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Fathers and Sons is the seventh studio album by the American blues musician Muddy Waters, released as a double LP by Chess Records in August 1969.

Fathers and Sons
Studio album / Live album by Muddy Waters
Released	August 1969 (1969-08)
Recorded	April 21–23, 1969 at Tel Mar Studios in Chicago, Illinois[1] April 24, 1969 at the Super Cosmic Joy-Scout Jamboree in Chicago, Illinois[1]
Genre	Chicago blues
Length	64:32
Label	Chess
Producer	Norman Dayron[1]
Muddy Waters chronology
After the Rain (1969) Fathers and Sons (1969) Live at Mr. Kelly's (1971)

Professional ratings

Review scores
Source	Rating
AllMusic	[2]
The Penguin Guide to Blues Recordings	[3]
Rolling Stone	favorable[4]

The album contains both studio and live recordings recorded in April 1969 in Chicago, Illinois, with an all-star band, including Michael Bloomfield and Paul Butterfield of the Paul Butterfield Blues Band, Donald "Duck" Dunn of Booker T. & the M.G.'s, Otis Spann, and Sam Lay.

The album was Waters's biggest mainstream success, reaching #70 on the Billboard 200, which was his only appearance in the top half of the chart. Waters would not make another appearance on the 200 until Hard Again in 1977.[5]

Background

According to Marshall Chess, Fathers and Sons came about when Mike Bloomfield said that he and Paul Butterfield wanted to do an album with Muddy Waters while in Chicago for a charity concert. Chess rounded up Donald "Duck" Dunn, Otis Spann, and Sam Lay for the studio sessions.[6]

While some blues purists criticized Waters's "psychedelic" album Electric Mud, Fathers and Sons was received more favorably since it avoided psychedelia, instead showcasing his "classic" sound of the 1950s. In many ways, the album anticipated his later, critically acclaimed, albums produced by Johnny Winter.

Recording and production

The studio disc of the album was recorded on April 21–23, 1969, at Ter Mar Studios. These sides were engineered by Ron Malo and featured rhythm guitarist Paul Asbell, who did not play on the live songs.

The live songs were recorded on April 24, 1969, at the Super Cosmic Joy-Scout Jamboree. These sides were engineered by Reice Hamel. Drummer Buddy Miles played on the second part of "Got My Mojo Working".

The producer on all sessions was Norman Dayron, who would go on to produce The London Howlin' Wolf Sessions in 1970, among other items.[1]

Artwork and design

The cover illustration for Fathers and Sons was created by Don Wilson and was based on Michelangelo's design on the Sistine Chapel. The original album's design was by Daily Planet[1] and was packaged in a foldout sleeve.[7] The 2001 MCA Records expanded reissue featured a reissued design by Mike Fink.

Track listing

All songs written by McKinley Morganfield, except where indicated.

Vinyl version

Side A (studio)

1. "All Aboard" – 2:50
2. "Mean Disposition" – 5:42
3. "Blow Wind Blow" – 3:35
4. "Can't Lose What You Ain't Never Had" – 3:03
5. "Walkin' Thru The Park" – 3:07

Side B (studio)

1. "Forty Days and Forty Nights" (Bernard Roth) – 3:04
2. "Standin' Round Crying" – 4:01
3. "I'm Ready" (Willie Dixon) – 3:33
4. "Twenty Four Hours" (Eddie Boyd) – 4:46
5. "Sugar Sweet" (Mel London) – 2:16

Side C (live)

1. "Long Distance Call" – 6:35
2. "Baby, Please Don't Go" (Big Joe Williams) – 3:05
3. "Honey Bee" – 3:57

Side D (live)

1. "The Same Thing" (Dixon) – 6:00
2. "Got My Mojo Working, Part 1" (Preston Foster, Morganfield) – 3:39
3. "Got My Mojo Working, Part 2" (Foster, Morganfield) – 5:33

CD version

1. "All Aboard" – 2:52
2. "Mean Disposition" – 5:42
3. "Blow Wind Blow" – 3:38
4. "Can't Lose What You Ain't Never Had" – 3:06
5. "Walkin' Thru The Park" – 3:21
6. "Forty Days And Forty Nights" (Roth) – 3:08
7. "Standin' Round Cryin'" – 4:05
8. "I'm Ready" (Dixon) – 3:39
9. "Twenty Four Hours" (Boyd) – 4:48
10. "Sugar Sweet" – 2:18
11. "Country Boy"* – 3:20
12. "I Love the Life I Live (I Live the Life I Love)"* (Dixon) – 2:45
13. "Oh Yeah"* (Dixon) – 3:38
14. "I Feel So Good"* (Big Bill Broonzy) – 3:00
15. "Long Distance Call"+ – 6:37
16. "Baby, Please Don't Go"+ (Williams) – 3:03
17. "Honey Bee"+ – 3:56
18. "The Same Thing"+ (Dixon) – 5:59
19. "Got My Mojo Working, Part 1"+ (Foster, Morganfield) – 3:22
20. "Got My Mojo Working, Part 2"+ (Foster, Morganfield) – 2:54

* = Bonus track
+ = Recorded live

Personnel

• Muddy Waters – vocals, guitar
• Otis Spann – piano
• Michael Bloomfield – guitar
• Paul Butterfield – harmonica
• Donald Dunn – bass guitar
• Sam Lay – drums
• Paul Asbell – rhythm guitar
• Buddy Miles – drums on "Got My Mojo Working, Part 2"
• Jeff Carp – chromatic harmonica on "All Aboard"
• Phil Upchurch – bass guitar on "All Aboard"

Technical

• Norman Dayron – producer
• Ron Malo – engineer
• Reice Hamel – engineer in Live Sessions

Release history

Region	Date	Label	Format	Catalog
United States	August 1969	Chess Records	mono double LP	LP-127
			stereo double LP	LPS-127
United Kingdom	September 1969	Chess Records	double LP	CRL 4556
United States	1972	Chess Records	stereo double LP	2CH-50033
United States	1989	MCA/Chess Records	Cassette	CHC-92522
			CD	CHD-92522
United States	October 30, 2001	MCA/Chess Records	extended CD	088 112 648-2
Japan	August 22, 2007	Chess Records	mini-LP CD	UICY-93295

References

External links

• Fathers and Sons at Discogs (list of releases)
• Fathers and Sons. Expanded Reissue at Yahoo! Music

На других языках

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[de] Fathers and Sons

Fathers and Sons ist ein Doppelalbum des Bluesmusikers Muddy Waters, das 1969 auf dem Chicagoer Label Chess Records erschien. Das Cover zeigt in Anlehnung an Michelangelos Deckengemälde Creazione di Adamo in der Sixtinischen Kapelle einen älteren schwarzen und einen jüngeren weißen Mann, deren Finger kurz davor sind sich zu berühren. Damit sollte bildlich umgesetzt werden, was das Konzept dieser Platte war, nämlich das musikalische Zusammengehen älterer afroamerikanischer Bluesmänner mit jüngeren weißen Rockmusikern, die allesamt enge Bezüge zum Blues hatten und an die die Älteren nun ihr musikalisches Erbe weitergaben.

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- [en] Fathers and Sons (album)

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