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Deftones is the fourth studio album by American alternative metal band Deftones, released on May 20, 2003, by Maverick Records. The album features a broader spectrum of musical styles than the band's previous albums, ranging from some of their heaviest compositions to moody trip hop and shoegaze influences. It was the band's last album to be produced by Terry Date until Ohms in 2020, although he did produce their unreleased album Eros.

Deftones
Studio album by
ReleasedMay 20, 2003
RecordedMarch–October 2002
Studio
Length47:14
LabelMaverick
Producer
  • Terry Date
  • Deftones
Deftones chronology
White Pony
(2000)
Deftones
(2003)
B-Sides & Rarities
(2005)
Singles from Deftones[1]
  1. "Minerva"
    Released: April 22, 2003
  2. "Hexagram"
    Released: August 26, 2003

Background


Originally titled Lovers, the album was instead given an eponymous title because singer Chino Moreno considered Lovers too obvious in relation to the context of its material (the former title song "Lovers" did appear as an A-side and B-side on the UK "Hexagram" single). Date was frustrated by the very slow pace of the band working in the studio.


Musical style


Deftones is an eclectic album, with songs spanning many different ideas in diverse genres. It has a much different feel than prior efforts, due in part to Frank Delgado leaving his turntables behind and instead focusing on playing keyboards and synthesizers. Most of the album's songs make extensive use of the band's low G# tuning and Moreno's high screams, resulting in some of the heaviest songs in the band's catalog. On the other hand, the track "Lucky You" is a dark, soft, trip hop-influenced piece featuring DJ Crook from Moreno's side project Team Sleep and vocalist Rey Osburn of Tinfed. A grand piano and toy piano were featured in the mournful "Anniversary of an Uninteresting Event."

In addition to trip hop influences, significant shoegaze elements have been noted on the album, especially in regards to the song "Minerva".[2][3][4]


Promotion


Deftones produced two singles, "Minerva" and "Hexagram." Music videos were shot for both singles as well as the track "Bloody Cape", which was also intended to be a single, but was released in limited editions for promotional purposes only.[5] The latter's video was only available on the band's official website for one day, but was later released on the DVD portion of the band's B-Sides & Rarities. As the lead single, "Minerva" featured a melodic, commercially viable sound and gained strong rotation on mainstream rock video programming. In contrast, the extreme heaviness of "Hexagram" landed it on shows such as Uranium and Headbangers Ball.

"Battle-Axe" was featured in the video game Ghost Recon Advanced Warfighter 2, while "Minerva" was featured in True Crime: Streets of LA, NHL 2004, House of Wax, and also as downloadable content for the Rock Band series.


Critical reception


Professional ratings
Aggregate scores
SourceRating
Metacritic74/100[6]
Review scores
SourceRating
AllMusic[7]
Dot Music(8/10)[8]
E! Online[9]
Entertainment WeeklyB[10]
Playlouder[11]
Q[9]
Rolling Stone[12]
Pitchfork(4.7/10)[13]
Spin[14]

Deftones was well received by critics, earning an aggregate rating of 74 on Metacritic.[9]

Q praised the album, giving it 4.5 out of 5 stars, stating, "In a genre considered creatively bankrupt, this is genuinely new metal".[9] Rolling Stone stated, "This is metal that crushes, then soothes; collapses, then soars... Deftones just blow open the possibilities".[12] Reviewers from sites such The A.V. Club and AllMusic gave the album positive scores but criticized the band for returning to their heavy style, instead of the more soft and artistic style of its predecessor, White Pony.[15][7]

Spin magazine also give it a positive score, but complained about the album's notable darkness, saying, "On their fourth album, Deftones are sad as hell, and they're not gonna take it anymore; this is less an 11-song album than a single long-form mope".[14] Playlouder's mixed review praised the band's musicianship, but criticized Moreno's high, screamed vocals.[11]

In 2016, Jonathan Dick of NPR Music retrospectively noted the album's "trip-hop nuances" and included the album as an example of Deftones' varied catalogue, stating that "Deftones' catalogue reads like a case study in how a band can translate influences into a sound that's definitively their own."[16] The track "Minerva" was placed at spot number 12 in Consequence of Sound's article "The Top 20 Deftones Song," with Jon Hadusek claiming that "[in] a way, Deftones brought shoegaze to the alternative metal mainstream with 'Minerva', a crushingly heavy, textured jam indebted to Siamese Dream-era Smashing Pumpkins and Hum [...]" Hadusek further stated that the track was "far-and-away the best track" of the self-titled album and that the track "hints at the dreamier directions" that Deftones would continue to explore.[2]


Commercial performance


This album sold 167,000 copies in its first week of release in America, debuting at No. 2 on the Billboard 200, behind Staind's 14 Shades of Grey.[17] It was the highest-charting album to date by the band,[18] and went on to sell over 492,000 copies in the U.S by 2005.[19] It was certified gold by the RIAA two months after its release.[20] The album also debuted at No. 1 on the Canadian Albums Chart, selling 10,700 copies in its first week of release in Canada.[21]


Track listing


All tracks are written by Deftones except "Lucky You"; by Deftones and DJ Crook.

No.TitleLength
1."Hexagram"4:09
2."Needles and Pins"3:23
3."Minerva"4:17
4."Good Morning Beautiful"3:28
5."Deathblow"5:28
6."When Girls Telephone Boys"4:36
7."Battle-Axe"5:01
8."Lucky You" (featuring Rey Osburn)4:10
9."Bloody Cape"3:38
10."Anniversary of an Uninteresting Event"3:57
11."Moana"5:02
Total length:47:09

Personnel


Deftones

Production


Charts



Certifications


Region CertificationCertified units/sales
Canada (Music Canada)[46] Gold 50,000^
United Kingdom (BPI)[47] Silver 60,000^
United States (RIAA)[48] Gold 500,000^

^ Shipments figures based on certification alone.


References


  1. "FMQB Airplay Archive: Modern Rock". Friday Morning Quarterback Album Report, Incorporated. Archived from the original on March 22, 2013. Retrieved October 30, 2016.
  2. "The Top 20 Deftones Songs". Consequence of Sound. Retrieved April 16, 2016.
  3. Unterberger, Andrew (4 April 2016). "The SPIN Interview: Deftones". SPIN. Retrieved April 4, 2016.
  4. Gormely, Ian. "Deftones: Beauty and Brutality". Exclaim!. Retrieved April 29, 2016.
  5. ""Bloody Cape" Single on Discogs". Discogs.
  6. "Deftones - Deftones Warner Brothers / Maverick Summary". Metacritic. Retrieved September 8, 2012.
  7. https://www.allmusic.com/album/r641315
  8. "Deftones Reviews". June 3, 2012. Archived from the original on June 3, 2003. Retrieved September 8, 2012.
  9. "Deftones by Deftones". Metacritic.
  10. "Deftones". ew.com. 23 May 2003. Retrieved June 7, 2017.
  11. "PLAYLOUDER - review - Deftones". June 24, 2003. Archived from the original on June 24, 2003. Retrieved June 7, 2017.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
  12. "Deftones Album Reviews". Rolling Stone. Archived from the original on February 12, 2007. Retrieved September 8, 2012.
  13. Bryant, Andrew. "Deftones: Deftones Review". Pitchfork. Pitchfork.com. Retrieved June 21, 2015.
  14. "Deftones, 'Deftones' (Maverick) - SPIN". June 15, 2003.
  15. "Deftones: Deftones". The A.V. Club. June 3, 2003.
  16. Dick, Jonathan (3 May 2016). "Deftones' Chino Moreno on Surviving, Evolving And 'Gore'". npr.org. NPR. Retrieved June 3, 2016. From the trip-hop nuances of its self-titled album in 2003 to the bleak math metal tendencies of 2006's Saturday Night Wrist to the goth-rock tinged shoegaze of 2010's Diamond Eyes to the prog-rock flirting of 2012's Koi No Yokan, Deftones' catalogue reads like a case study in how a band can translate influences into a sound that's definitively their own.
  17. Inc, Nielsen Business Media (2003-06-07). Billboard. Nielsen Business Media, Inc.
  18. https://www.billboard.com/artist/deftones/chart-history/
  19. Billboard Staff (2005-08-23). "Deftones Round Up Rarities For CD/DVD". Billboard. Retrieved 2022-02-12.
  20. "Gold & Platinum". RIAA. Retrieved 2022-02-12.
  21. "Deftones, Staind shake up charts". Archived from the original on November 13, 2004. Retrieved April 26, 2020.
  22. "Australiancharts.com – Deftones – Deftones". Hung Medien. Retrieved May 27, 2021.
  23. "Austriancharts.at – Deftones – Deftones" (in German). Hung Medien. Retrieved May 27, 2021.
  24. "Ultratop.be – Deftones – Deftones" (in Dutch). Hung Medien. Retrieved May 27, 2021.
  25. "Ultratop.be – Deftones – Deftones" (in French). Hung Medien. Retrieved May 27, 2021.
  26. "Deftones Chart History (Canadian Albums)". Billboard. Retrieved May 27, 2021.
  27. "Danishcharts.dk – Deftones – Deftones". Hung Medien. Retrieved May 27, 2021.
  28. "Dutchcharts.nl – Deftones – Deftones" (in Dutch). Hung Medien. Retrieved May 27, 2021.
  29. "Deftones: Deftones" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved May 27, 2021.
  30. "Lescharts.com – Deftones – Deftones". Hung Medien. Retrieved May 27, 2021.
  31. "Offiziellecharts.de – Deftones – Deftones" (in German). GfK Entertainment Charts. Retrieved May 27, 2021.
  32. "Irish-charts.com – Discography Deftones". Hung Medien. Retrieved May 27, 2021.
  33. "Italiancharts.com – Deftones – Deftones". Hung Medien. Retrieved May 27, 2021.
  34. "Charts.nz – Deftones – Deftones". Hung Medien. Retrieved May 27, 2021.
  35. "Norwegiancharts.com – Deftones – Deftones". Hung Medien. Retrieved May 27, 2021.
  36. "Portuguesecharts.com – Deftones – Deftones". Hung Medien. Retrieved May 27, 2021.
  37. "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved October 28, 2021.
  38. "Swisscharts.com – Deftones – Deftones". Hung Medien. Retrieved May 27, 2021.
  39. "Swedishcharts.com – Deftones – Deftones". Hung Medien. Retrieved May 27, 2021.
  40. "Deftones | Artist | Official Charts". UK Albums Chart. Retrieved May 27, 2021.
  41. "Deftones Chart History (Billboard 200)". Billboard. Retrieved May 27, 2021.
  42. "Top Billboard 200 Albums – Year-End 2003". Billboard. 2 January 2013. Retrieved July 15, 2021.
  43. "Deftones Chart History (Alternative Airplay)". Billboard. Retrieved May 27, 2021.
  44. "Deftones Chart History (Mainstream Rock)". Billboard. Retrieved May 27, 2021.
  45. "Deftones | Charts | Official Charts". UK Albums Chart. Retrieved May 27, 2021. {{cite magazine}}: Cite magazine requires |magazine= (help)
  46. "Canadian album certifications – Deftones – Deftones". Music Canada. Retrieved January 18, 2021.
  47. "British album certifications – Deftones – Deftones". British Phonographic Industry. Retrieved January 18, 2021.
  48. "American album certifications – Deftones – Deftones". Recording Industry Association of America.

На других языках


- [en] Deftones (album)

[es] Deftones (álbum)

Deftones, álbum homónimo, es el cuarto álbum de estudio de Deftones. Lanzado el 20 de mayo de 2003 por Maverick Records, fue grabado durante 2002 en California y Seattle. La principal novedad del álbum, está en la activa participación de Frank Delgado en los turntables, teclados y samplers. Delgado ya había hecho algunas colaboraciones con la banda en Around the Fur, pero sería después del White Pony cuando se oficializa su ingreso fijo en Deftones.

[ru] Deftones (альбом)

Deftones (рус. Классные звуки) — четвёртый студийный альбом американской альтернативной метал группы Deftones, выпущенный 20 мая 2003 года на лейбле Maverick Records. Альбом включает более широкий спектр музыкальных стилей, чем предыдущие записи группы: от тяжёлых композиций («Bloody Cape», «When Girls Telephone Boys») до трип-хопа («Lucky You»). В записи альбома в основном использовались семиструнные гитары. Это последний альбом группы, который спродюсировал Терри Дэйт, чьё сотрудничество с группой начиналось с их дебютного альбома 1995-го года.



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