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"Here Today" is a song by the American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, the lyric warns the listener of inevitable heartbreak before the narrator reveals himself to be the ex-boyfriend of the listener's newfound love. Musically, the song features an uncommon formal structure, the use of electric bass guitar as a lead instrument, and a 20-bar length instrumental break.

"Here Today"
B-side of 1967 "Darlin'" single release
Song by the Beach Boys
from the album Pet Sounds
ReleasedMay 16, 1966 (1966-05-16)
RecordedMarch 1966
StudioSunset Sound and Columbia, Hollywood
Genre
Length3:07
LabelCapitol
Songwriter(s)
Producer(s)Brian Wilson
Licensed audio
"Here Today" on YouTube
Audio sample
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One of the last songs recorded for Pet Sounds, Wilson produced the track in March 1966 with the aid of his bandmates, who provided additional backing vocals, and 12 studio musicians, who played guitars, organ, upright bass, trombones, saxophones, tack piano, drums, and other percussion. Mike Love sang the lead vocal.

"Here Today" proved influential to musicians such as Al Kooper, Paul McCartney, and Lemmy. Acts who have covered the song include Bobby Vee, R. Stevie Moore, Mathilde Santing, and Thurston Moore.


Background and lyrics


"Here Today" was written by Brian Wilson and Tony Asher for the Beach Boys' Pet Sounds album in early 1966.[2] Although Wilson claimed that Asher only provided the words to his music, Asher credited himself with contributing musical ideas to several songs on the album,[3] including this one, as Asher stated, "'Here Today' contains a little more of me both lyrically and melodically than Brian."[4] Moreover, Asher said,

That's a song that has a number of little sections to it that are quite different. It was not one of the easier songs to write on the album. It was, as I recall, a song that I wrote quite a lot to, much of which we didn't use. It was sort of a struggle before we got a lyric that Brian was happy with.[5]

The lyrics warn the listener to beware of his newfound love and prepare for the potential heartbreak that may result ("A brand new love affair is such a beautiful thing / but if you're not careful think about the pain it can bring").[6] In his view, relationships are short-lasting ("Love is here today and it's gone tomorrow / it's here and gone so fast").[6][7] The narrator also warns that the aforementioned lover will make the listener "feel so bad", his "heart feel sad", his "days go wrong, and his "nights so long".[8] To prove his case, the narrator reveals himself to be her ex-boyfriend ("Well you know I hate to be a downer / but I'm the guy she left before you found her").[6]

Wilson stated in 1996 that the song had "really good lyrics",[9] but in another interview from the same year, he said, "'Here Today' was probably one of the mystery songs on the album. I don't really know what it's about. I liked it, but yet I didn't. I don't really identify with that song like I do with 'You Still Believe In Me', or 'Caroline, No.' It was just one of those songs in there, one little song."[10]


Composition


"Here Today" is primarily in the key of A major, with other portions suggesting F minor.[12][nb 1] Wilson said: "'Here Today' was a work of art in my opinion. It was an assertive track with utilization of basses played up higher. The trombones gave it that masculine touch."[14] He stated that his intention for the piece was "to conceive the idea of a bass guitar playing an octave higher than regular and showcase it as the principal instrument in the track."[9][11] Dillon suggests that Wilson may have been influenced by Bill Wyman's bass-playing on "19th Nervous Breakdown", a then-current hit for the Rolling Stones.[15]

The formal structure in this song is uncommon for "most pop music", Granata argues, "or any music for that matter."[16] The first two verses, which are almost identical, have unusual bar structures, each being divided into three sections of eight, seven and three bars (20 in total). These uncommon numberings continue in the choruses, as Granata explains, "While it is rare for a chorus to contain an odd number of measures, all three choruses on 'Here Today' are seven bars. Most choruses are eight bars long. Occasionally a chorus will be lengthened to imply suspense or extension of time. The purposeful shortening of the choruses here emphasizes the 'here today, gone tomorrow' idea reflected in the lyric."[16]

The arrangement includes a horn ensemble consisting of two saxophones[17] and two trombones.[15] Granata surmised that the saxophone voicings were influenced by Four Seasons songs such as "Opus 17 (Don't You Worry 'bout Me)".[18] He continues in his analysis, "Throughout, the bass line accentuates the melody. The bass and horns also move in contrary motion to the vocals: in the chorus, the rhythm section and the horns play a descending line of quarter notes while the vocals ascend with 'Ah-ah.'"[11] Dillon concurred that the contrasting motions, which often conflict with Love's vocals, "creates a slightly uneasy feeling, not unlike how one would feel in a volatile romance."[15] Bruce Johnston praised Wilson's discretion in arranging the backing vocals: "He correctly used the vocals as another pad. If he had made the mistake of overwriting the background parts, you would never pay attention to the leads, and we would have gotten in the way."[19]

A 20-bar instrumental break – with three sections divided into eight, six, and six bars – occurs between the second and third choruses.[16] In this point in the song (1:47–2:02), musicologist Walter Everett notes "[o]ne of the most remarkable parts in the bass literature ... where rapidly repeated bass notes are all sevenths, 1 appearing beneath ii, in alternation with 7 placed below I."[20] According to Granata, "This break presents another neat rhythmic situation. The first eight measures consist of short, accented punctuations by all of the instruments except the pulsating bass."[11] This is directly followed by another major shift in which "all instruments (primarily piano and circus-style organ) maintain the tempo, but the feel changes when the snare pounds out a set of polka-like eighth notes."[11]


Recording


Here Today is the only track on Pet Sounds that was recorded at Sunset Sound Recorders in Hollywood
"Here Today" is the only track on Pet Sounds that was recorded at Sunset Sound Recorders in Hollywood

"Here Today" was the last song started for the Pet Sounds album.[17] Logged as "I Don't Have a Title Yet",[21] the instrumental track was recorded on March 10 or 11, 1966 at Sunset Sound Recorders Studio A.[17][nb 2] This marked the only occasion that Wilson recorded at Sunset Sound during the Pet Sounds sessions, having been recommended the studio by session musician Steve Douglas.[22] The engineer for this session, Bruce Botnick, later worked on the 1967 album Forever Changes by Love.[23]

The vocals were overdubbed two weeks later, on March 23 and 25, at Columbia Studio A.[17] In the original mono release, some studio chatter, spoken by Bruce Johnston about a photographer's camera, can be heard during the instrumental break.[9] Then, Wilson shouts "No talking!" at Johnston, who had been unaware that the tape was rolling.[24] Johnston recalled this exchange as an example of how "Brian was a combination of Rachmaninoff and General Patton. He was [brilliantly] brutal in the studio."[19] At the end of this break, Wilson says, "Top, please," which was an instruction to the engineer to rewind the tape to the beginning of the song so the group could attempt another take of the vocals.[9][nb 3]

Record producer Phil Ramone afforded attention to Wilson's mixing and production layering on Pet Sounds and this track in particular: "There are placements for every instrument in the mono mix—they're great studies of contrast, texture, balance, and rhythm. For example, on 'Here Today,' the combination of wet and dry sounds in the vocals and the distinctive sound of the organ and baritone sax give it incredible dimension."[25]


Release history


On May 16, 1966, "Here Today" was released as the tenth track on Pet Sounds. It later appeared on the 1966 EP God Only Knows (released exclusively in the UK) and as the B-side to the 1967 single "Darlin'", a top 30 hit.[26] In 1996, to promote The Pet Sounds Sessions (1997), Sub Pop issued the stereo backing track of "Here Today" as the B-side of the first true stereo mix of "I Just Wasn't Made for These Times".[27]


Critical reception


AllMusic reviewer Donald Guarisco praised "Here Today" as "a highlight of Pet Sounds" and "one of Brian Wilson's most ambitious arrangements."[28] Dillon similarly called it "one of the album's most incredible instrumental arrangements" and "the most direct precursor to 'Good Vibrations'".[23]

Conversely, in his self-described "unbiased" review of Pet Sounds for Record Mirror, Norman Jopling described "Here Today" as perhaps the album's "corniest song" and that "one is left with the feeling that this track is a kind of condensed showcase of all the backing sounds that anyone could cram into a few minutes. Not too good at all..."[29]


Influence


Blood, Sweat & Tears founder Al Kooper, whose favorite album of all time is the 1997 box set The Pet Sounds Sessions, said that "Here Today" inspired the organ break in his band's 1969 hit "You've Made Me So Very Happy", as well as his songs "I Can Love a Woman" (1968) and "Lucille" (1969).[30] Motörhead founder Lemmy Kilmister regarded "Here Today" as "quite innovative" and would perform the song at clubs early in his career.[31] Musician Lenie Colacino argued that the bass part was a direct influence on Paul McCartney's bass-playing on "With a Little Help from My Friends" and "Getting Better" from Sgt. Pepper's Lonely Hearts Club Band (1967).[32]


Personnel


Per Craig Slowinski.[17]

The Beach Boys

Session musicians (later known as "the Wrecking Crew")

The American Federation of Musicians (AFM) contract erroneously credits Terry Melcher with having played tambourine on this track.[33]


Cover versions



Notes


  1. Lambert notes that the move from A to F major "recalls the exact key centers of 'That's Not Me'".[13]
  2. The tape box was labelled with March 10, while the American Federation of Musicians contract was labelled with March 11.[17]
  3. When the first stereo mix was created in 1996, the chatter was deliberately omitted from the song[15] at Wilson's request.[citation needed]

References


  1. Lynskey, Dorian (May 16, 2016). "Brian Wilson Entrances Bristol on Eve of 'Pet Sounds' 50th Anniversary". Rolling Stone.
  2. Granata 2003, p. 81.
  3. Gaines 1986, p. 145.
  4. Kent 1995, p. 16.
  5. "Interview with Tony Asher". The Pet Sounds Sessions (Booklet). The Beach Boys. Capitol Records. 1997.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  6. Granata 2003, p. 105.
  7. Lambert 2007, p. 248.
  8. Granata 2003, pp. 105–106.
  9. Leaf, David (1997). "Song by Song Notes". The Pet Sounds Sessions (Booklet). The Beach Boys. Capitol Records.
  10. "Interview with Brian Wilson". The Pet Sounds Sessions (Booklet). The Beach Boys. Capitol Records. 1997.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  11. Granata 2003, p. 163.
  12. Lambert 2008, p. 116.
  13. Lambert 2007, p. 227.
  14. Leaf, David (1990). Party/Stack-O-Tracks (CD Liner). The Beach Boys. Capitol Records.
  15. Dillon 2012, p. 120.
  16. Granata 2003, p. 106.
  17. Slowinski, Craig. "Pet Sounds LP". beachboysarchives.com. Endless Summer Quarterly. Retrieved September 24, 2018.
  18. Granata 2003, p. 37.
  19. "Comments by Bruce Johnston". The Pet Sounds Sessions (Booklet). The Beach Boys. Capitol Records. 1997.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  20. Everett 2008, p. 285.
  21. Elliott, Brad (August 31, 1999). "Pet Sounds Track Notes". beachboysfanclub.com. Retrieved March 3, 2009.
  22. Granata 2003, p. 134.
  23. Dillon 2012, p. 119.
  24. Granata 2003, pp. 180–181.
  25. Granata 2003, p. 128.
  26. Badman 2004, pp. 156, 208.
  27. Morris, Chris (July 6, 1996). "Sub Pop Releases Beach Boys Single". Billboard. p. 9.
  28. Guarisco, D.A. "Here Today". Allmusic. Archived from the original on December 5, 2010. Retrieved February 27, 2012.
  29. Jopling, Norman (July 2, 1966). "The Beach Boys: Pet Sounds (Capitol)". Record Mirror via Rock's Backpages.
  30. Dillon 2012, pp. 120–121.
  31. Kilmister 2016, p. 42.
  32. Granata 2003, p. 199.
  33. Granata 2003, p. 160.

Bibliography





На других языках


- [en] Here Today (The Beach Boys song)

[es] Here Today (canción de The Beach Boys)

«Here Today» es una canción escrita por Brian Wilson y Tony Asher, y grabada por el grupo estadounidense The Beach Boys, es la décima canción del álbum Pet Sounds de 1966. Fue incluido como lado B del sencillo "Darlin'" de 1967.

[it] Here Today (The Beach Boys)

Here Today è un brano musicale del gruppo pop rock statunitense The Beach Boys, pubblicato nel loro album del 1966 intitolato Pet Sounds. È la decima traccia sul disco. Successivamente il brano venne anche pubblicato su singolo nel 1967 come B-side del 45 giri Darlin'.



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