Mingus is the tenth studio album by Canadian singer-songwriter Joni Mitchell, and a collaboration with composer and jazz musician Charles Mingus. Recorded in the months before his death, it would be Mingus's final musical project; the album is wholly dedicated to him. Mingus was released on June 13, 1979.[2]

Mingus
Studio album by Joni Mitchell
Released	June 13, 1979[1]
Recorded	1978–1979
Studio	A&M (Hollywood) and Electric Lady (New York)
Genre	Jazz fusion
Length	37:20
Label	Asylum
Producer	Joni Mitchell
Joni Mitchell chronology
Don Juan's Reckless Daughter (1977) Mingus (1979) Shadows and Light (1980)
Singles from Mingus
"The Dry Cleaner from Des Moines"/"God Must Be a Boogie Man" Released: 1979

Professional ratings

Review scores
Source	Rating
AllMusic	[2]
Encyclopedia of Popular Music	[3]
Christgau's Record Guide	C+[4]
Pitchfork	5.5/10[5]
The Rolling Stone Album Guide	[6]

	"God Must Be a Boogie Man" (0:28) from Mingus by Joni Mitchell, Asylum Records, 1979. Sample from Mingus Asylum Records/Elektra Entertainment Group, 1979
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The album is quite experimental, featuring minimalist jazz, over-plucked, buzzing acoustic guitars, and even wolves howling through "The Wolf That Lives in Lindsey". All of the lyrics are by Mitchell, while the music for four of the songs was composed by Mingus, three being new tunes, a fourth being his tribute to saxophonist Lester Young from his 1959 classic Mingus Ah Um, "Goodbye Pork Pie Hat", for which Mitchell wrote a set of lyrics.

As with the release preceding, Don Juan's Reckless Daughter, Mitchell hired personnel from jazz fusion group Weather Report, notably bassist Jaco Pastorius to play on the sessions. Mingus would also mark the first reunion of saxophonist Wayne Shorter and pianist Herbie Hancock in the studio since recording together on Shorter's seminal Native Dancer album, featuring Milton Nascimento, released in September 1974.

The album is spliced with excerpts, which are labelled "(Rap)", from recordings provided by Sue Graham Mingus, including a scat singing interplay between Joni and Mingus, and Charles and Sue arguing over his age at a birthday party. In "Funeral", Mingus and others discuss how long he will live and what his funeral will be like. He refers to the Vedanta Society and asserts that he is going to live longer than Duke Ellington, who died in 1974, aged 75, by saying, "I'm going to cut Duke!". "God Must Be a Boogie Man"—having taken shape two days after his death—was the only song Mingus was unable to hear. Mitchell suggests in the liner notes that Mingus would have found it hilarious. The song was re-recorded with orchestral accompaniment on Joni's 2002 album Travelogue.

"The Dry Cleaner from Des Moines" was released as a single backed with "God Must Be a Boogie Man", but it did not chart.

The artwork features several paintings by Mitchell of Mingus. It peaked at No. 17 on the Billboard Pop Albums chart.

Track listing

Personnel

Sources:[7][2]

Musicians

Prior to recording the album, Mitchell had several "experimental sessions" with New York musicians who had worked with Mingus. These musicians included:

The recordings of the "experimental sessions", rumored to have been lost, destroyed, or made otherwise unavailable have become available as bootleg tapes.

The personnel on the actual album were:

Technical

Mixed by Joni Mitchell, Henry Lewy and Steve Katz
Mastered by Bernie Grundman
Personal Management: Elliot Roberts
Paintings by Joni Mitchell
Art direction: Glen Christensen

Recorded at A&M Studios in Hollywood by Henry Lewy and Steve Katz
Additional recordings at Electric Lady Studios, New York by Henry Lewy and Jerry Solomon

Charts

See also

• River: The Joni Letters

References

На других языках

[es] Mingus