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"Love to Say Dada" (also known as "I Love to Say Da Da", "Da Da", and "All Day"[1]) is an unfinished song that was written by American musician Brian Wilson for the Beach Boys' Smile project. It referenced the drug LSD in its initials and was one of the last tracks recorded for the album. The song subsequently evolved into "Cool, Cool Water" from Sunflower (1970).

"I Love to Say Da Da"
Song by the Beach Boys
from the album Good Vibrations: Thirty Years of the Beach Boys
ReleasedJuly 29, 1993
RecordedMay 16–18, 1967
StudioGold Star, Hollywood
Length1:34
LabelCapitol
Songwriter(s)Brian Wilson
Producer(s)Brian Wilson
Music video
"I Love to Say Da Da" on YouTube
"In Blue Hawaii"
Song by Brian Wilson
from the album Brian Wilson Presents Smile
ReleasedSeptember 24, 2004 (2004-09-24)
Recorded2004
StudioSunset Sound, Hollywood
Length3:00
LabelNonesuch
Songwriter(s)
  • Brian Wilson
  • Van Dyke Parks
Producer(s)Brian Wilson
Music video
"In Blue Hawaii" on YouTube

In 2003, Wilson rewrote "Love to Say Dada" as "In Blue Hawaii" with new lyrics by Van Dyke Parks for Brian Wilson Presents Smile (2004). The Beach Boys' original recording of "Love to Say Dada" was released on the compilations Good Vibrations: Thirty Years of the Beach Boys (1993) and The Smile Sessions (2011). The latter release mixed elements from "Cool, Cool Water" into the track.


Background


Wilson's first wife Marilyn wrote in the liner notes of The Smile Sessions: "When he was writing Love to Say Dada he had me buy him a baby bottle and fill it with chocolate milk, and he would sit and write and drink from it. It was hilarious, I thought."[2] Stephen Desper, who became the band's engineer in late 1967, wrote in 2012 that "Love to Say Dada" was "a song about a baby ... It was never finished or released. [sic]"[3]

Music historian Bill Tobelman noted that the song's title could be abbreviated as "LSD", a reference to the drug.[4][better source needed] Biographer Byron Preiss wrote that the song formed part of the water-themed section of "The Elements" and was "briefly considered" to be paired with "Surf's Up".[5]


Recording


On December 22, 1966, Wilson recorded two versions of the track, titled "Da Da", at Columbia Studio. One version featured him playing a piano with the strings taped, while the other featured him playing a Fender Rhodes electric piano. No master number was assigned to the tape.[2] "Heroes and Villains: All Day" was recorded on January 27, 1967.[2]

From May 16 to 18, 1967, Wilson produced three sessions dedicated to the track at Gold Star Studios. Another session scheduled for May 19 that would have likely seen further work on the track was cancelled. The session would have employed the musicians Mike Rubini, Bill Pitman, Lyle Ritz, drummers Hal Blaine and Jim Gordon, and percussionist Alan Estes.[2] According to music historian Keith Badman, these occasions marked the final sessions for the Smile album.[6]


"Cool, Cool Water"


"Love to Say Dada" later evolved into the song "Cool, Cool Water".[1] The "Cool Cool Water Chant", which appears as an introduction to The Smile Sessions version of "Love to Say Dada", was recorded in October 1967.[2] Vocals recorded by Carl Wilson for "Cool, Cool Water" on October 29, 1967 were also combined with this version.[2]


Personnel


Per band archivist Craig Slowinski.[2]

Part 1 (May 16, 1967)

Part 2 (May 17, 1967)

Part 2 (Second Day) (May 18, 1967)


References


  1. Heiser, Marshall (November 2012). "SMiLE: Brian Wilson's Musical Mosaic". The Journal on the Art of Record Production (7). ISSN 1754-9892. Archived from the original on April 15, 2015. Retrieved July 24, 2017.
  2. The Smile Sessions (deluxe box set booklet). The Beach Boys. Capitol Records. 2011.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  3. Desper, Stephen (January 1, 2012). "Re: Surfs Up Coda – Brian's Involvement". smileysmile.net.
  4. Tobelman, Bill. "....the ZEN interpretation.. I Love To Say Dada." The Good Humor SMiLE Site!. p. 17.
  5. Lambert, Philip (2007). Inside the Music of Brian Wilson: the Songs, Sounds, and Influences of the Beach Boys' Founding Genius. Continuum. p. 280. ISBN 978-0-8264-1876-0.
  6. Badman, Keith (2004). The Beach Boys: The Definitive Diary of America's Greatest Band, on Stage and in the Studio. Backbeat Books. p. 189. ISBN 978-0-87930-818-6.





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