music.wikisort.org - Composition"Morgen!" ("Tomorrow!") is the last in a set of four songs composed in 1894 by the German composer Richard Strauss. It is designated Opus 27, Number 4.
"Morgen!" |
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 Strauss in 1894 |
English | "Tomorrow!" |
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Key | G major |
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Catalogue | TrV 170 |
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Opus | 27/4 |
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Text | Poem by John Henry Mackay |
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Language | German |
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Composed | 1894 (1894) |
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Dedication | Pauline de Ahna |
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Scoring | Voice and piano |
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The text of this Lied, the German love poem "Morgen!", was written by Strauss's contemporary, John Henry Mackay, who was of partly Scottish descent but brought up in Germany.
History
Strauss had met Mackay in Berlin, and set Morgen! to music on 21 May 1894. It was one of his four Lieder Opus 27, a wedding present to his wife Pauline. Initially, he set the accompaniment for piano alone, and for piano with violin. In 1897 he arranged the piece for orchestra with violin solo.
"Morgen!" remains one of Strauss's best-known and most widely recorded works. Strauss himself recorded it in 1919 accompanying the tenor Robert Hutt on the piano,[1] and again in 1941 conducting the orchestral version with tenor Julius Patzak and the Bavarian State Orchestra. His last recording of it was 11 June 1947, a live broadcast on radio with Strauss conducting the Orchestra della Svizzera Italiana and soprano Annette Brun.[2]
Instrumentation of accompaniment
Strauss wrote the song originally to be accompanied by piano. In 1897 he orchestrated the accompaniment for orchestral strings plus a solo violin, a harp, and three horns. The orchestral strings are muted, and the dynamic throughout is pianissimo or softer. The harp, playing arpeggios, and the solo violin accompany continuously until the word "stumm", at which point the horns enter. The violin and harp reenter after "Schweigen', and the horns fall silent until the last few bars. The last chord is joined by a solo horn.[3] A performance lasts about 3 1/2 minutes.
Text
The poem, with minor changes by Strauss, reads as follows:
Morgen!
Und morgen wird die Sonne wieder scheinen
und auf dem Wege, den ich gehen werde,
wird uns, die Glücklichen[4] sie wieder einen
inmitten dieser sonnenatmenden Erde...
und zu dem Strand, dem weiten, wogenblauen,
werden wir still und langsam niedersteigen,
stumm werden wir uns in die Augen schauen,
und auf uns sinkt des Glückes stummes[5] Schweigen...
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Literal translation:
Tomorrow!
And tomorrow the sun will shine again
and on the way that I will go,
she will again unite us, the happy ones
amidst this sun-breathing earth,
and to the beach, wide, wave-blue
will we still and slowly descend
silently we will look in each other's eyes
and upon us will sink the mute silence of happiness
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Poetic English translation:
Tomorrow!
Tomorrow again will shine the sun
And on my sunlit path of earth
Unite us again, as it has done,
And give our bliss another birth...
The spacious beach under wave-blue skies
We'll reach by descending soft and slow,
And mutely gaze in each other's eyes,
As over us rapture's great hush will flow.
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English edition by John Bernhoff, 1925 Universal Edition:
Tomorrow!
Tomorrow's sun will rise in glory beaming,
And in the pathway that my foot shall wander,
We'll meet, forget the earth, and lost in dreaming,
Let heav'n unite a love that earth no more shall sunder...
And towards that shore, its billows softly flowing,
Our hands entwined, our footsteps slowly wending,
Gaze in each other's eyes in love's soft splendour glowing,
Mute with tears of joy and bliss ne'er ending...
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Opus 27
The other three songs of Strauss's Opus 27 are:
- No. 1 "Ruhe, meine Seele!" (Nicht ein Lüftchen regt sich leise)
- No. 2 "Cäcilie" (Wenn du es wüßtest)
- No. 3 "Heimliche Aufforderung" (Auf, hebe die funkelnde Schale)
References and notes
- Richard Strauss conducts Richard Strauss, Symposium 1225 on YouTube
- CD Richard Strauss: Duett Concertino and Der Bürger als Edelmann, Orchestra della Svizzera Italiana, CPO 7779902 (bonus track 14).
- Richard Strauss Lieder, Complete Edition Vol. IV, London, 1965, Boosey & Hawkes
- In line 3 Strauss replaced Mackay's "Seligen" with "Glücklichen"
- In the last line Strauss replaced Mackay's "großes" with "stummes"
External links
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- List of operas
- List of compositions
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Operas |
- Guntram (1894)
- Feuersnot (1901)
- Salome (1905)

- Elektra (1909)

- Der Rosenkavalier (1911)

- Ariadne auf Naxos (1912/16)

- Die Frau ohne Schatten (1919)

- Intermezzo (1924)
- Die ägyptische Helena (1928)
- Arabella (1933)

- Die schweigsame Frau (1935)
- Friedenstag (1938)
- Daphne (1938)
- Die Liebe der Danae (1940)
- Capriccio (1942)

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Ballets |
- Josephslegende (1914)
- Schlagobers (1924)
- Verklungene Feste (1940)
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Orchestral |
- Symphony No. 1 in D minor (1880)
- Violin Concerto in D minor (1881–82)
- Horn Concerto No. 1 (1882–83)
- Symphony No. 2 in F minor (1883–84)
- Burleske (1885–86)
- Le bourgeois gentilhomme (1911–17)
- Dance suite from keyboard pieces by François Couperin (1923)
- Olympische Hymne (1936)
- Japanese Festival Music (1940)
- Divertimento for chamber orchestra after keyboard pieces by Couperin (1941)
- Horn Concerto No. 2 (1942)
- Metamorphosen (1945)
- Oboe Concerto in D major (1945)
- Duet concertino for clarinet and bassoon (1947)
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Tone poems |
- Aus Italien (1886)
- Macbeth (1888)
- Don Juan (1888)
- Death and Transfiguration (1889)
- Till Eulenspiegel's Merry Pranks (1895)
- Also sprach Zarathustra (1896)
- Don Quixote (1897)
- Ein Heldenleben (1898)
- Symphonia Domestica (1903)
- An Alpine Symphony (1911–15)
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Chamber music |
- Piano Sonata (1881)
- Cello Sonata in F major (1883)
- Piano Quartet (1884–1885)
- Violin Sonata (1888)
- Enoch Arden (1897)
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Lieder |
- "Zueignung" (1885)
- "Die Nacht" (1885)
- "Allerseelen" (1885)
- "Winternacht" (1886)
- "Ständchen" (1886)
- "Ruhe, meine Seele!" (1894)
- "Cäcilie" (1894)
- "Heimliche Aufforderung" (1894)
- "Morgen!" (1894)
- "Traum durch die Dämmerung" (1895)
- "Sehnsucht" (1896)
- "Der Arbeitsmann" (1898)
- "Befreit" (1898)
- "Notturno" (1899)
- "Des Dichters Abendgang" (1900)
- "Freundliche Vision" (1900)
- "Frühlingsfeier" (1906)
- Brentano Lieder (1918)
- Der Krämerspiegel (1918)
- Four Last Songs (1948)

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Choral |
- Wandrers Sturmlied (1884)
- Utan svafvel och fosfor (1889)
- Taillefer (1903)
- Die Tageszeiten (1928)
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Film adaptations | |
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Family and peers | |
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Related articles |
- Elektra chord
- Treatise on Instrumentation
- Modernism
- Neoclassicism
- Neo-romanticism
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Authority control  | |
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