Arbour Zena is an orchestral work composed by American jazz pianist Keith Jarrett featuring saxophonist Jan Garbarek, bassist Charlie Haden and members of the Stuttgart Radio Symphony Orchestra conducted by Mladen Gutesha [de] which was recorded in October 1975[2] and released by ECM in 1976.[1]
Arbour Zena | ||||
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Studio album by | ||||
Released | May 1976 [1] | |||
Recorded | October 1975 [2] | |||
Studio | Tonstudio Bauer, Ludwigsburg, West Germany | |||
Genre | Contemporary classical music | |||
Length | 52:59 | |||
Label | ECM Records [ECM 1070] | |||
Producer | Manfred Eicher | |||
Keith Jarrett chronology | ||||
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Keith Jarrett orchestral works chronology | ||||
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In the original notes of the compilation album "Keith Jarrett Selected Recordings",[3] with music selected by Jarrett himself, he states that "I consider this one of my most richly lyrical and consistently inspired works. Of course, Jan Garbarek's contribution is irreplaceable and ecstatic. Go out and buy it."
Reviewing the album for AllMusic, Richard S. Ginell awarded the album 3 stars and said, "although this music can be attractive in small doses, the lack of tempo or texture contrasts over long stretches of time – particularly the nearly 28-minute "Mirrors" – can be annoying if you're not in the right blissful mood".[4]
Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz | ![]() ![]() ![]() ![]() |
The Rolling Stone Jazz Record Guide | ![]() ![]() ![]() ![]() ![]() |
Tom Hull | B−[8] |
Reviewing the album for the website All About Jazz, John Kelman said, "Jarrett had already released music more aligned with the classical sphere on 1974's In the Light, which contained works for string quartet and brass quintet, a fughata for harpsichord and more; but it was with Arbour Zena—reuniting the pianist with the string section Stuttgart's Südfunk Symphony Orchestra and conductor Mladen Gutesha (who'd performed In the Light's "Metamorphosis")—that Jarrett found the magic nexus between composition and improvisation, both through his own contributions on piano and with the participation of Haden and saxophonist Jan Garbarek, also making the record an even broader marriage of his European and American concerns."[9]
All compositions by Keith Jarrett
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