Manscape is the seventh studio album by the British post-punk group Wire. It was produced by David M. Allen, mostly recorded and mixed at RAK Studios, engineered by Roy Spong, and published by Dying Art Ltd.
Manscape | ||||
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Studio album by Wire | ||||
Released | 15 May 1990 | |||
Recorded | RAK Studios, London Worldwide Studios, London Mixed at RAK Studios, London and Konk Studios, London | |||
Genre | Alternative dance, post-punk | |||
Length | 63:26 | |||
Label | Mute (UK)/Restless | |||
Producer | David M. Allen | |||
Wire studio album chronology | ||||
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Manscape saw Wire exploring electronica more deeply than on previous works. Bass and drums were mostly sequenced, and a 1990 UK and European tour saw the band performing live without Robert Gotobed.[2] They played mostly new material from the LP, as well as a few older songs reworked to fit the electronic instrumentation. The rise and evolution of dance music informed the record while lyrically it remained part cut-up and part obliquely referential.
"The Morning Bell" is about the British public school system, while "Small Black Reptile" is about the political system. The record's centrepiece, "You Hung Your Lights in the Trees/A Craftsman's Touch", spans over ten minutes.[3]
The original vinyl release has a significantly different running order and omits "Life in the Manscape", "Stampede" and "Children of Groceries".
All tracks written by Bruce Gilbert, Robert Gotobed, Graham Lewis and Colin Newman, except as indicated.
UK Vinyl Version (Mute STUMM 80)
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