Reinecke was born in what is today the Hamburg district of Altona; technically he was born a Dane, as until 1864 the town was under Danish rule. He received all his musical instruction from his father, (Johann Peter) Rudolf Reinecke (22 November 1795–14 August 1883), a music teacher and writer on musical subjects.[1] Carl first devoted himself to violin-playing, but later on turned his attention to the piano.[1] He began to compose at the age of seven, and his first public appearance as a pianist was when he was twelve years old.
At the age of 19, he undertook his first concert tour as a pianist[1] in 1843, through Denmark and Sweden, after which he lived for a long time in Leipzig,[1] where he studied under Felix Mendelssohn, Robert Schumann and Franz Liszt; he entered into friendly relations with the former two. After the stay in Leipzig, Reinecke went on tour with Königslöw and Wilhelm Joseph von Wasielewski (later Schumann's biographer), in North Germany and Denmark. In 1846, Reinecke was appointed Court Pianist for Christian VIII in Copenhagen. There he remained until 1848, when he resigned and went to Paris.[2] Overall he wrote four concertos for his instrument (and many cadenzas for others' works, including a large set published as his Opus 87), as well as concertos for violin, cello, harp and flute. In the winter of 1850/51, Carl Schurz reports attending weekly "musical evenings" in Paris where Reinecke was in attendance.[3]
In 1851, Reinecke became a professor at the Cologne Conservatory. In ensuing years he was appointed musical director in Barmen, and became the academic, musical director and conductor of the Singakademie at Breslau.
In 1860, Reinecke was appointed director of the Gewandhaus Orchestra concerts in Leipzig, and professor of composition and piano at the Conservatorium. He led the orchestra for more than three decades, until 1895. He conducted premieres such as the full seven-movement version of Brahms's A German Requiem (1869). In 1865 the Gewandhaus-Quartett premiered his piano quintet, and in 1892 his D major string quartet.[4]
After retirement from the conservatory, Reinecke devoted his time to composition, resulting in almost three hundred published works. He wrote several operas (none of which are performed today) including König Manfred. During this time, he frequently made concert tours to England and elsewhere. His piano playing belonged to a school in which grace and neatness were characteristic, and at one time he was probably unrivaled as a Mozart player and an accompanist.[2] In 1904 at the age of 80, he made recordings of seven works playing on piano roll for the Welte-Mignon company, making him the earliest-born pianist to have his playing preserved in any format. He subsequently made a further 14 for the Aeolian Company's "Autograph Metrostyle" piano roll visual marking system and an additional 20 for the Hupfeld DEA reproducing piano roll system.
Reinecke died in Leipzig at age 85.
Works
Carl Reinecke (c. 1860)
König Manfred, grand romantic opera, 1866, staged 1867
Ein Abenteuer Händels, operetta, 1874
Auf hohen Befehl, comic opera, 1886
Der Gouverneur von Tours, comic opera, 1891
Symphony No. 1 in A major, Op. 79, 1858
Symphony No. 2 in C minor, Op. 134, 1874
Symphony No. 3 in G minor, Op. 227, 1895
Piano Quartet in light style, Op. 272, 1904
Piano Quintet in A, Op. 83, 1866
Cello Concerto in D minor, Op. 82, 1864
Violin Concerto in G minor, Op. 141, 1876
Harp Concerto in E minor, Op. 182 (1884)
Flute Concerto in D major, Op. 283 (1908)
Ballade for flute and orchestra in D minor, Op. 288 (1908) (his last opus number)
Piano Concerto No. 1 in F-sharp minor, Op. 72, 1860
Piano Concerto No. 2 in E minor, Op. 120, 1872
Piano Concerto No. 3 in C major, Op. 144, 1877
Piano Concerto No. 4 in B minor, Op. 254, 1900
Serenade for strings in G minor, Op. 242, around 1898
Trio for piano, oboe and horn in A minor, Op. 188, 1886
Trio for piano, clarinet and viola in A, Op. 264
Trio for piano, clarinet and horn in B-flat, Op. 274, 1905
Octet for winds in B-flat, Op. 216, 1892
Sextet for flute, oboe, clarinet, 2 horns and bassoon in B-flat, Op. 271
Five string quartets (Op. 16 in E-flat, 1843; Op. 30 in F, 1851; Op. 132 in C, 1874; Op. 211 in D major, 1890; and Op. 287)
Sonatas for cello and piano (three, in A minor, Op. 42, 1847-8; D major, Op. 89, 1866; and G major, Op. 238, 1897, recorded on cpo)
Three light piano trios, Op. 159a
Piano Trio, Op. 230
Drei Fantasiestücke für Viola und Klavier, Op. 43 (Three fantasy pieces for viola and piano)
Media
Wind Octet Op. 216 - 1. Allegro moderato
Performed by the Soni Ventorum Wind Quintet with extra players
Wind Octet Op. 216 - 2. Scherzo (vivace)
Performed by the Soni Ventorum Wind Quintet with extra players
Wind Octet Op. 216 - 3. Adagio ma non troppo
Performed by the Soni Ventorum Wind Quintet with extra players
Wind Octet Op. 216 - 4. Finale: Allegro molto e grazioso
Performed by the Soni Ventorum Wind Quintet with extra players
Wind Sextet Op. 271 - 1. Allegro moderato
Performed by the Soni Ventorum Wind Quintet with extra horn player
Wind Sextet Op. 271 - 2. Adagio molto - Vivace ma non troppo
Performed by the Soni Ventorum Wind Quintet with extra horn player
Wind Sextet Op. 271 - 3. Finale (Allegro moderato ma con spirito)
Performed by the Soni Ventorum Wind Quintet with extra horn player
Problems playing these files? See media help.
Notes
Ehrlich, A. Celebrated Pianists of the Past and Present. p.276.
Chisholm, Hugh, ed. (1911). "Reinecke, Carl Heinrich Carsten". Encyclopædia Britannica. Vol.23 (11thed.). Cambridge University Press. p.56.
Carl Schurz (1907). "XII: In Paris". The Reminiscences of Carl Schurz. Vol.One. Schurz reports "We had every week a ‘musical evening’; sometimes in my room, in which young musicians—among them Reinecke, who afterwards became the famous director of the well-known 'Gewandhaus Concerts' in Leipzig—reviewed the most recent composers, and now and then produced their own compositions, while I and others served as an enthusiastic public."
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