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Dreams Never Die is the fourth studio album by Tiffany, released on November 21, 1993 (see 1993 in music). It represented an attempt to return to pop success three years after her last album, and five years after her last commercially successful one. It was released in various countries of Asia, but not in the United States; she had retained a greater degree of popularity in Asia than in the United States. An American release was planned but never released; it was expected to have some changes from the Asian version, because, as Tiffany said at the time, "A lot of the stuff in the Asia market is a little more pop than what I want to do here. I want to break away from the bubble gum thing... My goal is to do not hard rock, but a semi-rock sound."[2] Earlier in 1993, Tiffany (who was by then married to makeup artist Bulmaro "Junior" Garcia and had given birth to her son Elijah) gave a series of performances at the Las Vegas Hilton's casino lounge, which included songs from this album.

Dreams Never Die
Studio album by
ReleasedNovember 21, 1993
Recorded1993
GenrePop, pop rock, country pop
Length78:22
LabelMCA Records
ProducerGeorge Tobin (in association with John Duarte)
Tiffany chronology
New Inside
(1990)
Dreams Never Die
(1993)
Tiffany - Greatest Hits
(1996)
Professional ratings
Review scores
SourceRating
Allmusic[1]

This album was produced by Tiffany's former manager, George Tobin, with whom she had earlier split, and who had been widely criticized for his exploitative management style, but also widely credited for achieving Tiffany's pop success. However, this business relationship soon soured; according to Tiffany, this happened when she discovered that the songs Tobin had given her to sing on this album were previously used by another Tobin act, PC Quest.[3] Tiffany and Tobin went their separate ways, with Tiffany moving to Nashville and attempting a career as a country singer; this, however, never led to any record releases, and by 2000 she was back to pop music. Tiffany eventually recorded her first country album, Rose Tattoo, released 11 years later.


Track listing


No.TitleWriter(s)Length
1."If Love Is Blind"(Tim James, Steven McClintock)3:42
2."Kiss You All Over"(Mike Chapman, Nicky Chinn)4:40
3."Can't You See"(Monte Brinkley, John Duarte, James, McClintock)3:45
4."Kiss the Ground"(Ronan O'Hanlon)4:07
5."Dreams Never Die""(Duarte, Mark Paul)4:54
6."That One Blue Candle"(Danny O'Keefe, Vince Melamed)4:14
7."Almost in Love""(James, Mike Piccirillo)4:34
8."Ruthless"(Duarte, Donna Weiss)4:43
9."These Arms of Mine"(Otis Redding, Otis Redding)4:20
10."Sam Loves Joann"(Tia Sillers, John Tirro)4:14
11."We're the Truth"(James, McClintock)3:52
12."Loneliness"(Harold Beaty)5:11
13."You Can't Break a Broken Heart"(Duarte, Paul)4:35
14."Lookin' Through the Windows"(Duarte, Paul)3:55
15."Are You Lonely Tonight"(Duarte, Paul)4:22
16."I Don't Know What You Got"(Duarte, Paul)4:30
17."I Ain't Gonna Eat Out My Heart Anymore"(Lori Burton, Pamela Sawyer)4:02
18."Angel Baby"(Rosalie Hamlin)4:22

Personnel



Musicians



Background vocals



References


  1. Allmusic review
  2. Lutz, Natalie. "Tiffany Changes Her Style for Third Album", Showbiz (Las Vegas), July 25–31, 1993; article title is erroneous, since it is actually discussing her fourth album.
  3. Paoletta, Michael. "Tiffany Tells Stories Her Way", Billboard, August 19, 2000, p. 1

На других языках


- [en] Dreams Never Die

[es] Dreams Never Die (álbum de Tiffany)

Dreams Never Die es el álbum de estudio de Tiffany, publicado el 21 de noviembre de 1993. Representaba un intento de reencontrar el éxito en la música pop, tres años después de su último álbum, y cinco años después de su último éxito comercial. Fue lanzado en varios países de Asia, pero no en los Estados Unidos, debido a que la cantante había conservado un mayor grado de popularidad en Asia que en los Estados Unidos. Se planificó lanzar el álbum en Estados Unidos pero nunca se lo hizo, se esperaba que el lanzamiento en Estados Unidos tuviera algunos cambios a la versión asiática, ya que, como Tiffany, dijo en ese momento, "Muchas cosas en el mercado de Asia son un poco más pop de lo que yo quiero hacer aquí. Quiero alejarme del pop adolescente... Mi propósito no es hacer hard rock, pero si un sonido semi-rock."[2]



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