Every Good Boy Deserves Fudge is the second studio album by the grunge band Mudhoney.[3][12] It was recorded in 1991, at a time when the band was thinking of signing to a major record label, but decided to release the album on Sub Pop. The album shipped 50,000 copies on its original release.[13] It is credited with helping to keep Sub Pop in business.[14]
Every Good Boy Deserves Fudge | ||||
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Studio album by Mudhoney | ||||
Released | July 26, 1991 | |||
Recorded | 1991 | |||
Genre | ||||
Length | 42:29 | |||
Label | Sub Pop[4] | |||
Producer | Conrad Uno[5] | |||
Mudhoney chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
Entertainment Weekly | B−[8] |
MusicHound Rock: The Essential Album Guide | ![]() ![]() ![]() ![]() ![]() |
The New Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Spin Alternative Record Guide | 6/10[11] |
Guitarist Steve Turner has said that the album is his "favorite Mudhoney album as a whole."
There is an alternate version of "Check-Out Time" on the Let It Slide EP.
The album was recorded on low-quality tape via an 8-track desk.[15] It is named after a mnemonic used by music students to recall the notes (EGBDF) on the lines of the treble clef.
Entertainment Weekly wrote: "Imagine the heaviest of Black Sabbath heavy metal, only somewhat speeded up and with added touches of humor, and you have a good approximation of the Mudhoney way of life."[8] Trouser Press wrote that "Conrad Uno’s dry 8-track production sharpens Mudhoney’s garage-rock edge — evident in Arm’s fuzzed-out vocals and a shared fondness for second-hand blues progressions — enough to stand apart from the watered-down metal of most flannel merchants, but they don’t go anywhere with it."[5] The Spin Alternative Record Guide called the album "charming," writing that a "revitalized sense of hooks connect Mudhoney more directly back to '60s garage."[11]
Along with the band's debut EP Superfuzz Bigmuff, the album was included in 1001 Albums You Must Hear Before You Die, with reviewer Jason Chow calling it "a classic album, one of the best of the genre."[16]
All tracks are written by Mudhoney.
No. | Title | Length |
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1. | "Generation Genocide" | 1:13 |
2. | "Let It Slide" | 2:35 |
3. | "Good Enough" | 3:25 |
4. | "Something So Clear" | 4:14 |
5. | "Thorn" | 2:10 |
6. | "Into the Drink" | 2:08 |
7. | "Broken Hands" | 6:02 |
8. | "Who You Drivin' Now?" | 2:21 |
9. | "Move Out" | 3:32 |
10. | "Shoot the Moon" | 2:27 |
11. | "Fuzzgun '91" | 1:52 |
12. | "Pokin' Around" | 3:30 |
13. | "Don't Fade IV" | 3:58 |
14. | "Check-Out Time" | 3:07 |
No. | Title | Length |
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1. | "March To Fuzz" | 2:20 |
2. | "Ounce Of Deception" | 1:50 |
3. | "Playback Life (Alternate Take)" | 1:35 |
4. | "Fuzzbuster" | 1:56 |
5. | "Bushpusher Man" | 2:25 |
6. | "Flowers For Industry" | 3:21 |
7. | "Thorn (1st Attempt)" | 1:49 |
8. | "Overblown" (From Singles: Original Motion Picture Soundtrack) | 2:59 |
9. | "March From Fuzz" | 2:22 |
10. | "You're Gone" | 4:05 |
11. | "Something So Clear (24 Track Demo)" | 4:29 |
12. | "Bushpusher Man (24 Track Demo)" | 2:27 |
13. | "Pokin' Around (24 Track Demo)" | 4:00 |
14. | "Check-Out Time (24 Track Demo)" | 3:21 |
15. | "Generation Genocide (24 Track Demo)" | 2:44 |
Chart (1991) | Peak position |
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Official UK Charts | 34 |
Mudhoney | |
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Studio albums | |
EPs |
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Live & compilations | |
Singles |
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Related articles |
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