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Introducing Wayne Shorter is the debut album by jazz saxophonist Wayne Shorter. It was recorded on November 9th & 10th, 1959 at Bell Sound Studios in New York City. [2] It features five Shorter compositions, plus Kurt Weill's "Mack the Knife”, performed by a quintet featuring trumpeter Lee Morgan, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. Shorter played with Morgan in the front line of Art Blakey's Jazz Messengers at this time while Kelly, Chambers and Cobb were the widely celebrated rhythm section with Miles Davis.[3]

Introducing Wayne Shorter
Studio album by Wayne Shorter
Released	August 1960[1]
Recorded	November 9–10, 1959
Studio	Bell Sound (New York City)
Genre	Hard bop
Length	37:12 original LP
Label	Vee-Jay Records VJLP 3006
Producer	Sid McCoy
Wayne Shorter chronology
Introducing Wayne Shorter (1960) Second Genesis (1960)

The album was released in 1960 by Vee-Jay Records, and was also issued later under the title Blues a la Carte.[4] Tracks from this session were included on the 1972 compilation Shorter Moments as well as the 2000 compilation The Complete Vee Jay Lee Morgan-Wayne Shorter Sessions[2][5][6]

On November 10th, Shorter also participated in the recording of the Blakey album Africaine, his first studio session with the Jazz Messengers, which included two of his compositions, one of which was the title track.[7]

Reception

Professional ratings

Review scores
Source	Rating
All About Jazz	(favourable)[8]
AllMusic	[9]
The Rolling Stone Jazz Record Guide	[10]
Sputnikmusic	[11]
The Penguin Guide to Jazz Recordings	[12]

In a review for AllMusic, Scott Yanow called the music "quite enjoyable," and wrote that the album "shows that, even at this early stage, Shorter was far along toward developing his own sound."[9] The authors of The Penguin Guide to Jazz stated that the album gives "the impression of a searching performer who has sufficient lateral vision to keep himself one step ahead of the game."[12]

Writing for All About Jazz, C. Michael Bailey commented: "This is rarified music that is immediately enjoyable. It illuminates the sheer talent and genius of Wayne Shorter, even so early in his playing career. He is definitely a tenor for our time."[8] In a separate article for the same publication, Chris May wrote: "Like practically every other tenor saxophonist of his generation, Shorter was profoundly influenced by Coltrane, seven years his senior; that comes through on Introducing, not least in Shorter's tone, but there are clear glimpses of the singularity to come."[13]

Track listing

All compositions by Wayne Shorter except where noted.

1. "Blues a la Carte" [Take 4] – 5:35
2. "Harry's Last Stand" [Take 5] – 4:40
3. "Down in the Depths" [Take 5] – 9:41
4. "Pug Nose" [Take 3] – 6:49
5. "Black Diamond" [Take 7] – 6:00
6. "Mack the Knife" [Take 5] (Marc Blitzstein, Bertolt Brecht, Kurt Weill) – 4:27

Bonus tracks on CD reissue

7. "Blues a la Carte" [Take 3] – 5:43
8. "Harry's Last Stand" [Take 4] – 4:58
9. "Down in the Depths" [Take 3] – 10:18
10. "Black Diamond" [Take 1] – 7:42

Recorded on November 9 (#1-2) and November 10 (#3-6), 1959.

Personnel

• Wayne Shorter – tenor saxophone
• Lee Morgan – trumpet
• Wynton Kelly – piano
• Paul Chambers – double bass
• Jimmy Cobb – drums

References

External links

• Wayne Shorter - Introducing Wayne Shorter (1959) album releases & credits at Discogs
• Wayne Shorter - Introducing Wayne Shorter (1959) album to be listened on Spotify

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