Born in Antwerp, Grisar's family had intended for him to pursue a tradesman's career, but he defied their wishes to devote himself to music. He studied in Antwerp with Joseph Janssens, in Paris under Anton Reicha, and in the mid-1840s in Naples with Saverio Mercadante. Grisar was a successful comic opera composer, first winning success in Brussels in 1833 and in Paris later in the decade. He collaborated with Flotow on L'Eau merveilleuse (1839), with Flotow and Auguste Pilati in Le Naufrage de la Méduse (1839), and with François-Adrien Boieldieu on L'Opéra à la cour (1840). When he received a grant from the Belgian government in 1840 to study music of Belgian composers in Italy, he instead used his time in Rome and Naples to study compositional techniques of the comic opera. His Parisian works of the late 1840s and early 1850s were particularly well received by audiences.
Le Chien du jardinier, premiere: Opéra-Comique, Paris 1855
Voyage autour de ma chambre, Paris 1859
La Chatte merveilleuse (libretto by Philippe Dumanoir and Adolphe d'Ennery), premiere: Théâtre Lyrique, Paris 1862
Les Bégaiements d'amour, Paris 1864
Les Douze Innocentes, Paris 1865
Le Procès, 1867
References
Fétis, F.-J.: Biographie universelle des musiciens, supplement published under the direction of Arthur Pougin, vol. 1, pp.423–424 (Paris: Didot, 1878).
Mercier, Philippe: "Grisar, Albert", in The New Grove Dictionary of Opera, edited by Stanley Sadie (London: Macmillan, 1992), ISBN9781561592289.
Pougin, Arthur: Albert Grisar: Étude artistique (Paris: Librairie de L. Hachette, 1870), View at Google Books.
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