An album produced as a joint effort between Johnette Napolitano and James Mankey, previously founding members of alternative rock band Concrete Blonde, and L.A. pachucho punk band Los Illegals. It contains a blend of hard rock and Latin music.[1]
Concrete Blonde y Los Illegals | ||||
---|---|---|---|---|
![]() | ||||
Studio album by Concrete Blonde | ||||
Released | May 5, 1997 | |||
Genre | Alternative rock | |||
Label | ARK 21 | |||
Concrete Blonde chronology | ||||
|
Los Angeles Times reviewer Enrique Lopetegui rated the album 2-½ out of 4 stars, opining that "there are plenty of good moments here" but "very few strong songs"; he singled out the "Chicano rap" record "Ode to Rosa Lopez", about a witness in the O. J. Simpson murder case, for praise as the "riskiest" track on the album.[2] Jae-Ha Kim of the Chicago Sun-Times rated it 1-½ out of 4 stars, finding a lack of cohesion and a failure to showcase Napolitano's distinctive voice.[3] Thom Owens of AllMusic's rating was 2-½ out of 5 stars, finding the project to be "a stylistic departure that reads better than it plays" due to weak songwriting.[4]
Concrete Blonde | |
---|---|
| |
Studio albums | |
Compilation albums | |
Live albums | |
Songs |
|
Related articles |
Authority control ![]() |
|
---|
![]() | This 1990s alternative rock album–related article is a stub. You can help Wikipedia by expanding it. |