"Old Black Joe" is a parlor song by Stephen Foster (1826–1864). It was published by Firth, Pond & Co. of New York in 1860.[1] Ken Emerson, author of the book Doo-Dah! (1998), indicates that Foster's fictional Joe was inspired by a servant in the home of Foster's father-in-law, Dr. McDowell of Pittsburgh. The song is not written in dialect.
"Old Black Joe" | |
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![]() Original sheet music cover | |
Song | |
Published | 1860 |
Songwriter(s) | Stephen Foster |
Emerson believes that the song's "soft melancholy" and its "elusive undertone" (rather than anything musical), brings the song closest to the traditional African-American spiritual.[2]
Harold Vincent Milligan describes the song as "one of the best of the Ethiopian [contemporary parlance for blackface minstrel songs] songs ... its mood is one of gentle melancholy, of sorrow without bitterness. There is a wistful tenderness in the music."[3] Jim Kweskin covered the song on his 1971 album Jim Kweskin's America.[4]
The song has sometimes been recorded as "Poor Old Joe", including by Paul Robeson who recorded it several times, for example in 1928 and 1930.[5][6] Other notable recordings were by Bing Crosby (recorded June 16, 1941),[7] Jerry Lee Lewis (1959) and Al Jolson (recorded July 13, 1950).[8]
1.
Gone are the days when my heart was young and gay,
Gone are my friends from the cotton fields away,
Gone from the earth to a better land I know,
I hear their gentle voices calling "Old Black Joe".
Chorus
I'm coming, I'm coming, for my head is bending low;
I hear those gentle voices calling, "Old Black Joe".
2.
Why do I weep when my heart should feel no pain?
Why do I sigh that my friends come not again,
Grieving for forms now departed long ago?
I hear their gentle voices calling "Old Black Joe".
Chorus
3.
Where are the hearts once so happy and so free?
The children so dear that I held upon my knee,
Gone to the shore where my soul has longed to go.
I hear their gentle voices calling "Old Black Joe".
Chorus
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