music.wikisort.org - CompositionAubade (FR 051a, and FP051b for the piano reduction), a choreographic concerto for piano and 18 instruments, is a work of Francis Poulenc premiered in 1929. It was conceived as a ballet, but is more often played as a chamber piano concerto.
Aubade |
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Catalogue | FP 51a |
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Composed | 1929 (1929) |
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Movements | 8 |
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Date | 18 June 1929 |
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Location | Place des États-Unis in Paris |
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Conductor | Francis Poulenc |
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History
An aubade is a morning courting song, vs. a serenade in the evening. Here the action begins one morning, and ends the next day at dawn. Poulenc's work was originally conceived as ballet music, but is today regarded as a piano concerto. The work was premiered as a ballet on 18 June 1929 at the Noailles, which determined the size of the orchestra Poulenc could employ. The choreographer was Bronislava Nijinska. A few months later, it was revived at the Théâtre des Champs-Élysées in the choreography this time by George Balanchine, of which Poulenc disapproved.
Poulenc himself designed the scenario of the ballet whose theme is the solitude of women. The goddess Diana is the heroine. The action begins in a clearing. Diane's companions awaken little by little. Diane enters the scene, tormented by the chastity imposed on her. Her companions dress her then give her a bow: the hunt must serve her as a distraction. A solo of Diana follows, before she rejects the bow and goes into the forest, desperate. Her companions try to console her, but Diane goes hunting, alone. Her companions fall asleep.
Structure
- Toccata (lento et pesante)
- Récitatif, (larghetto)
- Rondeau, (allegro)
- Presto
- Récitatif (larghetto)
- Andante (andante con moto)
- Allegro féroce
- Conclusion (adagio)
Scoring
- solo piano, 2 flutes, 2 oboes (2nd doubling cor anglais), 2 clarinets, 2 bassoons, 2 horns in F, trumpet, 2 violas, 2 cellos, 2 double basses, 3 timpani.
- The execution time is about 21 minutes.
Sources
External links
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Operas |
- Les mamelles de Tirésias (1947)
- Dialogues of the Carmelites (1957)
- La voix humaine (1959)
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Ballets |
- Les biches (1922)
- Aubade (1929)
- Les Animaux modèles (1941)
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Orchestral music | |
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Concertos |
- Concert champêtre (1927)
- Concerto for Two Pianos and Orchestra (1932)
- Organ Concerto (1938)
- Piano Concerto (1949)
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Chamber music |
- Rapsodie nègre (1917)
- Sonata for two clarinets (1918)
- Sonata for clarinet and bassoon (1922)
- Sonata for horn, trumpet and trombone (1922)
- Trio for oboe, bassoon and piano (1926)
- Sextet (1932)
- Villanelle (1934)
- Suite française (1935)
- Violin Sonata (1942)
- Cello Sonata (1948)
- Élégie pour cor et piano (1957)
- Flute sonata (1957)
- Clarinet Sonata (1962)
- Oboe Sonata (1962)
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Piano music |
- Trois mouvements perpétuels (1919)
- Piano Suite (1920)
- Trois novelettes (1927)
- Soirées de Nazelles (1936)
- L'Histoire de Babar, le petit éléphant (1940)
- La Courte Paille (1960)
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Songs |
- Chanson à boire (1922)
- Fiançailles pour rire (1939)
- Les Chemins de l'amour (1940)
- Banalités (1940)
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Choir (a cappella) |
- Messe en sol majeur (1937)
- Sécheresses (1937)
- Quatre motets pour un temps de pénitence (1939)
- Figure humaine (1943)
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Choir and orchestra |
- Litanies à la Vierge Noire (1936)
- Stabat Mater (1950)
- Gloria (1959)
- Sept répons des ténèbres (1963)
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Collaborations |
- L'Album des Six (1919)
- Les mariés de la tour Eiffel (1921)
- L'éventail de Jeanne (1927)
- Variations sur le nom de Marguerite Long (1956)
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Incidental music |
- Le Gendarme incompris (1920)
- Intermezzo (1933)
- Léocadia (1940)
- L'Invitation au château (1947)
- Amphitryon (1947)
- Renaud et Armide (1962)
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Related | |
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Category |
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