Bourrée in E minor is a popular lute piece, the fifth movement from Suite in E minor for Lute, BWV 996 (BC L166) written by Johann Sebastian Bach between 1708 and 1717. The piece is arguably one of the most famous among guitarists.[1]
Lute composition by Johann Sebastian Bach; fifth movement of BWV 996
J.S. Bach 'Bourree in E minor' (BWV 996)
A bourrée was a type of dance that originated in France with quick duple meter and an upbeat.[2] Though the bourrée was popular as a social dance and shown in theatrical ballets during the reign of Louis XIV of France, the Bourrée in E minor was not intended for dancing.[2] Nonetheless, some of the elements of the dance are incorporated in the piece.[2]
Bach wrote his lute pieces in a traditional score rather than in lute tablature, and some believe that Bach played his lute pieces on the keyboard.[2] No original script of the Suite in E minor for Lute by Bach is known to exist.[3] However, in the collection of one of Bach's pupils, Johann Ludwig Krebs, there is one piece ("Praeludio – con la Suite da Gio: Bast. Bach") that has written "aufs Lauten Werck" ("for the lute-harpsichord") in unidentified handwriting.[3] Some argue that despite this reference, the piece was meant to be played on the lute as demonstrated by the texture.[3] Others argue that since the piece was written in E minor, it would be incompatible with the baroque lute which was tuned to D minor.[4] Nevertheless, it may be played with other string instruments, such as the guitar, mandola or mandocello, and keyboard instruments, and it is especially well-known among guitarists.[5] The tempo of the piece is fairly quick and smooth. It also demonstrates counterpoint, as the two voices move independently of one another.[1] Furthermore, the Bourrée in E minor demonstrates binary form.[6]
Robert Schumann quotes the first 14 notes of this memorable theme (transposed to G minor) in #3 of the Op. 60, 6 Fugues on B–A–C–H, where he neatly combines it with the B♭ A C B motif. There also appears to be an echo of this reference in the next fugue, #4.
Jethro Tull used the first part (first eight bars) of the piece in the third track in their August 1969 album Stand Up, "Bourée",[9] which was also released as a single that year. Alternative versions of the same track appear on The Jethro Tull Christmas Album, A Little Light Music and the 25th Anniversary Box Set and is a band favorite for live concerts. In April 2011, a portion of this was also played as a duet by Cady Coleman from the ISS and Ian Anderson on tour in Perm, Russia.[10]
Paul McCartney has said in interviews and on tours that the songs "Blackbird" and "Jenny Wren" were both inspired by variations and alterations to the bourrée.[11]
The London Blues-rock group Bakerloo released their arrangement of the tune, titled "Drivin' Bachwards", as a single on Harvest Records (HAR 5004) in July 1969. The same recording appeared on their self-titled debut album (Harvest SHVL 762) the following December.
Jimmy Page of Led Zeppelin occasionally incorporated the opening melody of the piece into live performances of the song "Heartbreaker", during the song's guitar solo.[12]
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