music.wikisort.org - Composer
Richard Loqueville (died 1418) was a French composer active during the transition between Medieval and Renaissance music. A musician at Cambrai Cathedral, Loqueville was a harpist and teacher, whose students included Edward III, Duke of Bar and the influential composer Guillaume Du Fay.
Medieval and Renaissance French composer
Life and career
Little is known of Loqueville's life. A trained harpist, he taught it to Edward III, the son of the Robert, Duke of Bar, in 1410. He is also known to have taught plainsong to the Duke's choirboys. From 1413 until the end of his life he taught music at Cambrai Cathedral alongside Nicolas Malin. The celebrated composer Guillaume Du Fay was likely a student his student at the cathedral and Du Fay's first compositions were probably written under his influence and instruction. He is known to have been married. In 1418 he died in Cambrai.
Music
Attributed to him are four rondeaux, a ballade, an isorhythmic motet in honour of the Breton saint Yvo, a Marian motet, and several Mass movements.
Works
Editions
Loqueville's works are included in the following collections:
- Reaney, Gilbert, ed. (1966). Early Fifteenth-Century Music. Corpus mensurabilis musicae 11. Vol. 3, Collected Works of Richard Loqueville, Estienne Grossin, R. Libert, and Benoit. Cambridge: American Institute of Musicology. OCLC 679376469.
Notes
- with trope ‘Qui januas mortis’
References
Sources
- Books
- Boone, Graeme MacDonald (1987). Dufay's Early Chansons: Chronology and Style in the Manuscript Oxford, Bodleian Library, Canonici Misc. 213 (Thesis). Cambridge, Massachusetts: Harvard University. OCLC 606319163.
- Fallows, David (1987) [1982]. Dufay. The Master Musicians Series (revised ed.). Oxford: Oxford University Press. ISBN 978-0-460-02493-8.
- Fenlon, Iain (2009). Early Music History: Studies in Medieval and Early Modern Music. Cambridge, England: Cambridge University Press. ISBN 978-0-521-10431-9.
- Guion, David M. (2010). A History of the Trombone. Lanham, Maryland: Scarecrow Press. ISBN 978-0-8108-7445-9.
- Kim, Mi-Ock (1990). The Emergence of Harmonic Tonality in Dufay's Songs (Thesis). East Lansing, Michigan: Michigan State University. OCLC 215004828.
- McKinnon, James, ed. (1990). Antiquity and the Middle Ages: From Ancient Greece to the 15th Century. London, England: Palgrave Macmillan. ISBN 978-1-349-21157-9.
- Moll, Kevin N., ed. (2014). Counterpoint and Compositional Process in the Time of Dufay: Perspectives from German Musicology. Oxford, England: Taylor & Francis. ISBN 978-1-135-61733-2.
- Strohm, Reinhard (2005). The Rise of European Music, 1380-1500. Cambridge, England: Cambridge University Press. ISBN 978-0-521-61934-9.
- Journals and articles
Further reading
- Dannemann, Erna (1973) [1936]. Die spätgotische Musiktradition in Frankreich und Burgund vor dem Aufreten Dufays (in German) (Reprint ed.). Valentin Koerner. ISBN 978-3-87320-522-2.
External links
|
---|
Original motets |
- Lamentatio sanctae matris ecclesiae Constantinopolitanae
- Nuper rosarum flores
- Vasilissa ergo gaude
|
---|
People |
|
---|
Related |
- Dufay Collective
- Fauxbourdon
- Music of Burgundy
|
---|
|
Authority control  |
---|
General | |
---|
National libraries | |
---|
Other | |
---|
Текст в блоке "Читать" взят с сайта "Википедия" и доступен по лицензии Creative Commons Attribution-ShareAlike; в отдельных случаях могут действовать дополнительные условия.
Другой контент может иметь иную лицензию. Перед использованием материалов сайта WikiSort.org внимательно изучите правила лицензирования конкретных элементов наполнения сайта.
2019-2025
WikiSort.org - проект по пересортировке и дополнению контента Википедии