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Evolution is the fourth album (second published worldwide) by the American vocalist, pianist and songwriter Oleta Adams and was released in 1993. The album is the follow up to Adams' worldwide hit album Circle of One and is fully produced by Stewart Levine. Like its predecessor, Evolution consists of songs with a mix of jazz, soul, pop and gospel. Evolution features three cover versions: the James Taylor song "Don't Let Me Be Lonely Tonight", Billy Joel's "New York State of Mind" and Ivan Lins' "Evolution". Adams wrote six of the twelve album tracks, and it also features a song written by songwriter Diane Warren.

Evolution
Studio album by Oleta Adams
Released	July 26, 1993
Recorded	Andora Studios, North Hollywood, California
Genre	Jazz soul
Length	57:14
Label	Fontana Records (PolyGram)
Producer	Stewart Levine
Oleta Adams chronology
Circle of One (1990) Evolution (1993) Moving On (1995)
Singles from Evolution
"I Just Had to Hear Your Voice" Released: January 1994

Professional ratings

Review scores
Source	Rating
AllMusic	[1]
Rolling Stone	[2]

Commercial performance

Evolution entered the top 10 in the UK Albums Chart. However, without the aid of a big hit single, the album dropped quickly and only stayed in the charts for seven weeks. In the US, the album peaked at #67 and stayed only 13 weeks in the charts. It had more success in continental Europe, most notably in the Netherlands where it peaked at #6 and stayed in the chart for almost a year.

Singles

Five singles were taken from the album. The lead single, "I Just Had to Hear Your Voice", failed to become a big hit as "Get Here" had been for her previous album. It peaked at #42 in the UK Singles Chart and did not chart in the US Billboard Hot 100. Other singles failed to chart in both countries. However, they sold better in continental Europe. These were the gospel-tinged "Window of Hope", "Easier to Say (Goodbye)", "My Heart Won't Lie" and "The Day I Stop Loving You".

Track listing

Personnel

• Oleta Adams – lead vocals, arrangements, acoustic piano (1, 2, 4, 5, 7-12), synthesizers (1, 2, 4, 5, 7, 8, 10, 11, 12), Fender Rhodes (3), backing vocals (6, 7)
• Aaron Zigman – keyboards (1, 6), synthesizers (1, 5), programming (2, 4, 8, 10, 12), horns (7), strings (11)
• Neil Larsen – Hammond B3 organ (3, 5, 10)
• Michael Landau – guitars (1-6, 10, 11), guitar solo (7), acoustic guitar and solo (9)
• Ray Fuller – guitars (4, 7, 8, 12)
• Freddie Washington – bass guitar (1, 2, 4, 5, 7, 10, 11), fretless bass (3, 9)
• Jerry Knight – bass guitar (6), backing vocals (6)
• Larry Kimpel – bass guitar (8, 12)
• Richie Stevens – drums (1-5, 7-12), programming (4, 7, 11, 12), additional programming (6)
• Gota Yashiki – drums (6), programming (6)
• Lenny Castro – percussion (2, 4, 6-9, 12)
• Tom Scott – tenor saxophone (2, 10, 11)
• David Sanborn – alto saxophone (3)
• Chuck Findley – flugelhorn solo (4), muted trumpet (6), trumpet (10)
• Stewart Levine – arrangements (all tracks)
• Paulette Brown – backing vocals (7, 12)
• Bunny Hill – backing vocals (7, 12)
• Arnold McCuller – backing vocals (7, 12)
• Ricky Nelson – backing vocals (7, 12)
• Valerie Pinkston-Mayo – backing vocals (7, 12)
• Fred White – backing vocals (7, 12)
• Perri (Carolyn, Darlene, Lori and Sharon Perry) – backing vocals (12)

Production

• Producer – Stewart Levine
• Recorded and Mixed by Daren Klein at Andora Studios (North Hollywood, CA).
• Second Engineer – Gonzalo "Bino" Espinoza
• Mastered by Bernie Grundman at Bernie Grundman Mastering (Hollywood, CA).
• Design – Peter Barrett and Andrew Biscomb
• Photography – Randee St. Nicholas

Charts

References

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