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Beneath the Remains is the third studio album by Brazilian heavy metal band Sepultura, released on April 7, 1989. It was their first release by Roadrunner Records.

Beneath the Remains
Studio album by Sepultura
Released	April 7, 1989
Recorded	December 15–28, 1988
Studio	Nas Nuvens Studio, Rio de Janeiro, Brazil
Genre	Thrash metal[1] death metal[2]
Length	41:48
Label	Roadrunner
Producer	Scott Burns Sepultura
Sepultura chronology
Schizophrenia (1987) Beneath the Remains (1989) Arise (1991)

Overview

The album had improved production and songwriting compared to the band's previous albums.[3] In time it would be acclaimed as a classic in the thrash metal genre.[4][5] According to vocalist Max Cavalera, Sepultura had "really found [their] style" on that album.[3] In January 2013, Beneath the Remains was inducted into Decibel magazine's Hall of Fame, becoming the second Sepultura album to do so, the first being Roots. This induction would make Sepultura the first band to have more than one of their albums being featured in the Decibel Hall of Fame.[6]

Cover art

This was their first album to feature a Michael Whelan cover art. There was a bit of controversy surrounding the cover art used for this album. Sepultura had initially planned on using another Michael Whelan cover art, Bloodcurdling Tales of Horror and the Macabre. Igor Cavalera had even gone so far as to get part of the painting tattooed on his arm. However, Roadrunner Records convinced Sepultura to use Nightmare in Red[7] as they felt it was better suited for Beneath the Remains. Monte Conner of Roadrunner later sent the original artwork to Obituary, who used it on their album, Cause of Death, which was released a year after Beneath the Remains.[8] For years after the incident, Igor Cavalera was upset with Monte Conner for giving away their album cover.

Production

Max Cavalera travelled to New York in February 1988 and spent a whole week negotiating with the Roadrunner label.[9] Although they offered a seven-record deal to Sepultura, the label was unsure of the band's sale potential.[9] The album's budget was a small amount by the label's standards ($8,000), but in the end the cost was almost twice its original budget.[10]

Scott Burns, who had previously engineered records by death metal acts Obituary, Death and Morbid Angel, was the chosen producer. Burns agreed to work for a low fee ($2,000) because he was curious about Brazil.[11] Sepultura spent the last half of December 1988 recording the album at Nas Nuvens Studio in Rio de Janeiro, from 8 pm to 5 am.[12] The studio was specifically chosen because it was the one where some years before Brazilian rock band Titãs had recorded their classic album Cabeça Dinossauro, which impressed Sepultura.[13] Burns had brought some drum equipment and Mesa Boogie amps to Brazil (a rare item for production standards at the time) which helped to improve the sound quality.[14]

Reception

Professional ratings

Review scores
Source	Rating
AllMusic	[4]
Q	[15]

Beneath the Remains has received critical acclaim. AllMusic writer Eduardo Rivadavia noted that the album "marked the band's transition from third-world obscurity to major contenders in the international extreme metal arena", and called it "the most essential death/thrash metal albums of all time."[4] Adam McCann of Metal Digest called Beneath the Remains a "real heavy metal classic", and wrote "With Beneath the Remains, Sepultura almost drew a line in the sand, they tightened up the sound placed down on their previous album Schizophrenia, amped up the power and created a real beast of an album where not only Sepultura fans hail it to the best Sepultura album ever released, but an album which frequently rides very, very high in the best heavy metal albums ever released. Rightly so too, for Beneath the Remains, all the stars aligned for Sepultura and it lit the blue touch paper that would soon catapult the Brazilians in the heavy metal stratosphere."[16]

Track listing

Personnel

Chart positions

Chart (1989)	Peak position
UK Indie Chart[17]	9

Chart (2020)	Peak position
Croatian Foreign Albums (TOTS)[18]	3
German Albums (Offizielle Top 100)[19]	96
Hungarian Albums (MAHASZ)[20]	22

References

Works cited

• Anonymous (2003). A Megaton Hit Parade: The All-Time Thrash Top 20. Terrorizer, 109: 34–55.
• Barcinski, André & Gomes, Silvio (1999). Sepultura: Toda a História. São Paulo: Ed. 34. ISBN 85-7326-156-0
• Mudrian, Albert (2009). Precious Metal: Decibel Presents the Stories Behind 25 Extreme Metal Masterpieces, 104.
• Harris, Keith (2000). Roots?: the relationship between the global and the local within the Extreme Metal scene. Popular Music, 19: 13–30.
• Sepultura (1989). Beneath the Remains. [CD]. New York, NY: Roadrunner Records. The Sepultura Remasters (1997).

На других языках

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[de] Beneath the Remains

Beneath the Remains (englisch für Unter den Überresten) ist das dritte Studioalbum der brasilianischen Thrash-Metal-Band Sepultura. Es erschien am 7. Mai 1989 über Roadrunner Records und war die erste Veröffentlichung der Band für diese Firma. Das Album brachte der Band den weltweiten Durchbruch, verkaufte sich weltweit insgesamt mehr als 600.000 Mal und gilt als Genre-Klassiker.[1]

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- [en] Beneath the Remains

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[es] Beneath the Remains

Beneath the Remains —en español: Por debajo de los restos — es el tercer álbum de estudio creado por la banda brasileña de death/thrash metal Sepultura, fue publicado en 1989. Era su primer álbum editado por Roadrunner Records. El álbum ha vendido más de 600 000 copias en el mundo. Es para muchos seguidores del thrash metal, uno de los mejores álbumes del género de finales de los 80 fuera de Estados Unidos.[1]

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[ru] Beneath the Remains

Beneath the Remains (рус. Под руинами) — третий студийный альбом бразильской метал-группы Sepultura, выпущенный 7 апреля 1989 года на лейбле Roadrunner Records[4]. Это первый альбом группы, выпущенный в США на лейбле Roadrunner Records. Альбом был распродан в количестве более чем 600 тысяч экземпляров во всём мире[5].

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