Bruckner's Psalm 112, WAB 35, is a psalm setting for eight-part double mixed choir and full orchestra. It is a setting of a German version of Psalm 113, which is Psalm 112 in the Vulgata.

Psalm 112
by Anton Bruckner
The composer, c. 1860
Key	B-flat major
Catalogue	WAB 35
Form	Psalm setting
Composed	1863 (1863): Linz
Performed	Presumably 14 March 1926 (1926-03-14): Vöcklabruck
Published	1926 (1926)
Recorded	c. 1950 (c. 1950) by Henry Swoboda
Movements	4
Vocal	SSAATTBB choir
Instrumental	Orchestra

History

Bruckner composed it in 1863 in Linz, after he had ended his studies under Sechter and Kitzler. In the same year he also composed his Study Symphony in F minor. "His next large choral work after this Psalm was to be the powerful Mass in D minor of the following year, the first of the three great masses."[1]

The original manuscript is stored in the archive of the Österreichische Nationalbibliothek. In the manuscript, the recapitulation of the first part stops after the first five bars. It is unknown whether the work was performed during Bruckner's life. It has been first edited by Wöss in 1926. Presumably, it was performed at first on 14 March 1926 in Vöcklabruck by Max Auer.[2][3]

The work has been critically re-edited by Paul Hawkshaw in 1996[4] in Band XX/5 of the Gesamtausgabe.[2]

Text

Den Demüthigen gibt Gott Gnade (God gives grace to the humble)

Setting

Bruckner's Psalm 112 in B-flat major is a composition scored for SSAATTBB choir and orchestra (2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani and strings).[6] The setting of the work is in four parts:

1. "Alleluja! Lobet den Herrn" - Bars 1-70
2. "Wer ist wie der Herr, unser Gott?" - Bars 71-142
3. Partial recapitulation (first two verses) followed by a fugue on "Alleluja" - Bars 143-202
4. Full-scale recapitulation of the first part

Psalm 112 with its clear repeat structure is a product of Kitzler's tutelage.[7]

There is some rich and sonorous writing, and … the whole thing has an enthusiastic punch and an already mature skill in execution. ... [However,] the full-scale recapitulation [of the first part] creates some stiffness rather than satisfying symmetry.[1]

Discography

The first recording (c. 1950) was by Henry Swoboda with the Wiener Akademie Kammerchor and the Wiener Symphoniker, LP: Westminster WAL 201 (with Symphony No. 6 and Psalm 150). Swoboda's historical performances of Psalms 112 & 150 and Richard Strauss' Wanderers Sturmlied have been recently transferred to CD by Klassichaus Recordings: GSC052, 2015.

• Matthew Best, Bruckner - Requiem, Psalms 112 & 114, Corydon Singers, English Chamber Orchestra, Hyperion CDA66245, 1987
• Karl Anton Rickenbacher, Bruckner - Missa Solemnis, Psalm 112 & Psalm 150, Chor und Orchester der Bamberger Symphoniker, Virgin Classics VC 7 91481, 1990
• Wolfgang Sawallisch, Choir and orchestra of the Bavarian radio, 1992 live, in: Anton Bruckner - Geistliche Chorwerke - CD: Luna LU-1023
• Rolf Beuchert, Choir and orchestra of ASG and JKG Leonberg, Francis Poulenc, Anton Bruckner & Antonín Dvórak, 2000 live - CD: ASG-JKG 00719-00

References

Sources

• Max Auer, Anton Bruckner als Kirchenmusiker, Gustav Bosse Verlag [de], Regensburg, 1927 - pp. 201–214
• Cornelis van Zwol, Anton Bruckner - Leven en Werken, Thot, Bussum (Netherlands), 2012 - ISBN 90-686-8590-2
• John Williamson, The Cambridge Companion to Bruckner, Cambridge University Press, 2004 - ISBN 0-521-80404-3
• Uwe Harten, Anton Bruckner. Ein Handbuch. Residenz Verlag [de], Salzburg, 1996. ISBN 3-7017-1030-9.
• Anton Bruckner – Sämtliche Werke, Band XX/5: Psalm 112 (1863), Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft, Paul Hawkshaw (Editor), Vienna, 1996

External links

• Psalm 112, WAB 35: Scores at the International Music Score Library Project
• Psalm 112 B-Dur (WAB 35) Critical discography by Hans Roelofs (in German)