music.wikisort.org - Composer

This is an incomplete list of compositions by the Ukrainian composer Borys Lyatoshynsky.

Lyatoshynsky wrote a variety of works, including five symphonies, symphonic poems, and several shorter orchestral and vocal works, two operas, chamber music, and a number of works for solo piano.[1][2] He wrote music with a modern European style and technique, skilfully combining it with Ukrainian folk music themes.[3] His musical style later developed in a direction favoured by the Russian composer Dmitri Shostakovich,[4] which caused significant problems with Soviet critics of the time, and as a result Lyatoshynsky was accused of formalism and the creation of degenerative art.[5]

Liatoshynsky’s main works are his operas The Golden Ring and Shchors, the five symphonies, the Overture on Four Ukrainian Folk Themes (1926), the suites Taras Shevchenko (1952) and Romeo and Juliet (1955), the symphonic poem Grazhyna (1955), his "Slavic" concerto for piano and orchestra (1953), and the completion and orchestration of Reinhold Glière’s violin concerto (1956).[6] He composed film scores for such films as Carmelite [uk] (1931), Ivan (1932, with Yuliy Meitus), Taras Shevchenko (1951), Ivan Franko [uk] (1956, with Mykola Kolessa), and Grigory Skovoroda [uk] (1959).[6] Many of his compositions were rarely or never performed during his lifetime.[5]

List of works by genre

Orchestral

Genre	Sub-genre	Opus	Title	Song/movement titles	Composition date	Notes/References
orchestral	symphony	2	Symphony No. 1, A major	1 Allegro; 2 Allegro scherzando e leggiero; 3 Lento ma non troppo; 4 Allegro energico.	1918–1919;	Premiered in June 1926 (conducted by Reinhold Glière, Lyatoshynsky's teacher); second edition 1967[7][8][9]
orchestral		3	Fantastic March (Фантастичному марші, Fantastychnomu marshi)		1920;	Also referred to as the Marche fantastique.[10][11]
orchestral	overture	20	Overture on Four Ukrainian Folk Themes		1927;	[12]
orchestral	suite	23	Suite from The Golden Ring (Золотий обруч, Zolotyy obruch)	1 Overture; 2 Galician Dance; 3 Persian Dance; 4 Chinese Dance; 5 Indian Dance; 6 Coda.	1928;	[12]
orchestral	symphony	26	Symphony No. 2, B minor	1 Lento tenebroso e con maesta; Allegro deciso ed impetuoso; 2 Lento e tranquililo (alla ballata); 3 Allegro tumultuoso	1935–1936; premiered in 1964.	Revised in 1940[8][13]
orchestral	symphonic poem	49	Reunification (Возз’єднання, Vozzʺyednannya)		1949–1950;	[12]
orchestral	symphony	50	Symphony No. 3, B minor	1 Prelude; 2 Nocturne; 3 Scherzo; 4 Intermezzo; 5 Postlude.	1951;	First conducted in public by Natan Rakhlin during an open rehearsal on was 23 October 1951; the revised symphony was premiered in Leningrad on 23 December 1955.[1][12][14]
orchestral	suite	51	Suite from the film Taras Shevchenko	1 Introduction; 2 Shevchenko in Ukraine; 3 Execution; 4 The Parting of Friends; 5 Finale.	1952;	[15]
orchestral	piano concerto	54	Slavonic Concerto	1 Allegro; 2 Lento ma non troppo; 3 Allegro risoluto	1953;	Also called the Slavic Concerto.[12][3]
orchestral	suite	56	Suite from Romeo and Juliet	1 La valse de carnaval; 2 La pavane; 3 le jardin de Juliette; 4 Le duel de Romeo et Tybalt; 5 On port Juliette dans la chambre funéraire; 6 Dans la chambre funéraire de Capulet; 7 L’apethéose	1955’	[12]
orchestral	symphonic poem	58	Grazyna		1955;	Written for the centenary of the death of the Polish poet Adam Mickiewicz.[3][13]
orchestral	symphonic poem	59	On the Banks of the Vistula (На берегах Вислы, Na beregakh Visly)		1958;	[15]
orchestral	suite	60	Polish Suite	1 Intrada; 2 Notturno; 3 Danza; 4 Intermezzo funebre; 5 Variazione piccoli	1961;	[1][16]
orchestral	overture	61	Slavonic Overture		1961;	[3]
orchestral	symphony	63	Symphony No. 4, B♭ minor	1 Andante sostenuto e maestoso – Allegro moderato ma risoluto assai; 2 Lento tenebroso – Andante; 3 Allegro molto risoluto.	1963;	[17][18]
orchestral	symphonic poem	66	Lyric poem To the Memory of Gliere		1964;	[15]
orchestral	symphony	67	Symphony No. 5 "Slavonic", C major	1 Andante maestoso – Allegro molto; 2 Lento e mesto – Andante tranquillo – Grave – Andante tranquillo – Lento e mesto; 3 Moderato – Allegro energico	1965–1966;	[17]
orchestral	suite	68	Slavonic Suite		1966;	[19]
orchestral	overture	70	Festive Overture		1967;	Also Solemn Overture[20]
orchestral			Fourths Prelude (квартах, kvartakh)		1915–1916, 1919;	[21][22]
orchestral	film music		Carmelite [uk]		1931;	[23]
orchestral	film music		Fires over the Shores (Вогні над берегами, Vohni nad berehamy)		1931;	[23]
orchestral	film music		Miners’ March (Марш шахтарів, Marsh shakhtariv)		1932;	[23]
orchestral	music for theatre		Optimistic Tragedy		1932;	By Sun. Vyshnevsky (directed in 1932 by V. Nellie)[24]
orchestral	film music		Ivan		1932;	[23]
orchestral	film music		Two Days (Два дні, Dva dni))		1933;	Alternative title: Father and Son (Батько і син, Batʹko i syn).[23]
orchestral	film music		Love (Любов, Lyubov)		1933;	[23]
orchestral	film music		Crystal Palace [uk] (Кришталевий палац, Kryshtalevyy palats)		1934;	In collaboration with Ivan Belza[23]
orchestral	film music		Happy Finish (Щасливий фініш, Shchaslyvyy finish)		1934;	[23]
orchestral	film music		The Red Handkerchief (Червона хустина, Chervona khustyna)		1934;	[23]
orchestral	film music		Short stories about hero-pilots (Новели про героїв-льотчиків, Novely pro heroyiv-lʹotchykiv)		1938;	[23]
orchestral	film music		Liberation [uk] (Визволення, Vyzvolennya)		1940;	Originally Western Ukraine[23]
orchestral	music for theatre		Forever Together		1949;	by L. Dmiterko (directed by V. Nellie)[24]
orchestral	film music		Taras Shevchenko		1950–1951;	[3][23]
orchestral	music for theatre		Golden Plague		1953;	(directed by K. Khokhlov)[24]
orchestral	film music		Romeo and Juliet		1954;	[3]
orchestral	music for theatre		Music for the play Romeo and Juliet	1 Carnival March; 2 Pavana; 3 Juliet's Garden; 4 Duel of Romeo and Tibald; 5 Juliet is carried to the crypt; 6 In the crypt of Capulet; 7 Apotheosis	1954;	(directed by B. Nord)[24]
orchestral	film music		Flame of Anger [uk] (Полум'я гніву, Polum'ya hnivu)		1955;	[23]
orchestral	music for theatre		In the Forest		1955;	by Lesya Ukrainka (directed by M. Sokolov)[24]
orchestral	film music		Bloody Dawn [uk] (Кривавий світанок), Kryvavyy svitanok)		1956;	In collaboration with M. Kolessa[23]
orchestral	film music		Ivan Franko [uk]		1956;	[23]
orchestral	film music		The Hooked Pig's Snout[citation needed]		1956;
orchestral	film music		Grigory Skovoroda [uk]		1959;	[23]
orchestral	film music		Airship (Летючий корабель, Letyuchyy korabel)		1960;	[23]
orchestral	orchestral arrangement		Intermezzo		1960;	Orchestration of the second movement of the String Quartet No. 2, Op. 4.[10]
orchestral	film music		Walking (Гулящая, Gulyashchaya) or Prostitute (Повія, Poviya)		1961;	[23][25]
orchestral	music for theatre		Field Marshal Kutuzov			by V. Solovyov[24]

Transcriptions

• Lysenko's opera Taras Bulba (with L. Revutsky)
• Lysenko's opera Aeneid.[3]
• Gliere's Violin Concerto (with K. G. Mostras)
• Gliere's Comedians[3]
• Gliere's Shah-Senem[3]
• Gliere's ballet Red Poppy[3]

Chamber

Genre	Sub-genre	Opus	Title	Song/movement titles	Composition date	Notes
chamber	string quartet	1	String Quartet No. 1, D minor	1 Allegro; 2 Allegro scherzando e legiero; 3 Lento ma non troppo; 4 Allegro energico	1915;	[8]
chamber	string quartet	4	String Quartet No. 2, A major	I 1 Allegro non troppo; 2 Intermezzo. Molto lento; 3 Allegro vivace a leggiero; 4 Allegro molto	1922;	Published Moscow, Leipzig, Vienna 1934.[8][26]
chamber	piano trio	7	Piano Trio No. 1	1 Allegro non troppo; 2 Lento con freddezza; 3 Allegro fermamente	1922;	Score with parts available[12][26]
chamber	violin sonata	19	Violin Sonata	1 Allegro impetuoso; 2 Tempo precedente; 3 Allegro molto risoluto	1926; published Muzgiz (State Publishing House) and Universal Edition, 1928	[1][27]
chamber	string quartet	21	String Quartet No. 3, A major	1 Prelude; 2 Nocturne; 3 Scherzo; 4 Intermezzo; 5 Postlude	1928;	[26]
chamber	violin and piano	25	Three Pieces after Folksong Themes	1 Pamir Melody; 2 Quiet Melody; 3 Dance	1932;	Also Three Songs on Tajik Themes[26]
chamber	piano trio	41	Piano Trio No. 2	1 Introduction (Maestoso); 2 In Character Ballad (Andante sostenuto); 3 Intermezzo (Allegretto pastorale, quasi allegro); 4 Theme and Variations (Andante sostenuto)	1942;	[1]
chamber	piano quintet	42	"Ukrainian Quintet", G minor	1 Allegro e poco agitato; 2 Lento e tranquillo; 3 Allegro; 4 Allegro risoluto	1942;	[26]
chamber	string quartet	43	String Quartet No. 4, D minor	1 Lento’ 2 Allegretto semplice; 3 Allegro ben ritmico; 4 Andante sostenuto; 5 Allegro scherzando	1943;	[26]
chamber	string quartet	45	Suite on Ukrainian Folksong Themes	1 Andante; 2 Andantino; 3 Andante non tanto; 4 Allegro scherzando	1944 (also 1951);	[26]
chamber	wind quartet	46	Suite for Wind Quartet	1 Moderato; 2 Andante; 3 Allegretto scherzando; 4 Lento ma non troppo; 5 Allegro	1944;	[12]
chamber	cello and piano	55	Two Mazurkas on Polish Themes	Mazurka No 1 in D minor; Mazurka No. 2, A minor	1953;	[26][28]
chamber	viola and piano	65	Two Pieces for viola and piano	1 Nocturne; 2 Scherzino	1963;	[17][26]
chamber	piano quartet		Youth Quartet in D minor	1 Allegro agitato; 2 Andante expressivo; 3 Allegro appassionato	1913;	Score includes parts.[17][29]
chamber	quartet		Youth Quartet	1 Allegro energico assai; 2 Allegro scherzando; 3 Adagio	1914;	[17]
chamber	piano, violin and cello		Preludes		1942, 1943;	[3]
chamber	cello and piano		Melody on a Ukrainian Folk Theme		1947;	[30]
chamber	violin and piano		Two Pieces[citation needed]
chamber	violin and piano		Ukrainian Dance[citation needed]
chamber	flute and piano		Old-fashioned Dance (Старовинний танець)[citation needed]

Solo piano

Genre	Sub-genre	Opus	Title	Song/movement titles	Composition date	Notes
piano	piano sonata	13	Piano Sonata No. 1		1924;	Also known as the Slavic.[3][8]
piano		16	Reflections	1 Maestoso e con fermezza; 2 Velutatu assai; 3 Tempestoso; 4 Disperato e lugubre; 5 Come di lontananza ; 6 Ironicamente, misurato assai; 7 Con agitazione	1925;	[8]
piano	piano sonata	18	Piano Sonata No. 2		1925;	Also Sonata Ballade.[3][8]
piano		24	Ballade		1929;	[17]
piano		38	Three Preludes	1 Andante sostenuto; 2 Lente tenebroso; 3 Moderato con moto e sempre ben ritmico	1942;	Also called the Shevchenko Suite.[8]
piano		44	Five Preludes	1 Poco lento e lugubre; 2 Lento e tranquillo; 3 Allegro agitato; 4 Andante sostenuto; 5 Impetuoso	1943; published 1947	[8]
piano		38b	Two Preludes	1 Allegro tumultuoso; 2 Allegro risoluto	1942;	[12]
piano			Mazurka No. 1		1910;	Dated 20 January 1910.[29]
piano			Waltz No. 1		1910;	[29]
piano			Mazurka No. 2		1912;	[29]
piano			Scherzo		1912;	[29]
piano			Mazurka No. 3		1913;	[29]
piano			Prelude in G minor		1914;	[29]
piano			Autumn Fantasy		1914;	[29]
piano			Waltz No. 2		1914;	[29]
piano			Mourning Prelude in E♭ minor		1920;	Also known as the Elergy or Tragic Prelude.[31][32]
piano			Suite[citation needed]		1941;
piano			Funeral Prelude			[33]
piano			Prelude in F♯ minor[citation needed]
piano			Concerto Etude-Rondo		1962; revised 1967;	[15][34]

Choral/vocal

Genre	Sub-genre	Opus	Title	Song/movement titles	Composition date	Notes
choral/vocal	song(s)	5a	Three Romances	1 “After the battle” (После боя, Posle boya); 2 “Death (at the cemetery)” (На кладбище, Na kladbishche); 3 “There was a king” (or “Ancient song”) (Був цар, Buv tsar)	1922;	Words by Ivan Bunin and Heinrich Heine.[8][35][36]
choral/vocal	song(s)	5b	Two Romances[note 1]	1 “Funeral song”; 2 “I dreamed”	1922;	Words by Percy Bysshe Shelley and Heine.[36][37]
choral/vocal	romance(s)	6	Three Romances	1 "Accursed Place" (Проклятое место, Proklyatoye mesto); 2 “Autumn leaves rustled” (Листя осіннє шуміло, Lystya osinnye shumilo); 3 "At the Crossroads" (Закрыт на дальнем перекрёстке, Zakryt na dalʹnem perekrëstke)	1925;	[16][36][37]
choral/vocal	romance(s)	8	Two Romances	1 “Reeds” (Камиші, Kamyshi); 2 "Underwater Plants" (Підводні рослини, Pidvodni roslyny)	1923;	For low voice, clarinet, horn, string quartet and harp.[8][36]
choral/vocal	romance(s)	9	Moon Shadows (Місячні тіні, Misyachni tini)	“And the Moon Is White”; “Prelude”; “New Moon”; “The Disappearance of the Moon”	1924;	For high voice and piano; words by Igor Severyanin and Oscar Wilde.[16][36]
choral/vocal	songs	10	Two Songs	1 “My dreams fade alone” (В’януть мрії мої в самоті, Vʺyanutʹ mriyi moyi v samoti); 2 “Moon” (Місяць, Misyatsʹ)	1923;	After Shelley.[16][36][38]
choral/vocal	romance(s)	11	The Seagull (Чайка, Chayka)		1924;	To words by Konstantin Balmont; for high voice and piano.[8][16][36]
choral/vocal	romance(s)	12	Two Romances	1 "They loved each other" (Вони закохались обоє, Vony zakokhalysʹ oboye); 2 “When the groom left” (Коли жених пішов, Koly zhenykh pishov)	1924;	Words by Maurice Maeterlinck.[8][39]
choral/vocal	romance(s)	14	Four Romances	1 “Although there are no harmonious songs” (Хоч не звучать гармонійні пісні, Khoch ne zvuchatʹ harmoniyni pisni) ; 2 “I am afraid of your caress” (Я ласк твоїх боюсь, YA lask tvoyikh boyusʹ); 3 “Good Night” (Надобраніч, Nadobranich) ; 4 "Past days" (Минулії дні, Mynuliyi dni)	1924;	Text by Shelley; for middle voice and piano.[8][16][36]
choral/vocal	romance(s)	15	Two Romances for bass and piano	1 “Ozymandias”; 2 "When I swam in a stormy sea" (Коли я в бурхливому морі плавав, Koly ya v burkhlyvomu mori plavav)	1924;	Words by Konstantin Balmont, after Shelley; published 1928.[8][16][36]
choral/vocal	romance(s)	17	Three Romances for high voice, based on the texts of ancient Chinese poets	1. "Ancient" (Давнє, Davnye) or “In my golden house…”; 2. “I stand on the jasper steps” ((При яшмових сходах туга, Pry yashmovykh skhodakh tuha); 3. “The stream where the bird sings” ((Потік, де співає птах, Potik, de spivaye ptakh) or “I live alone”	1925; 1934;	Words by the Chinese poet Cui Hao; also referred to as Op. 18.[8][16][36]
choral/vocal	opera	23	The Golden Ring (Золотий обруч, Zolotyy obruch)	Introduction; Act I: Scene 1 (The Polonyna in the Zelemen Mountains); Dance; Scene 2 (Maidan around the old oak); Act II: Scene 3 (The Tatar camp); Dance No 1; Dance No 2; Dance No 3 (Indian); Final Dance; Scene 4 (The estate of Tgar Vovk); Scene 5 (Tatar camp at night); Act III: Scene 6 (Dabot cave (in the Zelemen Mountains); Scene 7 (Tatar camp, the tent of Tugar Vovk); Intermezzo; Scene 8	1929; revised 1970; published 26 March 1930.[1][40]	The libretto by the poet Jacob Mamontov [uk], based on Zachar Berkut, a short story by the Ukrainian writer Ivan Franko.[3][28]
choral/vocal	romance(s)	27	Four Romances	1 “On the Hills of Georgia” (На холмах Грузии, Na kholmakh Gruzii); 2 “Three Springs” (Три ключа, Tri klyucha); 3 “There on the Shore” (Там на брегу, Tam na bregu); 4 "I know the fight" (Мне бой знаком, Mne boy znakom)	1936;	To words by Alexander Pushkin.[8][37]
choral/vocal	songs	28	Arrangements of Ukrainian Folk Songs	1 “Oh sleep and don’t lie down” (Ой , не спиться й не лежиться, Oy , ne spytʹsya y ne lezhytʹsya); 2 “Bend down, thick vines” (Хилітеся , густі лози, Khylitesya , husti lozy) ; 3 “The Cossack is carried and the horse is led” (Козака несуть і Коня ведуть, Kozaka nesutʹ i Konya vedutʹ); 4 “She had to have one daughter” (Мала мати одну дочку, Mala maty odnu dochku); 5 “Snow is coming, a blizzard is blowing” (Сніжок іде , метiль мете, Snizhok ide , metilʹ mete); 6 “Oh horse, my horse” (Ой , коню , мій коню, Oy , konyu , miy konyu) ; 7 “Worlds, worlds, moons” (Світи , світи , місячень ко, Svity , svity , misyachenʹ ko) ; 8 “Red Christmas tree” (Червоная калинонька, Chervonaya kalynonʹka); 9 “I grow, I grow, I grow green” (Гаю , гаю , зелен розмаю, Hayu , hayu , zelen rozmayu) ; 10 “Oh, if I only knew” (Ой , коли б я була знала, Oy , koly b ya bula znala)	1937;	[8]
choral/vocal	opera	29	Shchors		1937;	5 acts; after Ivan Kocherha [uk] and Maksym Rylsky; revised as The Commander in 1948.[3][8][41]
choral/vocal	canata for choir and soloists, and orchestra	30	Solemn Cantata		1939;	Words by Rylsky; now lost.[8][41]
choral/vocal	romance(s)	31	Five romances	1 “Your eyes are like the sea” (Твої очі, як те море, Tvoyi ochi, yak te more); 2 “Why do you appear to me? (Чого з'являешся мені, Choho z'yavlyaeshsya meni); 3 “Boundless field” (Безмежнеє поле, Bezmezhneye pole); 4 “Why do you never laugh?” (Чому не смієшся ніколи?, Chomu ne smiyeshsya nikoly?); 5 “Do not pass by so proudly, my child” (Не минай з погордою, Ne mynay z pohordoyu)	1940;	To words by Franko.[8][16][37]
choral/vocal	romance(s)	32	"The Sun"	1 “A seagull flew into the rainbow” (В райдугу чайка летіла, V rayduhu chayka letila); 2 “Recurring Dreams” (Все мені сниться, Vse meni snytʹsya)	1940;	Text by Mikhail Lermontov.[8][16][37]
choral/vocal	songs	33	Arrangements of Ukrainian Folk Songs		1941;	[8]
choral/vocal	songs	34	Arrangements of Ukrainian Folk Songs		1941;	[8]
choral/vocal	songs	35	Arrangements of Ukrainian Folk Songs		1942;	[8]
choral/vocal	a capella song(s)	36	Arrangements of Ukrainian Folk Songs		1942;	[8]
choral/vocal	romance(s)	37	Two Romances	1 “Star” (Зоря, Zorya); 2 “The Height of Happiness” (‘Найвище щастя, ‘Nayvyshche shchastya)	1942;	[8][16][37]
choral/vocal	romance(s)	39	Two Romances	1 “Stork” (Лелека, Leleka); 2 “Lullaby” (Колискова, Kolyskova)	1942;	Words by Sava Golovanivsky [uk].[8][16][36]
choral/vocal	songs	40	Songs	1 “In the mist of tears” (В тумані сліз, V tumani sliz); 2 “It will be so”(Так буде, Tak bude); 3 “It’s like a dream” Неначе сон, Nenache son)	1942;	Words by Volodymyr Sosiura.[8][16][36]
choral/vocal	a capella song(s)	47	Seasons	“Autumn” (Осінь, Osinʹ); “Spring” (Весна, Vesna); “Summer” (Літо, Lito); “Winter” (Зима, Zyma)	1949;	Lyrics by Pushkin.[42]
choral/vocal	a capella song(s)	48	Five Songs			[42]
choral/vocal	a capella song(s)	52	Two Songs to words by Pushkin	1 "The moon creeps across the sky" (По небу крадется луна, Po nebu kradet·sya luna); 2 "Who, the waves, stopped you" (Кто, волны, остановил тебя, Kto, volny, ostanovil tebya)	1952;	[28][41]
choral/vocal	romance(s)	57	Romances for bass and piano	1 “A letter to Siberia” (Послание в Сибирь, Poslaniye v Sibirʹ); 2 “Elegy” (Элегия, Elegiya)	1951;	[16][37]
choral/vocal	a capella song(s)	62	Four Songs set to words by A. Fet	"By the fireplace"; “In the evening twilight”; "Autumn night"; "At dawn"	1963;	Lyrics by Afanasy Fet.[42][43]
choral/vocal	a capella song(s)	64	Five unaccompanied mixed songs on the words of M. Rilsky	1 "Autumn" (Осінь, Osinʹ); 2 "Rain" (Дощ, Doshch); 3 "Wide Field" (Широке поле, Shyroke pole); 4 "Sleep in your white bed!" (Спи в своїй білій постелі!, Spy v svoyiy biliy posteli!) ; 5 "The rain eased" (Дощ одшумів, Doshch odshumiv)	1964;	The premiere occurred after the poet's death, on November 29, 1964 in Kyiv.[3][17][41]
choral/vocal	a capella song(s)	69	Four songs From the Past			[42]
choral/vocal	a capella song(s)	65a	Four Songs	1 "I love a gloomy day" (Люблю я хмурый день, Lyublyu ya khmuryy den'); 2 "The leaves whisper thoughtfully" (Шепчут задумчиво листья, Shepchut zadumchivo listʹya); 3 "I love the darkness of the night" (Люблю ночную тьму, Lyublyu nochnuyu tʹmu); 4 "Glory to those who yearn for freedom" (Слава тем, кто жаждет воли, Slava tem, kto zhazhdet voli)		Words by Rylsky.[44]

Song cycles without an opus number

• Songs after Shevchenko (including “Water flows into the blue sea” (Тече вода в синє море, Teche voda v synye more); 2 "The sun rises from behind the grove" (Із-за гаю сонце сходить, Iz-za hayu sontse skhodytʹ)). 1949–1951.[45]
• Two songs ("When the well shakes"; "How will you hear at night"). Lyrics by Franko.^{[citation needed]}
• Songs to texts by Shevchenko (1 "A banner behind a banner" (За байракомбайрак, Za bayrakom bayrak)); 2 "On the Dnieper Saga" (Над Днiпровою сагою, Nad Dniprovoyu sahoyu)). 1960.[43]
• Two Ukrainian folk songs (“Oh, a quiet wind is blowing in the field” (Ой, у полі тихий вітер віє, Oy, u poli tykhyy viter viye)); “Oh, a long time ago”. 1934.[8]
• Songs for mixed choir accompanied by piano (1 "Thought about the Cossack Sophron" (Дума про козака Софрона, Duma pro kozaka Sofrona)); 2 "About Karmelyuka" (Про Кармелюка, Pro Karmelyuka)). 1932.[46]

Individual songs with no opus number

• “Airship” (Воздушный корабль, Vozdushnyy korablʹ).[16]
• "And in those small houses" (А у тих багачок, A u tykh bahachok).[16]
• "Bygone days” (Минувшие дни, Minuvshiye dni). 1931. Romance after Shelley.[45]
• “Haze” (Серпанок, Serpanok). 1919–1920. From a text by Balmont; also set in Russian.[16]
• "Heart of the Kobzar" (Серце Кобзаря, Sertse Kobzarya).[43]
• “In the album of Caroline Janisz” (В альбом Кароліні Яниш, V alʹbom Karolini Yanysh).[16]
• “I walked in the crossroads” (У перетику ходила, U peretyku khodyla).[16]
• "I was a guest in your heart" (Гостював в твоєму серц, Hostyuvav v tvoyemu sertsiі). 1924.[28]
• "Oh, if my heart is cold" (Якби мені серце холодне, Yakby meni sertse kholodne). 1924. Words by Balmont.[28]
• “Sum of spring” (1919–1920). Весна грустит Vesna grustit [16]
• "Terrible is the cold of the evenings" (Жахливий холод вечорів, Zhakhlyvyy kholod vechoriv). 1926.[28]
• Testament. 1939. Cantata after Shevtchenko.[3]
• “The grove turns green again” (Знову гай зазеленів, Znovu hay zazeleniv). 1922–1924.[39]
• "The heart of the Kobzar" (Серце Кобзаря, Sertse Kobzarya). 1964. Words by Valentin Bychko [uk].[43][42]
• "The monk's mountain" (Чернеча гора, Chernecha Gora). 1964. Words by Evgeny Fomin [uk].[43]
• “There are brown eyes” (Єсть карії оч, Yestʹ kariyi ochiі). 1927. Text by Shevchenko.[45]
• “The silence and fragrance of sleeping flowers” (Тиша й пахощі квітів у дрімоті, Tysha y pakhoshchi kvitiv u drimoti). 1922.[39]
• "The sorrow of spring" (Сум весни, Sum vesny). 1919–1920.[39]
• “The sun” (Солнце, Solntse). Words by Lermontov.[16]

The following songs need to be sourced:^{[citation needed]}

• "Creeping, periwinkle".(Та стелись, стелись, барвиночку, Ta stelysʹ, stelysʹ, barvinochku)
• "Glorious Way". 1939
• “My dreams fade in solitude” (В’януть мрії мої в самоті, Vʺyanutʹ mriyi moyi v samoti)
• “Old and young” (Старий i молода, Staryy i moloda).
• "Our comrade-in-arms fell under the birch". 1950. Lyrics by Anatoly Sofronov.
• "Silence, the fragrance of dormant flowers".
• "The moon creeps across the sky".
• "The sun rises over Siberia" (За Сибiром сонце сходить, Za Sybirom sontse skhodytʹ).
• "The sun rises at the horizon", after Shevtshenko.
• “Yesterday was Saturday night” (Вчора була суботонка, Vchora bula subotonka).

Wind band

• Solemn March of the #99 Rifle Division[47]
• March No 2 for wind orchestra (1932)
• March No 3 for wind orchestra (1936)

Notes

References

Sources

• Amarphy, Tatiana (2018). "Матеріали І Міжнародної Студентської Науково-Практичної Конференції «Європейський Вимір Культурнотворчої Спадщини Бориса Лятошинського»" [The International Student Scientific and Practical Conference: "The European Dimension of the cultural heritage of Borys Lyatoshynshy”] (PDF). Student Scientific Bulletin (18): 3–6.
• Baley, Virko (2001). "Lyatoshyns′ky, Borys Mykolayovych". Grove Music Online (8th ed.). Oxford University Press. ISBN 978-1-56159-263-0.
• Belza, Igor (1947). Б.Н. Лятошинський : заслужений діяч мистецтв УРСР [B.N. Lyatoshynsky: Honoured Art Worker of the USSR] (in Ukrainian). Kyiv: Art Publications. OCLC 13936532.
• Bentya, Y.V. (2015). "The personal collection of Borys Lyatoshynsky" (PDF). Reviews of Sources and Documentary Essays (in Ukrainian). Ukraine State Archives Service: 121–135.
• Dytyniak, Maria (1986). Українські Композитори [Ukrainian Composers] (in Ukrainian). Edmonton, Alberta: Canadian Institute of Ukrainian Studies.
• Greenfield, Edward; March, Ivan; Layton, Robert (1999). The Penguin Guide to Compact Discs. London; New York: Penguin Books. ISBN 978-01404-6-887-8 – via Internet Archive.
• Gruzin, D.V. (2009). "Lyatoshynsky Borys Mykolayovych". In Smoliy, V.A. (ed.). Encyclopedia of the History of Ukraine (in Ukrainian). Vol. 6 La-Mi. Institute of History of Ukraine.
• Hakobian, Levon (2016). Music of the Soviet Era: 1917-1991. Taylor & Francis. ISBN 978-13170-9-187-5.
• Izvarina, Elena (2016). "Опера "Золотий Обруч" Б. Лятошинського В Контексті Універсалій Культури: Зміна Смислів Інтерпретації" [B. Lyatoshynsky's opera ‘’The Golden Ring’’ in the context of the universals of culture: changing the meanings of interpretation] (PDF). The Culturology Ideas (in Ukrainian and English) (9): 123–127. ISSN 2311-9489.
• Martsenkivska, O.V. (2016). "Фортепіанна творчість Р. М. Глієра та Б. М. Лятошинського в контексті семантичного аналізу" [Piano creativity of R.M. Glier and B.M. Lyatoshynsky in the context of semantic analysis]. Kyiv Musicology (in Ukrainian) (52): 116–134.
• Rud, Lolita (2018). "На Перехресті Театру І Музики. Симфонічна Сюїта «Ромео І Джульєтта» Б.Лятошинського" [At the crossroads of theatre and music: the symphonic suite "Romeo and Juliet" by B. Lyatoshynsky] (PDF). Student Scientific Bulletin (18): 41–44.
• Samokhvalov, Victor Yakovlevich (1973). Mokritskaya, L.M. (ed.). Borys Lyatoshynsky (in Ukrainian) (2nd ed.). Kyiv: Musical Ukraine.
• Savchuk, Igor Borisovich, ed. (2015). Борис Лятошинський: Романси [Boris Lyatoshynsky: Romances of the1920s] (PDF) (in Ukrainian). Kyiv: National Academy of Arts of Ukraine. ISBN 9-786-17640-176-6.
• Savchuk, Igor; Gomon, Tatiana (2019). "Boris Lyatoshinsky's Early Creativity: The Semantic Aspect". Art Research of Ukraine (in Ukrainian) (19): 169–182. doi:10.31500/2309-8155.19.2019.185990. ISSN 2309-8155. S2CID 242333813.

Further reading

• "Boris Liatoshinsky". Soviet Composers. Onno van Rijen. 4 March 2006. Archived from the original (online list of works, including recordings) on 5 March 2009. Retrieved 16 December 2008.

External links

• Free scores by List of compositions by Borys Lyatoshynsky at the International Music Score Library Project (IMSLP)
• Biography and list of works by Lyatoshynsky from Notes on Ukrainian Composers (in Ukrainian)
• Works by Lyatoshynsky in the German National Library catalogue (in German)

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