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Hermeto Pascoal (born June 22, 1936) is a Brazilian composer and multi-instrumentalist. He was born in Lagoa da Canoa, Alagoas, Brazil.[1] Pascoal is a significant figure in the history of Brazilian music, mainly known for his abilities in orchestration and improvisation, as well as being a record producer and contributor to many Brazilian and international albums.[2]

Hermeto Pascoal
Background information
Born (1936-06-22) June 22, 1936 (age 86)
Lagoa da Canoa, Alagoas, Brazil
GenresBrazilian music, avant-garde jazz, forró
Occupation(s)Musician, composer
Instrument(s)
  • Keyboards
  • accordion
  • flute
  • saxophone
  • guitar
Years active1964s–present
LabelsBand/musisi
WebsiteOfficial website

Biography



Early life and career


Pascoal live in Buenos Aires 1978.
Pascoal live in Buenos Aires 1978.

Pascoal comes from Northeastern Eastern Brazil, in an area that lacked electricity at the time he was born. He learned the accordion from his father and practiced for hours indoors, as, being albino, he was incapable of working in the countryside with the rest of his family.[2]

Hermeto's career began in 1964 with appearances on several Brazilian recordings alongside relatively unknown groups. These now-classic albums and the musicians involved (Edu Lobo, Elis Regina, Cesar Camargo Mariano) established widely influential new directions in post-bossa nova Brazilian jazz.

In 1966, he played in the Sambrasa Trio, with Airto Moreira and Humberto Clayber; they released only one album, Em Som Maior. Then he joined Trio Novo (Airto Moreira, Heraldo do Monte, Theo de Barros) and in 1967 the group, renamed Quarteto Novo, released an album that launched the careers of Pascoal and Moreira.[3] Pascoal would then go on to join the multi-faceted group Brazilian Octopus.


International fame


Hermeto Pascoal and group, 2009
Hermeto Pascoal and group, 2009

Pascoal initially caught the international public's attention with an appearance on Miles Davis's 1971 album Live-Evil, which featured him on three pieces, which he also composed.[2] Davis allegedly called Pascoal "the most impressive musician in the world".[4] Later collaborations involved fellow Brazilian musicians Airto Moreira and Flora Purim. From the late 1970s onward, he has mostly led his own groups, playing at many prestigious venues, such as the Montreux Jazz Festival in 1979. Other members of the group have included bassist Itibere Zwarg, pianist Jovino Santos-Neto and percussionists Nene, Pernambuco, and Zabelê.

Known as o Bruxo (the Wizard), Pascoal often makes music with unconventional objects such as teapots, children's toys, and animals, as well as keyboards, button accordions, melodica, saxophones, guitars, flutes, voices, various brass and folkloric instruments.[2] He uses nature as a basis for his compositions, as in his Música da Lagoa, in which the musicians burble water and play flutes while immersed in a lagoon: a Brazilian television broadcast from 1999 showed him soloing at one point by singing into a cup with his mouth partially submerged in water. Folk music from rural Brazil is another important influence in his work.[2]

Between 1996 and 1997, Pascoal worked on a book project called Calendário do Som, which contains a song for every day of the year, including February 29, so that everyone would have a song for their birthday.[2]

He was married to Ilza da Silva, to whom he dedicated many compositions, from 1954 until her death in 2000. They had six children, Jorge, Fábio, Flávia, Fátima, Fabiula, and Flávio, and many grandchildren. Hermeto was later married to Aline Morena from 2003 until 2016, while living in Curitiba, Paraná, Brazil.[5][6][7]

He has since returned to the Jabour neighborhood in Bangu, Rio de Janeiro, where he spends much of his time composing, rehearsing and hosting musicians from all over the world.[7]

In 2019, his album Hermeto Pascoal e Sua Visão Original do Forró won the Latin Grammy Award for Best Portuguese Language Roots Album.[8]


Discography



As leader or member



As contributor



References


  1. "Hermeto Pascoal Discography - Slipcue.com Brazilian Music Guide".
  2. Neder, Alvaro. "Hermeto Pascoal". AllMusic. Retrieved 2011-10-22.
  3. "N. Scott Robinson-World Music and Percussion, Frame Drums, Riq, Tambourines". Nscottrobinson.com. Retrieved 2011-10-22.
  4. Tamarkin, Jeff (2018). "Hermeto Pascoal & Grupo Vice Versa: Viajando Com O Som (The Lost '76 Vice-Versa Studio Session) (Far Out)". JazzTimes. Retrieved 26 April 2020.
  5. "Aos 77 anos, músico cult Hermeto Pascoal agora quer ser pop - 23/02/2014 - Serafina - Folha de S.Paulo". Folha de S.Paulo (in Portuguese). Retrieved 2016-01-10.
  6. "Aline e Hermeto - namoro musical em Santa Felicidade". Gazeta do Povo (in Portuguese). Retrieved 2017-01-08.
  7. "Aos 80, multi-instrumentista Hermeto Pascoal ainda se sente uma criança". Folha de S.Paulo (in Portuguese). Retrieved 2017-01-08.
  8. Cabo, Leila (14 November 2019). "Latin Grammys 2019 Winners: Complete List". Billboard. MRC. Retrieved 9 September 2020.



На других языках


[de] Hermeto Pascoal

Hermeto Pascoal (* 22. Juni 1936 in Lagoa da Canoa, Alagoas) zählt heutzutage zu den bekanntesten Multiinstrumentalisten und avantgardistischen Musikern Brasiliens. Er gilt als eine brasilianische „Jazz-Koryphäe“;[1] „Mit seiner Verbindung von melodischer Phantasie, Free Jazz und komplexer brasilianischer Rhythmik, von ausgeklügelter Orchestrierung und freier Entwicklung in offenen Probenformen“ hat Pascoal entscheidender zur Entwicklung einer zeitgenössischen rhythmischen Musik mit Improvisationsanteilen beigetragen als viele Komponisten und Arrangeure aus dem direkten Jazz-Umkreis.[2] Karl Lippegaus nannte ihn anlässlich seines 75. Geburtstages sogar „Brasiliens Antwort auf Sun Ra.“[3]
- [en] Hermeto Pascoal

[es] Hermeto Pascoal

Hermeto Pascoal (Arapiraca, 22 de junio de 1936) es un compositor, arreglista, productor musical y un virtuoso multiinstrumentista (principalmente pianista, bandoneonista, flautista, melodicista, saxofonista y guitarrista) de Brasil. Es considerado como una de las figuras más importantes de la historia de la música popular brasileña. Es mundialmente reconocido uno de los mejores improvisadores y más innovadores compositores contemporáneos, como un gran orquestador, destacándose principalmente en la creación de elaboradas melodías, armonías y ritmos, fusionando la música tradicional brasileña con el jazz y la experimentación, sumado la inclusión de todo tipo de instrumentos, como también por la utilización de un lenguaje musical de estilo propio, la cual él denomina «música universal».



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