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Tallapaka Annamacharya (Telugu : తాళ్ళపాక అన్నమాచార్య) (IAST: taḷḷapāka annamācārya; 22 May 1408 – 4 April 1503), also popularly known as Annamayya, was a 15th-century Hindu saint and the earliest known Indian musician to compose songs called sankirtanas in praise of the Venkateswara, a form of Vishnu.[1] The musical form of the keertana songs that he composed, which are still popular among Carnatic music concert artists,[2] have strongly influenced the structure of Carnatic music compositions.[3] Annamacharya is remembered for his saintly life, and is honoured as a great devotee of Vishnu by devotees and saintly singers.[4]

Tallapaka Annamacharya
Annamayya
This statue is at Dwaraka Tirumala
Background information
Also known asAnnamayya,
Pada Kavitha Pitaamahudu
Born22 May 1408
Tallapaka, Vijayanagara Empire
(modern-day Andhra Pradesh, India)
Died4 April 1503(1503-04-04) (aged 94)
Tirumala, Vijayanagara Empire
(modern-day Andhra Pradesh, India)
GenresCarnatic music
Occupation(s)Saint, poet, composer, writer
Instrument(s)Tambura

He is believed to have been the avatar of Nandaka, the sword of Vishnu. He is widely regarded as the Andhra Pada kavitā Pitāmaha (Grandfather of Telugu song-writing).[1]


Personal life


Tallapaka Annamacharya was born on Vaishakha Shuddha Pournami in the year Sarwadhari (22 May 1408) in Tallapaka, Near Rajampet Mandal, a village in present-day Kadapa district of Andhra Pradesh, India.[5] Even though his parents belonged to the Nandavarika Brahmin community of Smarta tradition, he took initiation into Vaishnavism and became a Vaishnava in the Ramanujacharya Sampradaya.[6][7] His wife, Timmakka,[8] had written Subhadra Kalyanam, and is considered the first female poet in Telugu literature. Their son, Pedda Tirumalacharya, and grandson, Tallapaka Chinnayya, were also composers and poets. The Tallapaka compositions are considered to have dominated and influenced the structure of Carnatic music compositions.[3] Annamacharya lived for 95 years until Phalguna Bahula (Krishna) Dvadasi (12th day after full moon) in the year Dhundhubhi (4 April 1503).

A statue of Tallapaka Annamacharya situated at the Sarada River Park in Anakapalle, Andhra Pradesh.
A statue of Tallapaka Annamacharya situated at the Sarada River Park in Anakapalle, Andhra Pradesh.

Literary career


10-story tall statue of Sri Tallapaka Annamacharya located at the entrance of Tallapaka.
10-story tall statue of Sri Tallapaka Annamacharya located at the entrance of Tallapaka.

Annamayya is said to have composed as many as 32,000 sankeertanas (songs) on the praise of lord Venkateswara of which only about 12,000 are available today. He is also the author of musical treatise called "Sankirthana lakshanamu".[1]

Annamayya considered his compositions as floral offerings to Venkateswara. In the poems, he praises the deity, describes his love for him, argues and quarrels with the Lord, confesses the devotee's failures and apprehensions, and surrenders himself to Venkateshwara. His songs are classified into the Adhyaatma (spiritual) and Sringaara (romantic) sankeertanas genres. His songs in the "Sringaara" genre worship Venkateswara by describing the romantic adventures of Venkateshwara and his consort Alamelu, while others describe the Bhakti of his devotees.

In his later keertanas, he espouses subjects such as morality, dharma and righteousness. He was one of the first few who opposed the social stigma towards the untouchable castes in his era,[9] with his sankeertanas explaining that the relationship between God and human is the same irrespective of the latter's color, caste and financial status, in his songs "Brahmaṃ Okkatē Paraḥbrahmamokkatē" and "ē kulajuḍainanēmi evvaḍainanēmi". His prodigious literary career earned him a place among the all-time greats of Telugu literature.[10]


Legacy


While he enjoyed popularity in his days, his compositions were forgotten for over three centuries. Mentioned in 1849,[11] they were later found engraved on copper plates, hidden for centuries inside the Sri Venkateswara temple at Tirumala, just opposite the Hundi, concealed in a very small room. An English translation of 150 of these verses was published in 2005.[12]

Tirumala Tirupati Devasthanams, also known as TTD, has been endeavoring to preserve the rich heritage of his compositions. In the year 1950, The State Government of Andhra Pradesh created a committee and appointed the legendary musician late Dr. M. Balamuralikrishna as its head. He set music to over 800 compositions of Annamacharya and are still popular among the devotees. He was the Āsthāna Gāyaka of the Tirumala temple at Tirupati for two decades. He is regarded as a legend in rendering devotional music in classical style, especially the Annamacharya Sankirtanas. He was also an acclaimed poet, singer, and a musicologist. In 1979, the legendary singer Smt. M. S. Subbulakshmi's album Balaji Pancharatna Mala came up with Annamacharya keerthanas like Vande Vasudevam, Bhavamulona, Sriman Narayana and many more. This became a hit and took the compositions of Annamacharya to every nook and corner of the country.[citation needed]

Shobha Raju is the first recipient of Tirumala Tirupati Devasthanams scholarship in 1976 to study and set a trend for the propagation of Annamacharya's compositions, and was also chosen as the first exclusive artiste for the propagation of Tallapaka's compositions in 1978. Her first audio album, "Vēnkatēśvara Gīta Mālika" is globally popular among Telugu community. She is the founder of Annamacharya Bhavana Vahini (ABV) in 1983, which is located in Hyderabad, India. She has been awarded Padmashri by Government of India, in 2010 in recognition of her efforts to promote Annamayya Compositions. Sri Garimella Balakrishna Prasad, a Carnatic music exponent and the asthana vidwan of Tirumala Tirupati Devasthanams has set tune to more than six hundred songs written by Annamacharya, gave audio recordings for TTD, published books with musical notations and conducted classes, teaching the songs to make them more popular.[citation needed]

In 1994, reputed Bharathanatyam artist Parvathi Ravi Ghantasala, also the daughter in law of the legendary singer Ghantasala Venkateswara Rao, for the first time produced and presented a mammoth dance production as a tribute to the divine composer titled "Annamaiyah". Rare and popular songs were woven into a story format and music by legendary stalwarts was set to action. This production was inaugurated by the former President of India R. Venkatraman and Bharat Ratna-winning singer M. S. Subbulakshmi and later that year for the Tirumala Brahmotsavam. The production went on to become a sensational hit and more dancers of different forms started choreographing for the saints' composition. Based on popular demand in 2009, a DVD of the production was also launched which included several places visited by the saint himself. The production has traveled across the US, Europe, and Asia and staged over 400 times until now.[citation needed]

A Telugu film named Annamayya was made on him by K. Raghavendra Rao in 1997. It starred Nagarjuna in the lead role as Annamacharya and also featured Suman as Lord Venkateshwara and Bhanupriya as Goddess Padmavathi Devi in important roles. The film became a huge blockbuster and was the highest grosser of the year in Telugu cinema.[citation needed]

In 2017, one of Annamayya's compositions, Brahmam Okate, became a YouTube sensation. As of early-2019, this video alone (produced by Kuldeep M. Pai) has garnered over 11 million views and made the child singers Sooryagayathri and Rahul Vellal household names for their flawless rendering of the classic keerthana. Professional singers P. Unnikrishnan[13] and Sreeranjini Kodampally[14] have their performances of the composition on YouTube.


Famous compositions


This is a partial list of some of the most famous Tallapaka Annamacharya compositions.

Composition (Sorted Alphabetically)RagaTalaMusic Set ByLanguageOther Info
Adivō Alladivō Śriharivāsamu
అదివో అల్లదివో శ్రీహరివాసము
MadhyamavatiAdiDr. Shobha RajuTelugu
Alara Cañcalamaina Ātmalanduṇḍa
అలర చంచలమైన ఆత్మలందుండ
Rāga mālikakhanDa cApuGarimella Balakrishna Prasad Telugu[15]
Alarulu Kuriayaga Āḍinadē
అలరులు కురియగ ఆడినదే
SankarabharanamRallapalli Ananta Krishna SharmaTelugu
Anni mantramulu nindē yāvahiñcenu
అన్ని మంత్రములు ఇందే ఆవహించెనూ
AmritavarshiniTelugu[16]
Antarangamella Sri Hariki
"అంతరంగ మెళ్ళ శ్రీ హరికి'
Adi (Tisra Nadaka)Nedunuri KrishnamurthyTelugu
Antaryāmi Alaśiti Solaśiti
అంతర్యామి అలసితి సొలసితి
Shivaranjani Telugu
Bhāvayāmi Gōpālabālaṁ Manassēvitaṁ
భావయామి గోపాలబాలం మనస్సేవితం
Yamunā KaḷyāṇiKhanda ChapuKadayanallur VenkataramanSanskrit[17]
Bhāvamulōna Bāhyamunandunu
భావములోన బాహ్యమునందును
Śuddha DhanyasiAdiNedunuri KrishnamurthyTelugu[18]
Brahma Kaḍigina Pādamu
బ్రహ్మ కడిగిన పాదము
MukhāriAdiRallapalli Ananta Krishna SharmaTelugu
Brahmam Okate
తందనాన అహి
Bowli Adi Dr. Shobha Raju Telugu Tatva Prabōdha Keertana
Cakkani Talliki Chāngu Bhaḷā
చక్కని తల్లికి ఛాంగుభళా
Telugu
Cāladā Harināma Saukhyāmr̥tamu
చాలదా హరినామ సౌఖ్యామృతము
Telugu
Cēri Yaśōdaku Śiśuvitaḍu
చేరి యశోదకు శిశువితఁడు
MohanamAdiTelugu
Candamāma Rāve Jābilli Rāve
చందమామ రావే జాబిల్లి రావే
Telugu
Dēvadēvaṁ Bhajē Divya Prabhāvaṁ
దేవదేవం భజే దివ్య ప్రభావం
देवदेवं भजे दिव्यप्रभावम्
HindolamKhanda ChapuSripada PinakapaniSanskrit
ḍōlāyāṁ Cālā ḍōlāyāṁ
డోలాయాం చల డోలాయాం
KhamasThisra AdiTelugu
ēmokō ciguruṭadharamuna eḍaneḍakastūri niṃḍenu
ఏమకో చిగురుటధరమున కస్తూరి నిండెను
Telugu
ē Purāṇamuna Eṁta Vedakinā
ఏ పురాణమున ఎంత వెదకినా
Telugu
GovindāŚrita Gōkula Br̥ndā
గోవిందాశ్రిత గోకుల బృందా
MadhuvantiTelugu
Harināmame Kaḍu Ānandakaramu
హరినామమే కడు ఆనందకరము
Jonpuri Telugu
Indariki Abhayammuliccu Cēyi
ఇందరికి అభయమ్ములిచ్చు చేయి
Telugu
Ippuḍiṭu Kalagaṃṭi
ఇప్పుడిటు కలగంటి
Telugu
Itarulaku Ninneruga Taramā
ఇతరులకు నిన్నెరుగ తరమా
Telugu
Jō Acyutānanda Jō Jō Mukundā
జో అచ్యుతానంద జో జో ముకుందా
NavrojTelugu[19]
Kanṭi Śukravāramu Gaḍiyalēḍiṁṭa
కంటి శుక్రవారము గడియలేడింట
Telugu[20]
Koṁḍalalō Nelakonna Kōnēṭi Rāyaḍu Vāḍu
కొండలలో నెలకొన్న కోనేటి రాయడు వాడు
Hindolam Telugu
kṣīrābdi kanyakaku Śrī Mahālakṣmikini
క్షీరాబ్ది కన్యకకు శ్రీ మహాలక్ష్మికిని
Kurinji(raga)Khanda ChapuTelugu
Kulukaka Naḍavārō Kommalārā
కులుకక నడవరో కొమ్మలారా
AtanaAdiTelugu[21]
Madhava Kesava Madhusoodhana
మాధవ కేశవ మధుసూదన విష్ణు
माधव केशव मधुसूदना
KapiAdiSanskrit
Mēdini Jīvula Gāva Mēlukōvayyā
మీదిని జీవుల గావ మేలుకోవయ్యా
Telugu
Muddugārē Yaśōda Muṅgiṭa Mutayamu vīḍu
ముద్దుగారే యశోద ముంగిట ముత్యము వీడు
KuranjiAdiNedunuri KrishnamurthyTelugu[22]
Mūsina Mutyālakēlē Moragulu
మూసిన ముత్యాలకేలే మొరగులు
Telugu
Nallani Mēni Nagavu Chūpulavāḍu
నల్లని మేని నగవు చూపులవాడు
Telugu
Namo Namo Raghukula-naayaka (Sanskrit) Nattai Sanskrit
Nānāṭi Batuku Nāṭakamu
నానాటి బతుకు నాటకము
RēvatiAdiNedunuri KrishnamurthyTelugu
Nārāyaṇa Tē Namō Namō(composed by both Annamayya and Purandara Dasa )
నారాయణ తే నమో నమో
नारायण ते नमो नमो
BihagAdi'Sanskrit
Neyyamullallō Nērēḷḷo Voyyana ūreḍi Uvviḷḷo
నెయ్యములల్లో నేరేళ్ళో వొయ్యన ఊరెడి ఉవ్విళ్ళో
Telugu
Nitya Pūjalivivō Nericinānōhō
నిత్యపూజలివివో నేరిచినానోహో
Telugu[23]
Paluku Tēnelatalli Pavaḷincenu
పలుకు తేనెలతల్లి పవళించెను
Telugu
Poḍaganṭimayya mimmu Puruṣōttamā
పొడగంటిమయ్యా మిమ్ము పురుషోత్తమా
Mohanam Adi Telugu
Śriman Narāyaṇā Śriman Narāyaṇā Nī Śri Pādamē Śaraṇu
శ్రీమన్నారాయణ శ్రీమన్నారాయణ నీ శ్రీపాదమే శరణు
BowliAdiTelugu
Rajīva Nētrāya Raghavāya Namō
రాజీవ నేత్రాయ రాఘవాయ నమో
राजीवनेत्राय राघवाय नमो
MadhyamavathiKhanda ChapuK. J. YesudasSanskrit
Ramacandruḍitaḍu Raghuvīruḍu
రామచంద్రుడితడు రఘువీరుడు
Telugu
Siruta Navvulavāḍu Sinnakka
సిరుత నవ్వులవాడు సిన్నక్కా
Telugu
Ṣōḍaśa Kaḷānidhiki Ṣoḍaśōpacāramulu
షోడశ కళానిధికి షోడశోపచారములు
Telugu
Tvamēva Śaraṇam
త్వమేవ శరణం
त्वमेव शरणम्
Telugu
Vandēhaṁ Jagadvallabhaṁ
Sanskrit: वन्देहं जगद्वल्लभं
Telugu: వందేహం జగద్వల్లభం
HamsadhvaniKhanda ChapuSanskritIn praise of lord Venkaṭēśvara
Vandē Vāsudēvaṁ Śrīpatiṁ
వందే వాసుదేవం శ్రీపతిం
वन्दे वासुदेवं श्रीपतिम्
SriKhanda ChapuSanskrit
Vēḍukoṁdāmā Vēṅkaṭagiri Veṅkaṭeśvaruni Veḍukoṁdāmā
వేడుకొందామా వేంకటగిరి వేంకటేశ్వరుని వేడుకొందామా
Telugu
Vinnapālu Vinavale Viṁtaviṁtalu
విన్నపాలు వినవలె వింతవింతలు
Telugu

అన్నమయ్య పాటలు (All Annamayya songs lyrics in Telugu Script)


See also



References


  1. "Life and Times of Sri Tallapaka Annamacharya". Svasa.org. Retrieved 20 June 2013.
  2. Jackson (1999), p. 105.
  3. Jackson (1999), p. 216.
  4. Jackson (1999), p. 265.
  5. "Pension for Annamayya's descendants". The Hindu. Chennai, India. 23 May 2008. Archived from the original on 5 August 2012.
  6. The Illustrated Weekly of India, Volume 103, Issues 1-24. Bennett, Coleman & Company, Limited, at the Times of India Press. 1982. p. 30. Annamacharya became a Vaishnava in the Ramanujacharya Sampradaya.
  7. William Joseph Jackson, ed. (1998). Songs of Three Great South Indian Saints. Oxford University Press. p. 36. ISBN 978-0-19-564655-9.
  8. "Annamacharya's 600th birth anniversary celebrated". The Hindu. Chennai, India. 6 April 2009. Archived from the original on 4 June 2011.
  9. "All are equal before God". The Hindu. Chennai, India. 14 July 2000. Archived from the original on 4 June 2011. Retrieved 5 June 2013.
  10. "A classical touch to Annamayya kritis". The Hindu. Chennai, India. 5 February 2005. Archived from the original on 10 February 2005.
  11. Campbell, AD (1849). A grammar of the Telugu language (3 ed.). Hindu Press. p. xiii.
  12. Annamayya, (translators) Velcheru Narayana Rao, David Shulman (2005). God on the Hill: Temple Poems from Tirupati. Oxford University Press, USA. ISBN 0195182847. Retrieved 5 June 2013.{{cite book}}: CS1 maint: uses authors parameter (link)
  13. Archived at Ghostarchive and the Wayback Machine: r2kkartik (3 July 2011), Brahmamokate Unnikrishnan, retrieved 8 November 2018
  14. Mathrubhumi Kappa TV (6 November 2018), Brahmam Okate - Sreeranjini Kodampally & Ralfin Stephen's Band - Music Mojo Season 6 - Kappa TV, archived from the original on 11 December 2021, retrieved 8 November 2018
  15. "Alara chanchalamaina". Sahityam. 25 September 2009. Archived from the original on 17 March 2014. Retrieved 20 June 2013.
  16. "Anni mantramulu". Sahityam. 7 November 2009. Archived from the original on 20 June 2013. Retrieved 20 June 2013.
  17. "Bhavayami Gopalabalam". Sahityam. 6 July 2010. Archived from the original on 11 August 2013. Retrieved 20 June 2013.
  18. "Bhavamulona bahyamunandunu". Sahityam. Archived from the original on 17 March 2014. Retrieved 20 June 2013.
  19. "Jo achyutananda jo jo mukunda". Sahityam. 24 January 2012. Archived from the original on 27 May 2013. Retrieved 20 June 2013.
  20. "Kanti sukravaramu". Sahityam. 9 June 2010. Archived from the original on 17 March 2014. Retrieved 20 June 2013.
  21. "Kulukaka nadavaro". Sahityam. 19 October 2010. Archived from the original on 20 June 2013. Retrieved 20 June 2013.
  22. "Muddugare yasoda". Sahityam. 2 October 2010. Archived from the original on 20 June 2013. Retrieved 20 June 2013.
  23. "Nitya pujalivivO". Sahityam. 17 June 2010. Archived from the original on 20 June 2013. Retrieved 20 June 2013.

Further reading





На других языках


- [en] Annamacharya

[ru] Аннамачарья

Аннамача́рья (IAST: Annamācārya), известный также как Таллапа́ка Аннамача́рья или Аннама́йя (IAST: Taḷḷapāka Annamācārya, Annamayya; 1408—1503), — святой поэт, композитор и музыкант-первопроходец из Южной Индии, сочинявший религиозные произведения в форме санкиртана. Произведения Аннамачарьи посвящены божеству Венкатешваре, находящемуся в храме Тирумалы в Андхра-Прадеш. В индуизме Аннамачарья почитается наравне со святыми поэтами-альварами как великий преданный бога Вишну. В вайшнавской традиции считается воплощением нандаки (меча) Венкатешвары. Аннамачарья стал первым композитором карнатической музыки. Его сочинения написаны простым и ярким языком на телугу, что сделало его понятным для простых людей — тех, кому его мысли и стихи предназначались. О жизни Аннамачарьи известно по стихам «Аннамачарья-чаритраму» (Annamacārya-caritramu), сочинённым его внуком, Таллапакой Чиннанной (Tallapaka Chinnanna)[2].



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