music.wikisort.org - ComposerCaroline Adelaide Shaw (born August 1, 1982) is an American composer, violinist, and singer. She was awarded the Pulitzer Prize for Music in 2013 for her a cappella piece Partita for 8 Voices and the 2022 Grammy Award for Best Contemporary Classical Composition for her Narrow Sea.
American composer (born 1982)
For the British healthcare administrator, see Caroline Shaw (healthcare administrator).
Caroline Shaw |
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 Shaw in 2020 |
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Birth name | Caroline Adelaide Shaw |
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Born | (1982-08-01) August 1, 1982 (age 40) Greenville, North Carolina, U.S. |
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Occupation(s) |
- Violinist
- singer
- composer
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Instrument(s) | |
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Years active | 2007–present |
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Website | carolineshaw.com |
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Musical artist
Early life and education
Shaw was born in Greenville, North Carolina, and began playing the violin when she was two years old. Her mother was her first teacher. She began writing music when she was 10 years old, mostly in imitation of the chamber music of Mozart and Brahms. At the time, her main focus was on violin performance. Shaw received her Bachelor of Music (violin performance) from Rice University in 2004, and her master's degree (violin) from Yale University in 2007. She entered the PhD program in composition in Princeton University in 2010.
Career
At 30, Shaw became the youngest recipient of the Pulitzer Prize for Music for her composition Partita for 8 Voices.[1][2][3][4] The jury citation praised the composition as "a highly polished and inventive a cappella work uniquely embracing speech, whispers, sighs, murmurs, wordless melodies and novel vocal effects."[5] The work comprises four movements inspired by baroque dance forms: Allemande, Sarabande, Courante and Passacaglia. A recording of the work was released by New Amsterdam Records on October 30, 2012, performed by the ensemble Roomful of Teeth (including Shaw). According to Steven Mackey, chair of the Department of Music at Princeton, this is the first Pulitzer Prize awarded to a member of the department. (Milton Babbitt was awarded a Pulitzer citation in 1982 for his life's work as a composer.)[6]
Besides composition, Shaw is known as a musician appearing in many guises. She performs primarily as violinist with the American Contemporary Music Ensemble (ACME) and as vocalist with Roomful of Teeth. She also works with the Trinity Wall Street Choir, Alarm Will Sound, Wordless Music Orchestra, Ensemble Signal, AXIOM, The Yehudim, Victoire, Opera Cabal, the Mark Morris Dance Group Ensemble, Hotel Elefant, the Oracle Hysterical, Red Light New Music, and Robert Mealy's Yale Baroque Ensemble.[7]
Her works have been performed by Roomful of Teeth, So Percussion, ACME, the Brentano String Quartet, yMusic, and the Brooklyn Youth Chorus. Shaw has been a Yale Baroque Ensemble fellow and a Rice University Goliard fellow.[8] She received the Thomas J. Watson Fellowship in 2004/5.[9]
Shaw was the musician in residence at Dumbarton Oaks during the fall of 2014, and was composer in residence with Music on Main in Vancouver, British Columbia, Canada through 2016.[10]
In October 2015, rapper Kanye West released a remix of "Say You Will", the opening track from his 2008 album, 808's & Heartbreak. The remix, co-produced by Caroline Shaw, features vocals from Shaw similar to her classical compositions.[11] She also features on "Wolves" and contributed vocals to "Father Stretch My Hands Pt. 2", both from West's 7th studio album, The Life of Pablo.[12] Shaw also contributed vocals to a leaked version of "Only One" that appeared on the internet in February 2016.[13]
Compositions
In 2016, the Baltimore Symphony Orchestra commissioned and premiered Shaw's The Baltimore Bomb as part of the orchestra's bicentennial celebration.[14][15]
She composed the music for Josephine Decker's 2018 feature film, Madeline’s Madeline.[16]
In 2018, the British Broadcasting Corporation with Coretet, the Philips Collection, the Royal Philharmonic Society and the University of Delaware commissioned Shaw to write two works, Second Essay, Echo and Third Essay: Ruby. These received their world premiere, performed by the Calidore String Quartet, at the Cadogan Hall, London on July 16, 2018 in the BBC Proms, where they followed her 2016 work First Essay, Nimrod. According to Shaw, Nimrod was composed while listening to a recording of Marilynne Robinson's book The Givenness of Things and then in the 2016 US presidential election, which she stated accounted for the "disintegration of elements" in the piece. Shaw stated that Echo alluded to the 'echo' function in the PHP programming language, as well as to physical echoes, while Ruby is named for the Ruby programming language as well as for the gemstone.[17]
Voice
- Cantico delle creature (2007), for soprano, violin, and piano (with an arrangement for an additional cello), premiered by Abigail Haynes Lennox, Trevor Gureckis, and Shaw in April 2007.
- By and By, for string quartet and voice, premiered by Abigail Lennox and the Hudson Quartet on March 11, 2010.
- Sounds of the Ocean Cassette Vol. 1, for narrator, cassette player, and two instruments, premiered in September 2011.
- Fly Away I, for SATB chorus, premiered by the International Orange Chorale of San Francisco in June 2012.
- Partita for 8 Voices, four pieces for eight singers, written 2009–2011 for Roomful of Teeth, premiered as a whole on November 4, 2013, winner of the 2013 Pulitzer Prize for Music.[18]
- Its Motion Keeps, for treble chorus and viola or cello, commissioned by the Brooklyn Youth Chorus, premiered, with Shaw on viola, in November 2013.
- Music in Common Time, for chorus and strings, premiered by Roomful of Teeth and A Far Cry on May 10, 2014.[19]
- Anni’s Constant, for chorus, two violins, cello, piano, guitar, bass guitar, and percussion, commissioned by the Brooklyn Youth Chorus and BAM, premiered November 2014.
- and the swallow, for SATB chorus, on text from Psalm 84; premiered by the Netherlands Chamber Choir on November 11, 2017.
- Dolce Cantavi, for three voices (SSA), on a text by Francesca Turina Bufalini, Contessa di Stupinigi (1544-1641), commissioned and premiered by TENET (Jolle Greenleaf, Molly Quinn, and Virginia Warnken Kelsey performing).
- Can’t voi l’aube (2016), on an anonymous 12th century French trouvère text; written for Anne Sofie von Otter and Brooklyn Rider.[20]
- Ad manus (To the Hands) (2016), commissioned by The Crossing for Seven Responses, a seven-piece compilation inspired by Dieterich Buxtehude's Membra Jesu Nostri cantatas.[21]
- so quietly (2016), premiered on June 9, 2016 by the Brooklyn Youth Chorus.[22][23]
- Don't Let Me Be Lonely (2016), for voices and small chamber group, on text by Claudia Rankine, commissioned by the Ojai Music Festival where it was premiered on June 11, 2016 by Shaw and Roomful of Teeth.[24][25]
- Is a Rose, three songs commissioned by the Philharmonia Baroque Orchestra for Anne Sofie von Otter:[26][27]
- Narrow Sea (2017), a five-part song cycle on texts from The Sacred Harp.[28]
- How to fold the Wind (2020), for 12-part SATB chorus; premiered by Ars Nova Copenhagen on September 20, 2020.
Solo instrument
- in manus tuas, for cello or viola, premiered by Hannah Collins in 2009.
- Gustave Le Gray, for piano, premiered by Amy Yang on April 24, 2012.
- The Walking Man, for shakuhachi, written with and for Riley Lee, premiered on April 3, 2012.
Chamber ensemble
- Punctum (2009, revised 2013), for string quartet, workshopped in 2009–2010 with the Hudson Quartet and the Franklin Quartet, premiered in April 2010. Revised in 2013 for the Brentano Quartet.
- Entr'acte, for string quartet, premiered by the Brentano Quartet on March 21, 2011.
- Jacques Duran, for string trio, premiered by Lorna Tsai, Sage Cole, and Jonina Allan Mazzeo on August 26, 2011.
- Limestone & Felt, for cello and viola, premiered by Hannah Collins and Hannah Shaw in January 2012.
- Taxidermy, for percussion quartet (flower pots, vibraphones, and marimba), premiered by Sō Percussion on May 2, 2012.
- Valencia, for string quartet, premiered by Lorna Tsai, Shaw, Sage Cole, and Shay Rudolph in August 2012.
- Boris Kerner, for cello and flower pots, premiered by New Morse Code (Hannah Collins and Mike Compitello) on November 20, 2012.
- Plan & Elevation: The Grounds of Dumbarton Oaks, for string quartet, commissioned by Dumbarton Oaks, premiered by the Dover Quartet on November 1, 2015.
- Draft of a High-Rise, for sextet, commissioned by Carnegie Hall and yMusic, premiered by the latter on December 2, 2016.[29] In three movements (Inked Frame ; A Scribbled Veneer ; Their Stenciled Breath ).[30][31]
- Blueprint (2016), for string quartet, commissioned by the Wolf Trap Foundation for the Performing Arts for the Aizuri Quartet.
- First Essay: Nimrod (2016), commissioned by Coretet for the Calidore String Quartet, premiered November 6, 2016.
- Second Essay: Echo and Third Essay: Ruby, commissioned by the BBC and Chamber Music Northwest, premiered at The Proms by the Calidore String Quartet on July 16, 2018.
- Really Craft When You (2017), commissioned by Bang on a Can All Stars.
- The Evergreen (2020), for string quartet, commissioned by Third Angle New Music, Bravo! Vail, Coretet, and Ragazze Quartet. In four movements (Moss; Stem; Water; Root).[32]
Orchestra
- Entr’acte, for string orchestra (2014) (an arrangement of the 2011 work for string quartet), commissioned by A Far Cry.
- The Baltimore Bomb (2016), commissioned by the Baltimore Symphony Orchestra, premiered on September 17, 2016.[14][15]
- Lo (2016), concerto for violin and orchestra, premiered March 16, 2016 by Shaw and the Cincinnati Symphony Orchestra, which co-commissioned the work with the Indianapolis Symphony Orchestra, the North Carolina Symphony, and the Princeton Symphony Orchestra.[33][34]
- Watermark (2018), concerto for piano and orchestra, commissioned by the Seattle Symphony and the Saint Paul Chamber Orchestra, premiered on January 31, 2019 by pianist Jonathan Biss and the Seattle Symphony.[35][36]
- The Listeners (2019), cantata/oratorio for orchestra, chorus, two soloists, and turntable; on texts by Walt Whitman, William Drummond of Hawthornden, Alfred, Lord Tennyson, Carl Sagan, Yesenia Montilla, and Lucille Clifton; premiered on October 17, 2019 by the Philharmonia Baroque Orchestra under conductor Nicholas McGegan.[37][38]
- Brush (2021), commissioned by the Britt Festival Orchestra, premiered on July 30, 2021 in Jacksonville, Oregon with Teddy Abrams conducting. The work is an experiential installation piece, consisting of multiple stations of musicians that the audience encounters spread along a woodlands trail system. The final station calls for a chamber orchestra which plays a 23-minute repeating work, with musical material drawing from the fragments heard throughout the trails.
- Ritornello, premiered on January 27, 2012.
Film score
Family
Shaw's great-great-grandfather and great-great-great-uncle are Chang and Eng Bunker, conjoined twins from then-Siam (now Thailand) who received great fame during their lifetime.[39]
Shaw appeared as herself in season 4 of the Amazon Prime series Mozart in the Jungle, for a story line that involved a main character seeking to premiere her piece "Hi" in a competition for conductors. The piece was also played live at the series' release party, with Shaw conducting.[40]
Discography
Singles
As featured artist
Guest appearances
References
- Tsioulcas, Anastasia (April 15, 2013). "Caroline Shaw, 30, Wins Pulitzer For Music". Deceptive Cadence. NPR. Archived from the original on May 17, 2019. Retrieved June 1, 2015.
- Fetters, Ashley (April 16, 2013). "Hear the Weird, Lovely A Cappella Suite That Won the Pulitzer Prize for Music". The Atlantic. Archived from the original on March 23, 2019. Retrieved June 1, 2015.
- Lowder, J. Bryan (April 17, 2013). "The Strange, Beautiful Music That Won the Pulitzer This Year". Slate. Archived from the original on October 5, 2018. Retrieved June 1, 2015.
- Tommasini, Anthony (November 5, 2013). "The Pulitzer Prize Was Nice and All, but a Work Is Finally Fully Heard: Caroline Shaw's 'Partita' Has Premiere by Roomful of Teeth". The New York Times. Archived from the original on March 11, 2015. Retrieved June 1, 2015.
- "The Pulitzer Prizes – Citation". pulitzer.org. Archived from the original on September 26, 2015. Retrieved November 2, 2015.
- "Princeton University – UPDATE: Princeton's Caroline Shaw wins Pulitzer Prize for music". princeton.edu. Archived from the original on December 8, 2015. Retrieved November 2, 2015.
- "Caroline Shaw". carolineshaw.com. Archived from the original on November 1, 2015. Retrieved November 2, 2015.
- "Shepherd School of Music – Rice University". rice.edu. Archived from the original on June 30, 2020. Retrieved November 2, 2015.
- 2004–2005 Fellows Archived February 2, 2014, at the Wayback Machine, Thomas J. Watson Fellowship
- "composer in residence". musiconmain.ca. Archived from the original on October 14, 2015. Retrieved November 2, 2015.
- Gordon, Jeremy (October 19, 2015). "Kanye West Shares New Versions of "Say You Will" and the Weeknd's "Tell Your Friends"". Pitchfork Media. Condé Nast. Archived from the original on October 21, 2015. Retrieved October 22, 2015.
Kanye West has shared two new tracks on his Soundcloud: a new version of "Say You Will"... that features Pulitzer-winning musician Caroline Shaw
- Young, Alex (February 17, 2016). "Over 100 people contributed to the making of Kanye West's The Life of Pablo". Consequence of Sounds. Archived from the original on May 4, 2016. Retrieved May 3, 2016.
- Ortiz, Edwin (February 15, 2016). "A Look at Who's Who on Kanye West's 'The Life of Pablo'". Complex. Archived from the original on February 17, 2016. Retrieved February 15, 2016.
- Smith, Tim (September 19, 2016). "Baltimore Symphony gala with Itzhak Perlman, OrchKids raises $1 million". The Baltimore Sun. Archived from the original on September 20, 2016. Retrieved September 19, 2016.
- Tim, J. T. Hassell (September 18, 2016). "Baltimore Symphony opens centennial season in rousing style with pie and Perlman". Washington Classical Review. Archived from the original on February 4, 2018. Retrieved September 19, 2016.
- Young, Deborah (February 19, 2018). "'Madeline's Madeline': Film Review, Berlin 2018". The Hollywood Reporter. Archived from the original on February 20, 2018.
- BBC Proms (July 16, 2018). Proms at Cadogan Hall 1 Programme. British Broadcasting Corporation. pp. 5–7.
- Tommasini, Anthony (November 5, 2013). "The Pulitzer Prize Was Nice and All, but a Work Is Finally Fully Heard". The New York Times. Archived from the original on March 23, 2019. Retrieved August 21, 2019.
- Guerrieri, Matthew (May 21, 2014). "Boston: Caroline Shaw's Common Time". New Music USA. Archived from the original on January 31, 2021. Retrieved January 25, 2021.
- Forsling, Göran (April 2017). "Anne Sofie von Otter - So Many Things - NAÏVE V5436 [GF] Classical Music Reviews". MusicWeb-International. Archived from the original on August 22, 2019. Retrieved August 21, 2019.
- Huizenga, Tom (February 24, 2017). "Caroline Shaw's Helping 'Hands'". Deceptive Cadence. NPR. Archived from the original on September 23, 2019. Retrieved September 22, 2019.
- "Brooklyn Youth Chorus & San Francisco Girls Chorus". New York Philharmonic. Archived from the original on October 3, 2019. Retrieved September 23, 2019.
- Anderson, Stacey (June 9, 2016). "Interview: Is Caroline Shaw really the future of music?". The Guardian. Archived from the original on December 14, 2018. Retrieved September 23, 2019.
- "Updates to the 2016 Festival Schedule Announced". Ojai Music Festival. Archived from the original on September 23, 2019. Retrieved September 23, 2019.
- "2016 Ojai Music Festival Schedule". Avant Music News. December 11, 2015. Archived from the original on September 23, 2019. Retrieved September 23, 2019.
- Lamott, Bruce. "Program Notes: Anne Sofie von Otter". Philhamonia Baroque Orchestra. Archived from the original on December 10, 2019. Retrieved December 10, 2019.
- MacBean, James Roy (March 13, 2019). "Philharmonia Baroque & Anne Sofie von Otter Offer Contemporary Works". The Berkeley Daily Planet. Archived from the original on December 10, 2019. Retrieved December 10, 2019.
- Ginell, Richard S. (January 18, 2021). "Caroline Shaw Offers Her Own Spin on Folk Tradition". San Francisco Classical Voice. Archived from the original on January 19, 2021. Retrieved January 24, 2021.
- "yMusic touring, playing Sufjan Stevens, Chris Thile & more at Carnegie Hall". BrooklynVegan. November 18, 2016. Archived from the original on February 1, 2021. Retrieved January 25, 2021.
- "yMusic: Ecstatic Science". New Amsterdam Records. Archived from the original on February 1, 2021. Retrieved January 25, 2021.
- Tracy, Peter (April 13, 2020). "ALBUM REVIEW: yMusic's 'Ecstatic Science'". Second Inversion. Archived from the original on February 1, 2021. Retrieved January 25, 2021.
- Andrews, Matthew Neil (December 10, 2020). "Once things clear out, what do you hear?". Oregon ArtsWatch. Archived from the original on February 17, 2021. Retrieved January 25, 2021.
- Williams Tobias, Marianne (2016). "Lo for Violin and Orchestra". Indianapolis Symphony. Archived from the original on September 23, 2019. Retrieved September 23, 2019.
- Hutton, Mary Ellyn (March 16, 2016). "MusicNOW, Cincinnati Symphony Partner for 2nd Year". Music in Cincinnati. Archived from the original on November 25, 2018. Retrieved September 23, 2019.
- Schiavo, Paul (January 8, 2019). "Caroline Shaw: A Pulitzer Prize Is Just the Beginning". Seattle Symphony. Archived from the original on September 22, 2019. Retrieved September 22, 2019.
- Burbank, Megan (February 1, 2019). "Caroline Shaw piano concerto premiere turns classical tradition on its head". Seattle Times. Archived from the original on September 23, 2019. Retrieved September 23, 2019.
- Zwiebach, Michael (October 22, 2019). "Philharmonia Baroque Orchestra & Chorale Unveils Caroline Shaw's New Cantata". San Francisco Classical Voice. Archived from the original on October 26, 2019. Retrieved December 10, 2019.
- Rowe, Georgia (October 16, 2019). "Carl Sagan inspired a new oratorio for Philharmonia Baroque". The Mercury News. Archived from the original on October 19, 2019. Retrieved December 10, 2019.
- Caroline Shaw Archived July 19, 2018, at the Wayback Machine, Vogue Italia.
- Cooper, Michael (February 18, 2018). "Hear How 'Mozart in the Jungle' Became a New-Music Showcase". The New York Times. Archived from the original on December 28, 2020. Retrieved February 21, 2020 – via NYTimes.com.
External links
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На других языках
[de] Caroline Shaw
Caroline Adelaide Shaw (* 1. August 1982 in Greenville, North Carolina) ist eine US-amerikanische Komponistin, Geigerin und Sängerin. 2013 wurde sie für ihre Partita for 8 Voices mit dem Pulitzer Prize of Music ausgezeichnet.
- [en] Caroline Shaw
[ru] Шоу, Кэролайн
Кэролайн Шоу (англ. Caroline Shaw; род. 1 августа 1982, Гринвилл, США) — американский композитор, скрипач и певица. Лауреат Пулитцеровской премии за выдающееся музыкальное произведение за Партиту для восьми голосов (2013)[1].
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