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"Cygnet Committee" is a song written by David Bowie and recorded in 1969 for his second eponymous album (released in the U.S. as Man of Words, Man of Music and re-released in 1972 as Space Oddity). At over 9 minutes this ambitious progressive folk rock song was Bowie's longest studio recording until the opening/title track of 1976's Station to Station.

"Cygnet Committee"
Song by David Bowie
from the album David Bowie
Released14 November 1969 (1969-11-14)
RecordedAugust–September 1969
Genre
  • Progressive rock
  • psychedelic folk
Length9:33
Label
  • Philips (UK)
  • Mercury (US)
Songwriter(s)David Bowie
Producer(s)Tony Visconti
David Bowie track listing
10 tracks
Side 1
  1. "Space Oddity"
  2. "Unwashed and Somewhat Slightly Dazed"
  3. "Don't Sit Down"
  4. "Letter to Hermione"
  5. "Cygnet Committee"
Side 2
  1. "Janine"
  2. "An Occasional Dream"
  3. "Wild Eyed Boy from Freecloud"
  4. "God Knows I'm Good"
  5. "Memory of a Free Festival"

Lyrical background


"Cygnet Committee" developed from an earlier composition of Bowie's that had been written in the style of Simon and Garfunkel called "Lover to the Dawn". In early 1969, Bowie recorded an acetate demo of the song as a duet with John Hutchinson. "Lover to the Dawn" was intended as material for Bowie's soon-defunct folk combo, Feathers, which also included Hermione Farthingale, his girlfriend at the time. On Bowie's 1969 album, Farthingale was to become the subject of two other songs ("Letter to Hermione" and "An Occasional Dream") mourning the end of their relationship.

During 1969, Bowie and his new girlfriend, Angela Barnett, lived in Beckenham, where they ran the Arts Lab, trying to encourage young people to be creative. However, Bowie soon quit the Arts Lab, when he realized that most people were coming just to see him perform and not to participate. His disappointing encounter with the hippies during this time is the basis for the song, as he felt he was used and abused by the teens: "I gave them [my] life... They drained my very soul..."[1]


Plot


As with many of Bowie's works, the song is a dystopian narrative. One strand of the story concerns a man who helped revolutionaries establish a new order by, "open[ing] doors that would have blocked their way" and "ravag[ing] at my finance." The revolutionaries, "let him use his powers," so they could "infiltrate business cesspools/Hating through our sleeves." But "now [they] are strong" while the man "sits alone growing older" having been forgotten by those he helped. The other strand of the story describes the post-revolutionary world, revealing that it is not the utopia that had been hoped for. The mottoes of the new state are, "I will kill for the good of the fight for the right to be right," and "We can force you to be free." Near the end of the song, the narrator describes what has become of the revolution:

A love machine lumbers through desolation rows
Ploughing down man, woman, listening to its command
But not hearing anymore.

Live versions



Other releases



Personnel


According to Chris O'Leary:[2]


References


  1. Chris Welch (1999). We Could be Heroes
  2. O'Leary 2015, chap. 3.

Sources



На других языках


[de] Cygnet Committee

Cygnet Committee ist ein Titel von David Bowie aus dem Jahr 1969. Der Song erschien auf David Bowie (Space Oddity). Das Album erschien am 4. November 1969 bei Philips Records und beschließt dessen A-Seite. In den USA erschien der Song bei Mercury Records auf einem Album, das sich Man of Words, Man of Music nannte, bevor dieses 1972 als Wiederveröffentlichung Space Oddity erschien.[1] Produziert wurde der Song von Tony Visconti.
- [en] Cygnet Committee

[es] Cygnet Committee

«Cygnet Committee» es una canción escrita por el músico británico David Bowie y grabada en 1969 para su segundo álbum homónimo (lanzado en los Estados Unidos como Man of Words, Man of Music). Con un total de 9 minutos, esta ambiciosa canción de progressive folk rock fue la grabación más larga de David Bowie hasta la canción de apertura del álbum Station to Station.



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