note usual-suspects quality and Vince Benedetti's metronomic piano comping under the horns can get on your nerves, but the lineup is otherwise strong and the music pretty lively".[5]
On All About Jazz Germien Linares stated "An exquisite soul messenger, Mobley was criticized for not being as aggressive, voluminous, or trailblazing as his contemporaries. Indeed, he was not. Instead, his music was steeped in care, precision and nuances. In Mobley's hands, such treatment often dazzled, as on his latest Blue Note reissue, The Flip ... He's supported by an excellent crew of international musicians, ... All the tunes on The Flip were composed by Mobley and are built around his strengths of soul, swing, and subtlety ... True, this album and its composer will never be within the ranks of the most influential, the most revered, or even the most downloaded. Fine. Besides, as a provocateur of beauty, Mobley is in a class all his own".[7]
Flophouse magazine noted "In the late sixties Hank Mobley’s round tone had become a bit rougher around the edges and his style was more hard-driving. This is evident on 1969’s The Flip, which boasts hi-voltage blowing but is short on finesse. Mobley, always the prolific songwriter, wrote all five tunes on The Flip. The compositions that turn out best are the ones that resemble Mobley’s songwriting of the late fifties and early sixties. ... The Flip swings hard and is sure to enliven a party. But unfortunately, it also swings wild and uncontrolled, favouring a strained, hi-octane tension over a sophisticated build-up".[8]
Track listing
All compositions by Hank Mobley.
- "The Flip" - 9:02
- "Feelin' Folksy" - 8:29
- "Snappin' Out" - 7:14
- "18th Hole" - 6:00
- "Early Morning Stroll" - 6:53
Personnel
- Hank Mobley — tenor saxophone
- Dizzy Reece — trumpet
- Slide Hampton — trombone
- Vince Benedetti — piano
- Alby Cullaz — double bass
- Philly Joe Jones — drums
References
- Jazz Monthly 1970
- Jazzdisco: Hank Mobley Catalog, accessed July 18, 2019
- Jazzlists: Hank Mobley discography, accessed July 18, 2019
- Jurek, T. Allmusic review. Retrieved April 10, 2012.
- Fordham, J. The Guardian Review: Hank Mobley: The Flip, accessed July 16, 2019
- Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 1013. ISBN 978-0-141-03401-0.
- Linares, G. All About Jazz Review, accessed July 18, 2019
- Flophouse magazine Review, accessed July 18, 2019
Hank Mobley |
---|
Year(s) indicated are for the recording(s), not first release, except for the compilation section |
As leader or co-leader | |
---|
With others |
- At the Cafe Bohemia, Vol. 1 (Art Blakey/The Jazz Messengers, 1955)
- At the Cafe Bohemia, Vol. 2 (Art Blakey/The Jazz Messengers, 1955)
- The Jazz Messengers (Art Blakey, 1956)
- Originally (Art Blakey/The Jazz Messengers, 1956 [1982])
- At the Jazz Corner of the World (Art Blakey/The Jazz Messengers, 1959)
- All Night Long (Kenny Burrell, 1956)
- K.B. Blues (1957 [1979])
- Byrd's Eye View (Donald Byrd, 1955)
- Byrd in Flight (Donald Byrd, 1960)
- A New Perspective (1963)
- Mustang! (Donald Byrd, 1966)
- Blackjack (Donald Byrd, 1967)
- Dial "S" for Sonny (Sonny Clark, 1957)
- My Conception (Sonny Clark, 1957)
- Someday My Prince Will Come (Miles Davis, 1961)
- In Person Friday and Saturday Nights
at the Blackhawk, Complete (Miles Davis, 1961)
- Miles Davis at Carnegie Hall (1961)
- Afro-Cuban (Kenny Dorham, 1955)
- Whistle Stop (Kenny Dorham, 1961)
- This Is New (Kenny Drew, 1957)
- Undercurrent (Kenny Drew, 1960)
- Farmer's Market (Art Farmer, 1956)
- The Opener (Curtis Fuller, 1957)
- Sliding Easy (Curtis Fuller, 1959)
- Afro (Dizzy Gillespie, 1954)
- Dizzy and Strings (Dizzy Gillespie, 1954)
- Jazz Recital (Dizzy Gillespie, 1954–55)
- I Want to Hold Your Hand (Grant Green, 1965)
- A Blowin' Session (Johnny Griffin, 1957)
- My Point of View (Herbie Hancock, 1963)
- Informal Jazz (Elmo Hope, 1956)
- Goin' Up (Freddie Hubbard, 1960)
- Blue Spirits (Freddie Hubbard, 1965)
- The Eminent Jay Jay Johnson Volume 2 (1955)
- Together! (Elvin Jones and Philly Joe Jones, 1961)
- Midnight Walk (Elvin Jones, 1966)
- I Wanna Talk About You (Tete Montoliu, 1980)
- Introducing Lee Morgan (1956)
- Lee Morgan Sextet (1956)
- Cornbread (Lee Morgan, 1965)
- Charisma (1966)
- The Rajah (1966)
- Tenor Conclave (Prestige All Stars, 1957)
- Star Bright (Dizzy Reece, 1959)
- The Cool Voice of Rita Reys (1956)
- Good Move! (Freddie Roach 1963)
- The Max Roach Quartet featuring Hank Mobley (1953)
- Max Roach + 4 (1956)
- The Max Roach 4 Plays Charlie Parker (1957)
- MAX (Max Roach, 1958)
- Yasmina, a Black Woman (Archie Shepp, 1969)
- Poem for Malcolm (Archie Shepp, 1969)
- Horace Silver and the Jazz Messengers (1954–55)
- Silver's Blue (Horace Silver, 1956)
- 6 Pieces of Silver (Horace Silver, 1956–58)
- The Stylings of Silver (Horace Silver, 1957)
- A Date with Jimmy Smith Volume One (1957)
- A Date with Jimmy Smith Volume Two (1957)
- Julius Watkins Sextet (1955)
|
---|
Compilations | |
---|
Related | |
---|
Dizzy Reece |
---|
Years given are for the recording(s), not first release. |
As leader or co-leader | |
---|
With others | |
---|
Authority control  | |
---|
Текст в блоке "Читать" взят с сайта "Википедия" и доступен по лицензии Creative Commons Attribution-ShareAlike; в отдельных случаях могут действовать дополнительные условия.
Другой контент может иметь иную лицензию. Перед использованием материалов сайта WikiSort.org внимательно изучите правила лицензирования конкретных элементов наполнения сайта.
2019-2025
WikiSort.org - проект по пересортировке и дополнению контента Википедии