music.wikisort.org - CompositionNiki Nana is the fifth studio album by Greek keyboardist and composer Yanni, released in August 1989 by Private Music.
1989 studio album by Yanni
Niki Nana |
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Released | August 24, 1989 |
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Genre | Instrumental |
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Length | 39:28 |
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Label | Private Music |
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Producer | Peter Baumann Yanni |
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Background
By 1989, Yanni had released four studio albums, the most of recent of which was Chameleon Days (1988). When he started work on a follow-up record, he took a musical departure as he had explored music of an orchestral nature on his first three albums, in particular using synthesised strings. For Niki Nana, Yanni incorporated more rock-oriented arrangements with rhythm dominating the music, for which he used his time playing in rock bands in his early career as inspiration.[1]
"Niki Nana (We're One)" started as an instrumental track and Yanni felt it had a celebratory feel, hearing "people singing and dancing" of a South American or African flavour. He then decided to incorporate words from the Greek, Zulu, English, and Spanish language as an attempt to present the theme of unity.[1]
Yanni dedicated the album to his parents, Sotiri and Felitsa, in the liner notes.[2]
Release
Professional ratingsReview scores |
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Source | Rating |
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AllMusic |     [3] |
The album peaked at No. 2 on the Billboard New Age albums chart.[4]
In 1992, lyrics in Greek were written for the track "Nightbird" by Greek lyricist Tasoula Thomaïdou. The song was called "Mia Ellada Fos" (A whole Greece of Light) and was performed by the Greek-Cypriot singer Konstantina in her personal album of the same name in 1992.
Track listing
Title |
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1. | "Niki Nana (We're One)" (Sterling, Yanni) | 5:19 |
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2. | "Dance with a Stranger" | 4:59 |
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3. | "Running Time" | 5:57 |
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4. | "Someday" | 4:34 |
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5. | "Human Condition" | 5:09 |
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6. | "First Touch" | 2:58 |
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7. | "Nightbird" | 6:00 |
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8. | "Quiet Man" | 4:32 |
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Personnel
- "Niki Nana":
- Lyrics: Tom Sterling and Yanni
- Vocal Arrangement: Morgan Ames
- Choir recorded by Hank Cicalo at Alpha Studios, Los Angeles
- Lead Vocal - Carmen Twillie
- 2nd Lead Vocal - Venette Gloud
- Guitars - Joaquin Lievano
- Morgan Ames Choir - Venette Gloud, Clydene Jackson-Edwards, Angel Rogers, Carmen Twillie, Randy Crenshaw, Arnold McCuller, Josef Powell, Tim Stone, Terry Young.
- Special thanks to Bo Russell and Bonnie Fury for their help on this song.
- "Dance with a Stranger":
- Flugelhorn and Trumpet - Nolan Smith, Jr.
- Flugelhorn - Ralf Rickert
- Guitars - Joaquin Lievanno
- "Running Time":
- Trumpet - Jerry Hey
- Trumpet - Gary Grant
- Saxophone - Dan Higgins
- Trombone - Bill Reichenbach Jr.
- Guitars - Joaquin Lievanno
- Vocals - Carolyn Johnson-White
- Horns recorded at John Tesh's private studio
- "Human Condition":
- "Nightbird":
- Bouzouki - Spiro Katsemeges
- Guitars - Joaquin Lievano
- Sound effect design by Larson Sound Center
- Sound effect created by Russell Brower
- Acoustic, electronic drums and percussion - Charlie Adams
Production
- All music composed and produced by Yanni
- Produced by Peter Baumann
References
External links
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На других языках
- [en] Niki Nana
[es] Niki Nana
Dedicado especialmente a Sotiri y Felitsa Hrisomallis es el quinto álbum de Estudio del músico griego Yanni, lanzado bajo el sello Private Music en 1989. El álbum, alcanzó el lugar número 2 en la Cartelera de álbumes de “New Age”, sucediendo eso en su mismo año. Una gran sorpresa para aquellos de ustedes que pensaban que el extraordinario sintetizador de Yanni solo podía entablar el formato de estilo suave WAVE, esto los pondrá a pensar una vez más, pues Yanni funde su estilo inigualable junto al músico John Tesh. Este trabajo se realizó en la “Ciudad del Jardín de Tesh”, lo que influye mucho en este proyecto, creando sonidos más naturales lo cual posibilita aún más la dulce textura del Sintetizador, que se evidencia grandemente en temas como “Running Time” y “Human Codition”. Entrando más en solidez y un poco de fantasía, tenemos el tema de “Quiet Man”; también otros temas no menos importantes que aportan un sonido particular, no quedan atrás como es el caso de la incitante trompeta de Nolan Smith Jr. en “Dance With A Stranger” y las melodías misteriosas de “Nightbird”.
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