Matana Roberts (born 1975[1]) is an American sound experimentalist, visual artist, jazz saxophonist and clarinetist, composer and improviser based in New York City.[2] They have previously been an active member of the Association for the Advancement of Creative Musicians (AACM).[3][4]
The works in their multichapter Coin Coin project have received wide acclaim: Coin Coin Chapter One: Gens de Couleur Libres was named in multiple JazzTimes 2011 Critics’ Lists;[5]Coin Coin Chapter Two: Mississippi Moonchile was called "stunning" by both the Chicago Reader[6] and SPIN;[7] and Coin Coin Chapter Three: River Run Thee was named among Rolling Stone's Best Avant Albums of 2015.[8]Coin Coin Chapter Four: Memphis has garnered their greatest accolades, and was included in Pitchfork's Best Experimental Albums,[9] Bandcamp's Best Jazz Albums,[10] and the top ten of the NPR Music Jazz Critics Poll in 2019.[11] Anthony Fantano of The Needle Drop called the album "one of the decade's most compelling jazz projects".[12]
The annual DownBeat Critics Poll has named Roberts Rising Star in both the alto saxophone[13] and clarinet categories.[14] Roberts received a Doris Duke Impact Award in 2014 and a Doris Duke Artist Award in 2016.[15][16]
Early life and career
Roberts at Moers Festival 2010
Born in 1975 in Chicago, Illinois, Roberts was raised on the city's South Side and studied classical clarinet during their youth.[3] They formed a trio, Sticks and Stones, with bassist Josh Abrams and drummer Chad Taylor, with whom they regularly performed at the Velvet Lounge.[17] In 2002, Roberts moved to New York, initially busking in subways and publishing a zine, Fat Ragged, about their experiences.[17]
Roberts is the composer of Coin Coin, a multichapter musical work-in-progress exploring themes of history, memory and ancestry.[18] Roberts performed at the London Jazz Festival in 2007.[19] In 2008, Central Control released Roberts' The Chicago Project.[20] The album, produced by Vijay Iyer, includes performances by members of Prefuse 73 and Tortoise along with AACM saxophonist Fred Anderson.[21]
They have previously been a member of the Association for the Advancement of Creative Musicians (AACM).[3]
In January 2010, Roberts was the guest curator at The Stone.[22] Roberts was chosen by Jeff Mangum of Neutral Milk Hotel to perform at the All Tomorrow's Parties festival that he curated in March 2012 in Minehead, England.[23] Roberts held a residency at the Whitney Museum of American Art in the summer of 2015, during which they produced a series of research-based sound works entitled i call america.[24] The following summer, they had a solo show at the Fridman Gallery entitled I Call America II that was presented as an expanded version of the Whitney exhibition.[25]
Krononaut, Krononaut (Glitterbeat, 2020), on "Wealth of Nations," "Examen," and "Convocation"
References
"Matana Roberts". Foundation for Contemporary Arts. 2013. Retrieved March 7, 2021.
Johnson, Martin (March 11, 2008). "Chicago's Avant-Garde Musicians". The Wall Street Journal. Dow Jones & Company. Retrieved January 3, 2012.
Lurie, Matthew (April 4, 2005). "Relative Chords". Time Out Chicago. Chicago: Time Out Group Ltd. Archived from the original on October 9, 2008. Retrieved June 28, 2008.
Flynn, Mike (January 14, 2008). "Matana Roberts". Time Out London. London: Time Out Group Ltd. Archived from the original on October 9, 2008. Retrieved June 27, 2008.
Longley, Martin (January 2010). "The Stone"(PDF). All About Jazz - New York. New York: Allaboutjazz.com (93): 7. Archived from the original(PDF) on July 14, 2010. Retrieved July 19, 2010.
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