Disco Volante (Italian for Flying Saucer) is the second studio album by American experimental rock band Mr. Bungle. It was released on October 10, 1995, through Warner Bros, and is their most experimental album,[3] mixing elements from such varied styles as death metal, jazz, Arabic music, musique concrète, easy listening and even tango.
Disco Volante | ||||
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Studio album by | ||||
Released | October 10, 1995 | |||
Recorded | 1995 | |||
Genre |
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Length | 68:45 | |||
Label | Warner Bros. | |||
Producer | Mr. Bungle | |||
Mr. Bungle chronology | ||||
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Singles from Disco Volante | ||||
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The album's title refers to the name of the yacht of the same name featured in the James Bond film Thunderball, literally meaning "Flying Saucer" in Italian. Mr. Bungle had previously covered the film's theme song live and in studio, but it was never officially released.[4]
Disco Volante would be founding member Theo Lengyel's final album with the band, leaving shortly after the tour due to "artistic differences".[5] Band member Danny Heifetz would later comment, "I miss him. He added a huge chemical imbalance that helped us on the road. He hates us and rightfully so. The music changed, plain and simple. Very little call for saxes, trombone or flute. He was an original member. I'm not. Makes me feel a bit like a union-buster."[6]
Regarding the writing process of the album, bassist Trevor Dunn wrote on his website:
Trey was listening to his own collection of weird stuff as well—exotica, electro-acoustic, noise, middle eastern, techno. I remember him going to raves a lot back then. Mike was really into Joe Meek, the Peter Thomas soundtrack to Raumpatrouille, Kagel and the tangos of Troilo. He would show up between tours to work with us and add his beautifully low-fi input (i.e The Bends). With all this weirdness I realized it was time to revamp Platypus. Danny, Trey and I spent hours deconstructing and literally imploding the original arrangement to the point of superimposing the "verse" with the "chorus". I think that's still my proudest lyrical input. And Bär (!) finally stopped referring to Bungle as "you guys" and started writing for the band.
Disco Volante is their most experimental album.[3] Categorized primarily as experimental rock, avant-garde metal, jazz fusion, and, more broadly, experimental, many of the songs heavily include references of different genres, a staple for Mr. Bungle, including sludge metal ("Everyone I Went to High School With Is Dead"), death metal ("Carry Stress in the Jaw", "Merry Go Bye Bye"), Arabic music ("Desert Search for Techno Allah"), musique concrète and tango ("Violenza Domestica"), jazz fusion ("Ma Meeshka Mow Skwoz", "Platypus"), noise ("The Bends"), and easy listening (″Backstrokin'″).
Although much of the song's lyrics are limited ("Carry Stress in the Jaw", "Phlegmatics"), are in another language ("Desert Search for Techno Allah", "Violenza Domestica"), or are just gibberish ("Ma Meeshka Mow Skwoz"), lyrical content in Disco Volante is, like in their eponymous debut album, both dark and comedic. Lyrical themes include disconnection and isolation ("Everyone I Went to High School With Is Dead"), "actual teeth-pulling anxiety nightmares" and bruxism[7] ("Carry Stress in the Jaw"), child abuse ("After School Special"), domestic violence ("Violenza Domestica"), the "gradual decline of the human body due to social interactions", as bassist Trevor Dunn elaborates[7]("Phlegmatics"), masturbation ("Backstrokin'"), and martyrdom ("Merry Go Bye Bye"). "The Bends" is a ten minute, almost entirely instrumental, experimental track split into ten different sections, detailing a negligent diver who experiences the bends.
"Carry Stress in the Jaw" and "Phlegmatics" are parts two and three of the "Sleep" trilogy, with part one being on the band's eponymous debut album.[citation needed]
Both "Carry Stress in the Jaw" and "Merry Go Bye Bye" feature untitled hidden tracks. The first is sometimes referred to as "The Secret Song" (after a prominent lyric) or "Spy" (used to denote the song on the band's set lists). The second is sometimes called "Nothing", due to a joke in the liner notes. On vinyl pressings, the album is double grooved the first hidden track is in the second groove, which is notoriously difficult to accurately locate. On CD pressings, the hidden track is simply put immediately after "Carry Stress in the Jaw" on the same track. It was originally recorded without bassist Dunn's input or knowledge; although, shortly before its release, Dunn managed to find it and added a vocal part. Though never explicitly stated, it is believed (by Dunn) that the drums were played by McKinnon, and the bass guitar by Patton.[5] The hidden track after "Merry Go Bye Bye", featuring improv made by the band, begins at 7:21, after a full minute of silence. Neither track is mentioned in any way on the album packaging.
The songs "Coldsore" and " Lemmy Caution" were also recorded for the album but did not make the final cut.[citation needed]
Disco Volante spawned a number of officially unreleased demos (circulated on internet peer-to-peer sharing networks): "Ma Meeshka Mow Skwoz",[8] "Coldsore"[9] and "Spy".[10] "Coldsore" featured portions later used in "Love on the Event Horizon".
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Stylus Magazine | mixed[1] |
Disco Volante has been well received by critics. In their highly favorable review of the album, AllMusic wrote, "Mr. Bungle is the musical equivalent of a David Lynch movie", calling the music a "totally original and new musical style, and an album that sounds like nothing that currently exists." They referred to the track "Desert Search for Techno Allah" as "a middle eastern techno number that has to be heard to be believed."[11] Stylus Magazine wrote in their 2005 review, "A decade later, Disco Volante still sounds daring."[1]
Year | Publication | Country | Accolade | Rank | |
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2006 | Rock Sound | United Kingdom | "Les 150 Albums De La Génération" | 69 | |
"*" denotes an unordered list. |
No. | Title | Lyrics | Music | Length |
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1. | "Everyone I Went to High School With Is Dead" | Trevor Dunn | Dunn | 2:45 |
2. | "Chemical Marriage" | Trey Spruance | 3:09 | |
3. | "Carry Stress in the Jaw"
| Dunn | Dunn | 8:59
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4. | "Desert Search for Techno Allah" | Spruance | Spruance, Mike Patton | 5:24 |
5. | "Violenza Domestica" | Patton, Tirabassi | Patton, Spruance | 5:14 |
6. | "After School Special" | Clinton McKinnon, Dunn, Patton | McKinnon | 2:47 |
7. | "Sleep (Part III): Phlegmatics" | Dunn | Dunn | 3:16 |
8. | "Ma Meeshka Mow Skwoz" | Spruance | Spruance | 6:06 |
9. | "The Bends"
| Patton, Spruance, McKinnon | 10:28
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10. | "Backstrokin'" | Patton | 2:27 | |
11. | "Platypus" | Dunn | Dunn, Spruance | 5:07 |
12. | "Merry Go Bye Bye" ("Merry Go Bye Bye" ends at 6:21; untitled hidden track begins after 1 minute of silence) | Spruance | Spruance | 12:58 |
Mr. Bungle
Additional personnel
California requires at least a few listens to pull together, but its particular brand of schizophrenia isn't nearly as impenetrable as that of Disco Volante...
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Faith No More |
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Fantômas |
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Tomahawk | |||||||
Mr. Bungle | |||||||
Kaada/Patton | |||||||
Hemophiliac | |||||||
Peeping Tom | |||||||
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with John Zorn |
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Related |
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