music.wikisort.org - Composer

Search / Calendar

Leonardo Leo (5 August 1694 – 31 October 1744), more correctly Leonardo Ortensio Salvatore de Leo, was a Baroque composer.

Leonardo Leo.
Leonardo Leo.

Biography


Leo was born in San Vito degli Schiavoni (currently known as San Vito dei Normanni, province of Brindisi) in the Apulia region, then part of the Kingdom of Naples.

He became a student at the Conservatorio della Pietà dei Turchini at Naples in 1703, and was a pupil first of Francesco Provenzale and later of Nicola Fago. It has been supposed that he was a pupil of Pitoni and Alessandro Scarlatti, but he could not possibly have studied with either of these composers, although he was undoubtedly influenced by their compositions. His earliest known work was a sacred drama, L'infedelta abbattuta, performed by his fellow-students in 1712.

In 1714 he produced, at the court theatre, an opera, Pisistrato, which was much admired.

He held various posts at the royal chapel, and continued to write for the stage, besides teaching at the conservatory. After adding comic scenes to Francesco Gasparini's Bajazette in 1722 for performance at Naples, he composed comic operas in Neapolitan such as La'mpeca scoperta in 1723, and L'Alidoro in 1740. His most famous comic opera was Amor vuol sofferenza (1739), better known as La Finta Frascatana, highly praised by De Brosses. He was equally distinguished as a composer of serious opera, Demofoonte (1735), Farnace (1737) and L'Olimpiade (1737) being his most famous works in this branch, and is still better known as a composer of sacred music.

He died of a stroke while engaged in the composition of new arias for a revival of La Finta Frascatana. Leo was the first of the Neapolitan school to obtain a complete mastery over modern harmonic counterpoint. His sacred music is masterly and dignified, logical rather than passionate, and free from the sentimentality which is present in the work of Francesco Durante and Giovanni Battista Pergolesi. His serious operas suffer from a coldness and severity of style, but in his comic operas he shows a keen sense of humour. His ensemble movements are spirited, but never worked up to a strong climax.

A fine and characteristic example of his sacred music is the Dixit Dominus in C, edited by CV Stanford and published by Novello. A number of songs from operas are accessible in modern editions.


Operas



Drammi per musica


  1. Sofonisba (Naples, Teatro San Bartolomeo, 1719)
  2. Cajo Gracco (Teatro San Bartolomeo, 1720)
  3. Bajazette (1722)
  4. Tamerlano (Rome, 1722)
  5. Timocrate (Venice, 1723)
  6. Zenobia in Palmira (Naples, Teatro San Bartolomeo, 1725)
  7. Astianatte (1725)
  8. La somiglianza (Naples, Teatro dei Fiorentini, 1726)
  9. L'Orismene, overo dagli sdegni gli amori (Naples, Teatro Nuovo, 1726)
  10. Ciro riconosciuto (1727)
  11. Argene (1728)
  12. La zingara (intermezzo, 1731)
  13. Intermezzi per l'Argene (1731)
  14. Catone (Venice, 1732)
  15. Demetrio (Maples, Teatro San Bartolomeo, 1732)
  16. Amore dà senno (Naples, Teatro Nuovo, 1733)
  17. Emira (with intermezzi by Ignazio Prota, 1735)
  18. La clemenza di Tito (1735)
  19. Onore vince amore (Naples, Teatro dei Fiorentini, 1736)
  20. La simpatia del sangue (1737)
  21. Siface (1737)
  22. Amor vuol sofferenza 1739
  23. Festa teatrale (1739)
  24. La contesa dell'Amore e della virtù (1740)
  25. Scipione nelle Spagne (1740)
  26. L'Alidoro (1740)
  27. Alessandro (1741)
  28. Demoofonte (1741)
  29. L'impresario delle Isole Canarie (1741)
  30. Andromaca (1742)
  31. L'ambizione delusa (Leo) 1742 (opera seria)
  32. Decebalo (Leo) 1743
  33. Vologeso (1744)
  34. La finta Frascatana (1744)

Undated operas:

  1. Artaserse
  2. Lucio Papirio
  3. Arianna e Teseo (cantata teatrale)
  4. L'Olimpiade
  5. Evergete
  6. Il matrimonio anascoso
  7. Alessandro nell'Indie
  8. Il Medo
  9. Nitocri, regina di egitto
  10. Il Pisistrate
  11. Il trionfo di Camillo
  12. Le nozze di Psiche
  13. Achille in Sciro

Selected recordings


Label: Archiv Masters (Disc Title: Italian Violin Concertos)

Orchestra: The Raglan Baroque Players Label: Hyperion (Disc Title: The Neapolitans - Pergolesi, Durante, Leo)

Label: BIS (Disc Title: Leo-Six Cello Concertos)

più dell'usato, cantata for solo voice & strings- Conductor: Cosimo Prontera Performer: Cristina Miatello, Emanuele Bianchi Orchestra: La Confraternita de' Musici Label: Tactus (Disc Title: Leonardo Leo: Serenate e Cantate)

For a more complete discography of Leo, see http://www.leonardoleo.com/discography.htm[1]


See also



References


  1. "Leonardo Leo (1694 - 1744) Compositore di Napoli". www.leonardoleo.com. Archived from the original on 2002-10-06.

Sources





На других языках


[de] Leonardo Leo

Leonardo Ortensio Salvatore de Leo (* 5. August 1694 (nach Piccinni 1701) in San Vito degli Schiavoni, dem heutigen San Vito dei Normanni; † 31. Oktober 1744 in Neapel) war ein italienischer Komponist des Barocks.
- [en] Leonardo Leo

[es] Leonardo Leo

Leonardo Ortensio Salvatore de Leo (San Vito dei Normanni, 5 de agosto de 1694 – Nápoles, 31 de octubre de 1744), compositor italiano, miembro de la escuela napolitana.

[ru] Лео, Леонардо

Леонардо Ортензио Сальваторе де Лео (итал. Leonardo Ortensio Salvatore de Leo; 5 августа 1694, Сан-Вито-дельи-Скьяви, — 31 октября 1744, Неаполь) — итальянский композитор эпохи барокко, один из крупнейших представителей Неаполитанской оперной школы[1].



Текст в блоке "Читать" взят с сайта "Википедия" и доступен по лицензии Creative Commons Attribution-ShareAlike; в отдельных случаях могут действовать дополнительные условия.

Другой контент может иметь иную лицензию. Перед использованием материалов сайта WikiSort.org внимательно изучите правила лицензирования конкретных элементов наполнения сайта.

2019-2025
WikiSort.org - проект по пересортировке и дополнению контента Википедии