Downwind is the third album by Pierre Moerlen's Gong, although it was the first to be released under that name, the previous two having been released as Gong albums for contractual reasons. It was released in February 1979.[2]

Downwind
Studio album by Pierre Moerlen's Gong
Released	February 9, 1979
Recorded	June–September, 1978
Genre	Jazz fusion, progressive rock
Length	40:06
Label	Arista
Producer	Pierre Moerlen
Pierre Moerlen's Gong chronology
Expresso II (1978) Downwind (1979) Time Is the Key (1979)

Professional ratings

Review scores
Source	Rating
Allmusic	[1]

Featuring a mostly instrumental jazz-driven sound, notable for the prominent use of vibraphone, it has little to do with the psychedelic space rock of Daevid Allen's Gong, even though the two bands share a common history.

Downwind marks a slight departure from the formula of the previous de facto Pierre Moerlen's Gong's albums, Gazeuse! and Expresso II. "Aeroplane" and "What You Know" are short-form pop songs with vocals, the only time that Moerlen would attempt this. The lengthy title track displays an emerging progressive rock influence and features lead guitar by Mike Oldfield (for whom Moerlen was also playing at the time), keyboards by Steve Winwood and saxophone by ex-Gong member Didier Malherbe. For the first time, keyboards augment or replace mallet percussion on some tracks.

Track listing

Personnel

Pierre Moerlen's Gong

• Pierre Moerlen – drums, vibraphone, marimba, concert toms, timpani, organ, synthesizer, electric piano, assorted percussion, lead vocals
• Benoît Moerlen – vibraphone
• Hansford Rowe – bass
• François Causse – percussion
• Ross Record – guitar, vocals

Former Pierre Moerlen's Gong

• Didier Malherbe – saxophone (3)

Additional personnel

• Didier Lockwood – violin (2,6,7)
• Mike Oldfield – guitar, solina strings, bass, Irish drum (3)
• Steve Winwood – synthesizer (3)
• Terry Oldfield – flute (3)
• Mick Taylor – guitar (5)

References

• Macan, E. L., Macan, E. (1997). Rocking the Classics: English Progressive Rock and the Counterculture. Germany: Oxford University Press. p. 243