Mellow Yellow is the fourth album from Scottish singer-songwriter Donovan. It was released in the US in February 1967 (Epic Records LN 24239 (monaural) / BN 26239 (rechanneled stereo),[1] but not released in the UK because of a continuing contractual dispute that also prevented Sunshine Superman from a UK release. In June 1967, a cross-section of both albums was released as Sunshine Superman (Pye Records NPL 18181) in the UK. The album was named for Donovan's hit single, released the previous October.
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Mellow Yellow | ||||
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Studio album by | ||||
Released | February 1967 | |||
Recorded | September - October 1966 | |||
Studio | Abbey Road Studio, London Landsowne Studios, London | |||
Genre |
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Length | 34:13 | |||
Label | Epic LN 24239 | |||
Producer | Mickie Most | |||
Donovan chronology | ||||
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Singles from Mellow Yellow | ||||
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The songs on Mellow Yellow represent a transition in Donovan's writing. Donovan's songs had previously illustrated his infatuation with an ability to define the mid-sixties pop music scene. On Mellow Yellow this is still evident in "Sunny South Kensington", "Museum" (originally recorded for the Sunshine Superman album and rerecorded for Mellow Yellow) and the title track, but is also tempered with world-weary observations of that scene ("Young Girl Blues"). The contractual problems that prevented the release of Donovan's music in the UK led him to write such songs as the resigned "Writer in the Sun", where he contemplates the possibility of his own forced retirement from the music industry at the age of 20.[2]
Mickie Most's production and the arrangements of John Paul Jones accommodate these two divergent traits of Donovan's songwriting throughout Mellow Yellow. The peppier songs feature a diverse selection of instruments similar to Sunshine Superman and helped make a top 10 hit out of the title track on both sides of the Atlantic. The introspective ruminations feature sparse instrumentation that highlights Donovan's guitar playing, singing, and lyrics.
On Mellow Yellow, Donovan gave a nod to his friend Bert Jansch on "House of Jansch", marking the third Donovan album in a row that paid tribute to the British folk personage.
John Cameron played blues piano, harpsichord, and undertook arrangements.
Paul McCartney provided background vocals on at least one of the tracks.[3] He is uncredited for his work.
According to a recent biography ("Darker Than The Deepest Sea: The Search For Nick Drake"), the album was a significant influence on Nick Drake.
The track "Museum" was covered by Herman's Hermits on their 1967 album release Blaze.
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
All tracks by Donovan Leitch. Songs marked with a ‘+’ have been remixed into stereo.
Side one
Side two
The ten tracks as on the original release plus the following bonus tracks:
Musicians
Additional musicians
Technical
Year | Title | U.S. Billboard 200[6] | Label |
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1967 | Mellow Yellow | 14 | Epic Records BN 26239 |
Year | Titles | Chart positions | |||
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Billboard[7] | Cashbox[8] | AU[9] | |||
1967 | "Mellow Yellow" b/w "Sunny South Kensington" (US) b/w "Preachin' Love" (UK) | 2 | 3 | 7 | |
{{cite web}}
: CS1 maint: bot: original URL status unknown (link). Cash Box magazine.
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Studio albums |
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