music.wikisort.org - Composition

A Curious Feeling is the debut solo album from English keyboardist Tony Banks. It was recorded at ABBA's Polar Music Studios during a brief hiatus for Banks's main group Genesis and released in 1979 on Charisma Records. It is one of only two of Banks' solo albums to have entered the UK Albums Chart, reaching 21 and staying on the chart for five weeks.[1] The album is a loose adaptation of the 1966 Daniel Keyes novel Flowers for Algernon.[2] Its cover was designed by Hothouse and contains Wuluwait - Boatman of the Dead by Australian artist Ainslie Roberts. It was digitally remastered in 2009.

This article needs additional citations for verification. (March 2011)

A Curious Feeling
Studio album by Tony Banks
Released	8 October 1979
Recorded	Spring-Summer 1979 Polar Music Studios (Stockholm, Sweden); Maison Rouge (London, UK).
Genre	Progressive rock
Length	52:54
Label	Charisma Charisma/Polydor (US/Canada) Caroline (US)
Producer	Tony Banks, David Hentschel
Tony Banks chronology
A Curious Feeling (1979) The Wicked Lady (1983)

History

The instrumental piece "From the Undertow" was used in the 1978 British film The Shout, for which Banks, with Mike Rutherford, composed the incidental music. No soundtrack of the film has been released. The piece was originally intended to be the intro to "Undertow" from the Genesis album ...And Then There Were Three... (hence the title).

The album was re-released on 19 October 2009,[3] remixed from the original masters by Nick Davis, who also created a 5.1 DTS 96/24 surround mix which is available on the second disc of the deluxe edition.

Reception

Professional ratings

Review scores
Source	Rating
AllMusic	[4]
Classic Rock	[5]
Record Collector	[6]

According to Banks himself, the album "got some extremely scathing reviews, I don't think they were fair" but he conceded "this was post-punk and this was really not the album that people wanted to hear".[7] Classic Rock reviewer Jerry Ewing agrees with Banks, writing that the album is made of "lush pastoral English prog rock that deserved better at the time" and is probably the musician's best solo effort.[5]

AllMusic gave a positive retrospective review, asserting that "Banks manages to capture the wonderment and allure that enveloped Genesis' Peter Gabriel days... yet he filters out the instrumental intricacies, unorthodox time signatures, and complex poetry which enveloped these works to create a milder but equally effective progressive realm [sic]." They praised the album for lacking the instrumental pretentiousness that most would have expected, instead focusing on strong progressive rock compositions.[4]

Track listing

Personnel

• Tony Banks – keyboards, guitars, bass, percussion
• Chester Thompson – drums, percussion
• Kim Beacon – vocals

Production

• Tony Banks – producer
• David Hentschel – producer, engineer
• David Bascombe – engineer
• Geoff Banks – equipment
• Andy Mackrill – equipment
• Dale Newman – equipment
• Hothouse – design
• Ainslie Roberts – cover painting

Charts

Album

Year	Chart	Position
1979	UK Albums Chart[1]	21
1979	US Albums Chart	171

References

---