Isabella Janet Florentina Summers[1][2] (born October 31, 1980)[3] is an English musician, songwriter, producer, remixer and composer. She is a founding member of English indie rock band Florence and the Machine.
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Isabella Summers | |
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Background information | |
Birth name | Isabella Janet Florentina Summers |
Also known as | Isa Machine |
Born | (1980-10-31) 31 October 1980 (age 42) Hackney, England |
Genres |
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Occupation(s) |
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Years active | 2008–present |
Labels | Universal Publishing |
Member of | Florence and the Machine |
Summers lived her first nine years in Hackney, London,[4] and met Florence Welch as the young Summers would babysit Welch's younger sister Grace. When Summers was nine, her family moved to Aldeburgh, Suffolk. There Summers attended Woodbridge School,[5] had piano lessons and grew an interest in music, crediting some influence from mixtapes made by her father with a very eclectic mixture of everything and anything from Beethoven to Bob Dylan, rarities, poetry, even the Shipping forecast".[6] Hip-hop was a preferred genre, as her neighbours gave her a tape with Snoop Dogg's Doggystyle (1993) and 6 Feet Deep (1994) by Gravediggaz, and she would also spend evenings with fishermen's sons "who smoked loads of weed and listened to hard American rap."[7][3]
For her university years, Summers moved back to London in East Dulwich,[6] where she would get a fine arts degree at Central Saint Martins. In the meantime she bought a set of DJ mixers to learn how to mix, while also doing side jobs such as being a runner for Top of the Pops and transcriptions and film digitizing for Alan Parker.[5] Soon she was working with Dan Greenpeace on his 'All City Show' radio show on XFM London, an experience that led Summers to buy her first MPC which was installed at the cupboard of her shared flat. With the help of a friend she started a studio in a former plastics factory at Crystal Palace, and began making hip hop.[7] During this time, Summers worked with, amongst others, Kashmere, The Iguana Man, IRS Crew, MBC Crew, Inja and The Last Skeptik. She would also have meetings with Welch during DJ work and art school, as Welch was attending the Camberwell College of Arts.[8]
As Summers was hired to remix songs by the band Ludes, Welch became a more common sight at her studio given she was dating Ludes' guitarist Matt Alchin, and even impressed Summers with her singing. One day, as Summers got into a creative rut, which she described as getting "sick of boys telling me what to do", she thought of writing pop music with a woman, and invited Welch to make songs with her.[8][9][10] Following a day joining Summers' beats with Welch's lyrics, soon they were creative partners, with Welch nicknaming Summers "Isabella Machine" for her electronic music skills.[5] This led to their performing together for a time under the name Florence Robot/Isa Machine. The project was renamed Florence and the Machine as according to Welch "that name was so long it'd drive me mad."[11] Summers had only thought of being a producer but ended up as the group's keyboardist, with her second gig being right at the 2007 Glastonbury Festival.[10] Summers has writing and producing credits in Florence and the Machine's first three albums Lungs (2009), Ceremonials (2011) and How Big, How Blue, How Beautiful (2015), where she also played piano and percussion.[12]
Summers has also written, produced and remixed tracks for artists including Beyoncé, Juliette Lewis, Jennifer Hudson, Jasmine Thompson, Cara Delevingne, Chloe x Halle, Flux Pavilion, Rita Ora, Judith Hill, LP and The Game.[12][13][14][15]
Summers had created the main title song "Was It Love" for the Sky Atlantic series Riviera,[16] and provided her friend Sam Levinson the song "Rage" for his film Assassination Nation (2018),[17] when right after finishing the High as Hope Tour, that film's music supervisor Mary Ramos invited Summers for her first composing gig in a team-up with Mark Isham, scoring the Hulu miniseries Little Fires Everywhere,[18] which won her a Primetime Emmy Award nomination.[19] Summers followed it by composing the score for the Prime Video series Panic alongside Brian H. Kim,[20] and Netflix's Sex/Life in another collaboration with Isham.[21] Her first solo composing gig was the Apple TV show Physical, whose 1980s setting led to a score full of "crazy synths and over-the-top guitar solos".[10] Afterwards Summers scored her first movie, Call Jane (2022),[22] and the Paramount+ show The Offer.[23]
Summers is working on her first solo album which is set for release in spring 2022. It will feature multiple guest vocalists.
Year | Artist | Album | Track | Role(s) | Label | Note | |
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Writer | Producer | ||||||
2009 | Florence and the Machine | Lungs | "Are You Hurting the One You Love" | Yes | Island Records | ||
"Between Two Lungs" | Yes | Yes | |||||
"Cosmic Love" | Yes | Yes | Also remixed with DJ Lexxx Remix | ||||
"Dog Days Are Over" | Yes | Yes | |||||
"Falling" | Yes | Yes | |||||
"Ghosts" | Yes | ||||||
"Hardest of Hearts" | Yes | ||||||
"Hospital Beds" | Yes | ||||||
"I'm Not Calling You a Liar" | Yes | Yes | |||||
2011 | Florence and the Machine | Ceremonials | "All This And Heaven Too" | Yes | Island Records | ||
"No Light, No Light" | Yes | ||||||
"Remain Nameless" | Yes | Yes | Digital deluxe bonus track | ||||
Ivan Ink 'n' Isa | Ivan Ink 'n' Isa - EP | "Caught in Symmetry" | Yes | Yes | Brink Records | ||
"Lover's Kiss" | Yes | Yes | |||||
"Silver Or Lead" | Yes | Yes | |||||
"Standing on a Hill" | Yes | Yes | |||||
2012 | Dia Frampton | Red | "Bullseye" | Yes | Yes | Universal Republic | |
Florence and the Machine | Snow White and the Huntsman | "Breath of Life" | Yes | Yes | Island Records | ||
Sam Sparro | Return to Paradise | "Shades of Grey" | Yes | EMI | |||
2013 | Angel Haze | Dirty Gold | "Rose Tinted Suicide" | Yes | Yes | Island Records | |
2014 | LP | Forever For Now | "Forever For Now" | Yes | Yes | Warner Bros. Records | |
"Some day" | Yes | Yes | |||||
"Road To Ruin" | Yes | Yes | |||||
Iggy Azalea | Reclassified | "Trouble" | Yes | Virgin EMI Records | Featuring Jennifer Hudson. | ||
The Game (et al.) | Single | "Don't Shoot" | No | Yes | Multiple labels | Feat. Diddy, Rick Ross, 2 Chainz, DJ Khaled, and others. | |
2015 | Florence and the Machine | How Big, How Blue, How Beautiful | "Delilah" | Yes | Island Records | ||
"How Big, How Blue, How Beautiful" | Yes | Yes | |||||
"Which Witch" | Yes | Yes | |||||
Flux Pavilion | Tesla | "Never See the Light" | Yes | Yes | Circus Recordings | Featuring Andrea Martin | |
Katharine McPhee | Hysteria | "Hysteria" | Yes | Yes | N/A | ||
"Burn" | Yes | Yes | |||||
"Lick My Lips " | Yes | Yes | |||||
"Don't Need Love" | Yes | Yes | |||||
Isa Machine and LP | Rock the Kasbah | "Torch" | Yes | Yes | Varèse Sarabande | ||
2017 | Isabella Summers | Riviera (TV Series Soundtrack) | "Was It Love" | Yes | Yes | ||
2018 | Isabella Summers | Assassination Nation | "Rage" | Yes | Yes | Lakeshore Records | |
2020 | Isabella Summers and Mark Isham | Little Fires Everywhere | Entire score | Yes | Yes | Hollywood Records | |
2021 | Isabella Summers and Brian H. Kim | Panic | Entire score | Yes | Yes | Milan Records | |
Tate McRae | "The Darkest Hour" | Yes | Yes | ||||
Isabella Summers and Mark Isham | Sex/Life | Entire score | Yes | Yes | N/A | ||
Isabella Summers | Physical | Entire score | Yes | Yes | Lakeshore Records | ||
Paradise City | Entire score | Yes | Yes | Sumerian Records | |||
Call Jane | Entire score | Yes | Yes | N/A | |||
2022 | The Offer | Entire score | Yes | Yes | Paramount Music |
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Singles |
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Concerts and tours |
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