music.wikisort.org - CompositionProfile is the debut album by American pianist and arranger Duke Pearson, featuring performances by Pearson with Gene Taylor and Lex Humphries. It was recorded in 1959 and released the same year on the Blue Note label.[1] Like the following Tender Feelin's, Profile has been released singularly on CD only in Japan by Blue Note/EMI. However, at present, it can be found on the twofer Profile & Tender Feelin's – Duke Pearson Trio issued by Fresh Sound Records in May 2011. Duke dedicated this album to his mother, Emily Pearson, "the one responsible for my coming this far".[2]
1959 studio album by Duke Pearson
Profile |
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Released | 1959 |
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Recorded | October 25, 1959 |
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Studio | Van Gelder Studio, Englewood Cliffs |
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Genre | Jazz |
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Length | 36:36 |
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Label | Blue Note BST 84022 |
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Producer | Alfred Lion |
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Reception
The AllMusic review awarded the album 3 stars.[3]
Professional ratingsReview scores |
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Source | Rating |
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AllMusic |     [3] |
Track listing
- "Like Someone in Love" (Johnny Burke, Jimmy Van Heusen) – 5:30
- "Black Coffee" (Sonny Burke, Paul Francis Webster) – 4:32
- "Taboo" (Margarita Lecuona, Bob Russell) – 4:57
- "I'm Glad There Is You" (Jimmy Dorsey, Paul Madeira) – 4:52
- "Gate City Blues" (Duke Pearson) – 5:09
- "Two Mile Run" (Pearson) – 5:54
- "Witchcraft" (Cy Coleman, Carolyn Leigh) – 5:42
Personnel
- Duke Pearson – piano
- Gene Taylor – bass
- Lex Humphries – drums
References
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Years given are for the recording(s), not first release. |
As leader or co-leader | |
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With Donald Byrd | |
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With others | |
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Arranger only |
- I'm Tryin' to Get Home (for Donald Byrd]], 1964)
- Lush Life (for Lou Donaldson, 1967)
- Am I Blue (for Grant Green, 1963)
- Boss Horn (for Blue Mitchell, 1966)
- Heads Up! (for Blue Mitchell, 1968)
- A Slice of the Top (for Hank Mobley, 1966)
- Standards (for Lee Morgan, 1967)
- Rough 'n' Tumble (for Stanley Turrentine, 1966)
- A Bluish Bag (for Stanley Turrentine, 1967)
- The Return of the Prodigal Son (for Stanley Turrentine, 1967)
- The Look of Love (for Stanley Turrentine, 1968)
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Authority control  | |
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