Comme à la radio is the fourth album by experimental French singer Brigitte Fontaine, recorded with Areski Belkacem (in their first collaboration) and the Art Ensemble of Chicago.[1] It was released in 1969 on the Saravah label after a series of concerts in 1969. It is Fontaine's most famous album, and is known outside of France on the 1990s alt-rock scene, thanks to laudatory comments from Beck Hansen,[2] or Sonic Youth among others.[citation needed]
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Comme à la radio | ||||
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Studio album by Brigitte Fontaine, Areski Belkacem and the Art Ensemble of Chicago | ||||
Released | 15 November 1969 | |||
Genre | Chanson | |||
Label | Saravah | |||
Brigitte Fontaine chronology | ||||
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Areski Belkacem chronology | ||||
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Art Ensemble of Chicago chronology | ||||
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The album received the Grand Prix du Disque of the Académie Charles Cros that same year. The single "Comme à la radio" has been covered by Japanese artist Jun Togawa in 2000.[3]
No. | Title | Length |
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1. | "Comme à la radio" | 8:04 |
2. | "Tanka II" | 2:04 |
3. | "Le Brouillard" | 3:25 |
4. | "J'ai vingt-six ans" | 3:04 |
5. | "L'Été l'été" | 3:56 |
6. | "Encore" | 1:35 |
7. | "Léo" | 3:51 |
8. | "Les Petits Chevaux" | 0:43 |
9. | "Tanka I" | 1:46 |
10. | "Lettre à Monsieur le chef de gare de la Tour Carol" | 6:05 |
No. | Title | Length |
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11. | "Le Goudron" | 4:10 |
12. | "Le noir c'est mieux choisi" | 5:02 |
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Solo albums |
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Albums with Areski Belkacem |
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Albums with Jacques Higelin | |
Related |
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Art Ensemble of Chicago | |
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Pre-Art Ensemble of Chicago |
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Studio albums |
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Live albums |
Authority control ![]() |
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