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Last Exit to Brooklyn is the fifth soundtrack album by British singer-songwriter and guitarist Mark Knopfler, released on 3 October 1989 by Vertigo Records internationally, and by Warner Bros. Records in the United States. The album contains music composed for the 1989 film Last Exit to Brooklyn, produced by Bernd Eichinger and directed by Uli Edel.

Last Exit to Brooklyn
Soundtrack album by
Released3 October 1989 (1989-10-03)
RecordedAIR Studios, London, 1989
GenreFilm music
Length41:22
LabelVertigo
Warner Bros. (USA)
ProducerMark Knopfler
Mark Knopfler chronology
The Princess Bride
(1987)
Last Exit to Brooklyn
(1989)
Missing... Presumed Having a Good Time
(1990)

Critical reception


Professional ratings
Review scores
SourceRating
AllMusic [1]

In his review for AllMusic, William Ruhlmann gave the album three out of five stars, calling it Knopfler's "most ambitious and accomplished soundtrack."[1] Ruhlmann noted that unlike Knopfler's first three soundtracks, the music for Last Exit to Brooklyn "did not sound like outtakes from Dire Straits sessions, but instead consisted of fully orchestrated scoring."[1]


Track listing


All music was written by Mark Knopfler.[1][2]

No.TitleLength
1."Last Exit to Brooklyn"5:03
2."Victims"3:33
3."Think Fast"2:47
4."A Love Idea"3:05
5."Tralala"5:31
6."Riot"6:22
7."The Reckoning"7:13
8."As Low as it Gets"1:30
9."Finale – Last Exit to Brooklyn"6:18
Total length:41:22

Personnel


Music
Production

References


  1. Ruhlmann, William. "Last Exit to Brooklyn". AllMusic. Retrieved 24 November 2012.
  2. Last Exit to Brooklyn (booklet). Mark Knopfler. London: Vertigo Records. 1989. p. 1. 838725-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)



На других языках


- [en] Last Exit to Brooklyn (soundtrack)

[es] Last Exit To Brooklyn (álbum)

Last Exit To Brooklyn es la quinta banda sonora compuesta por el líder de Dire Straits, Mark Knopfler para la película «Última salida, Brooklyn», uno de sus trabajos más complejos como compositor: la banda sonora está más cercana a una banda sonora al uso (con instrumentos de cuerda), más que a sus anteriores trabajos. El teclista Guy Fletcher (miembro también de Dire Straits) obtiene a través de sus teclados y sintetizadores la mayoría de los efectos de orquesta. Mark Knopfler aporta el sonido de su guitarra (junto a Michael Brecker y Chris White en los saxofones) en la quinta pista del disco.



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