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METZ is the debut album by Canadian band METZ, released October 9, 2012 on Sub Pop Records. The album received mostly positive reviews when it was released.

METZ
Studio album by
METZ
ReleasedOctober 9, 2012
RecordedThe Barn Window Studio, The Dream House
GenreNoise rock, hardcore punk
Length29:44
LabelSub Pop Records
ProducerMETZ
METZ chronology
METZ
(2012)
II
(2015)

Musical style


METZ's musical style has been described as hardcore punk and noise rock.[1][2] NME compared the album's sound to early 90s grunge.[3] With respect to specific artists and albums, critics have cited The Jesus Lizard, The Sonics, Jawbox, Drive Like Jehu and Nirvana's Bleach as influences.[1][4][5][6][7]


Reception


Professional ratings
Review scores
SourceRating
Allmusic[1]
The A.V. ClubA [2]
BBC Musicpositive[4]
Beats Per Minute79% [7]
Consequence of Sound[8]
NME8/10 [3]
Pitchfork Media8.5/10[5]
Popmatters9/10 [6]

METZ has received mostly positive reviews. On Metacritic, the album has a score of 82 out of 100, indicating "Universal acclaim."[9]

Stuart Berman of Pitchfork Media gave the album a Best New Music designation, writing "[..] while it ably captures the band's ferocity, Metz is less a recreation of the band's live shows than a surveillance-video document of it, one that's been edited and manipulated to maximize dynamic impact."[5] Popmatters' Gary Suarez also praised the album, writing "METZ shines brightly, like a Molotov cocktail at the moment of impact. This is that rare record, that rare band that makes one want to pull out the old soapbox, drag it into the public square, and shout atop it until I’m hoarse."[6] Jason Heller of The A.V. Club gave the album a grade of A, writing, "For all its abrasion and denatured noise, Metz isn’t a statement of nihilism or finality; it’s a bright, exploratory scalpel making the first of hopefully many incisions."[2]

In a mixed review, Allmusic's Jason Lymangrover described METZ as "a ball of heavy genres, lumping together noise rock, post-punk, hardcore, no wave, or any style that might punish a pair of eardrums."[1] In a negative review, Dusted Review's Doug Mosurock wrote "Thirty minutes of METZ feels more like hard work than fun playtimes, and the sameness of the venture underscores the futility of whatever it is they’re trying to accomplish, which falls somewhere between 'artist defending bowel movement on a gallery floor' and 'third demo tape by an up-and-coming new band.'"[10]

The album was #44 on Pitchfork Media's list of the top 50 albums of 2012,[11] and was a shortlisted nominee for the 2013 Polaris Music Prize.[12]


Track listing


  1. "Headache" - 2:18
  2. "Get Off" - 2:22
  3. "Sad Pricks" - 2:51
  4. "Rats" - 3:05
  5. "Knife in the Water" - 2:12
  6. "Nausea" - 1:05
  7. "Wet Blanket" - 3:53
  8. "Wasted" - 4:07
  9. "The Mule" - 2:24
  10. "Negative Space" - 5:28

"Negative Space" ends at 3:22. At 4:15, hidden track "--))--" begins.


Personnel


The following people contributed to METZ:[13]


METZ



Additional personnel



References


  1. Allmusic review
  2. Heller, Jason. Metz: Metz. The A.V. Club. 27 November 2012. Retrieved 11 December 2013.
  3. Monroe, Jazz. Metz - 'Metz'. NME. 5 October 2012. Retrieved 11 December 2013.
  4. BBC Music review
  5. Pitchfork Media review
  6. Suarez, Gary. METZ: METZ. Popmatters. 17 October 2012. Retrieved 11 December 2013.
  7. Frank, Brendan. Album Review: Metz - Metz. Beats Per Minute. 16 October 2012. Retrieved 11 December 2013.
  8. "Consequence of Sound".
  9. Critic Reviews for METZ. Metacritic. Retrieved 9 December 2013.
  10. Mosurock, Doug. Dusted Reviews: METZ - METZ. Dusted Reviews. 9 October 2012. Retrieved 11 December 2013.
  11. The Top 50 Albums of 2012.
  12. "Polaris Music Prize Announces 2013 Short List". Exclaim!, July 16, 2013.
  13. METZ - Credits. Allmusic. Retrieved 11 December 2013.

На других языках


- [en] Metz (album)

[es] METZ (álbum)

METZ[1] es el primer álbum debut de estudio del grupo de rock canadiense METZ publicado el 9 de octubre de 2012, por la discográfica Sub Pop. Siendo su debut del grupo fue recibido con buenas criticas y con un éxito de forma independiente.



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