"Quinn the Eskimo (The Mighty Quinn)" is a folk-rock song written by Bob Dylan and first recorded during The Basement Tapes sessions in 1967. The song was recorded in December 1967 and first released in January 1968 as "Mighty Quinn" by the British band Manfred Mann[4] and became a great success. It has been recorded by a number of performers, often under the "Mighty Quinn" title.
"The Mighty Quinn" | ||||
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Single by Manfred Mann | ||||
from the album Mighty Garvey! (UK) The Mighty Quinn (US) | ||||
B-side | "By Request – Edwin Garvey" | |||
Released | 12 January 1968 (1968-01-12) | |||
Recorded | 2 November – December 1967[1] | |||
Genre | Rock | |||
Length | 2:51 | |||
Label | Fontana Tf 897[2] | |||
Songwriter(s) | Bob Dylan[2] | |||
Producer(s) | Mike Hurst[2] | |||
Manfred Mann singles chronology | ||||
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Official video | ||||
"Mighty Quinn (Quinn The Eskimo)" from TopPop on YouTube | ||||
"The Mighty Quinn (Quinn the Eskimo)" | |
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Song by Bob Dylan | |
from the album Self Portrait | |
Released | 8 June 1970 (1970-06-08) |
Recorded | 31 August 1969 |
Venue | Isle of Wight Festival, Wootton Creek |
Genre | Rock[3] |
Length | 2:48 |
Label | Columbia |
Songwriter(s) | Bob Dylan |
Producer(s) | Bob Johnston |
The subject of the song is the arrival of Quinn (an Eskimo), who changes despair into joy and chaos into rest, and attracts attention from the animals. Dylan is widely believed to have derived the title character from actor Anthony Quinn's role as an Eskimo in the 1960 movie The Savage Innocents.[5] Dylan has also been quoted as saying that the song was nothing more than a "simple nursery rhyme". A 2004 Chicago Tribune article[6] claimed that the song was named after Gordon Quinn, co-founder of Kartemquin Films, who had given Dylan and Howard Alk uncredited editing assistance on Eat the Document.
Dylan first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years. Meanwhile, the song was picked up and recorded in December 1967 by the British band Manfred Mann, who released it in early 1968 under the title "Mighty Quinn".[7] The Manfred Mann version reached #1 in the UK Singles Chart for the week of 14 February 1968, and remained there the following week.[8] It also charted on the American Billboard Hot 100 chart, peaking at #10, and reached #4 in Cash Box. Cash Box called it a "funky-rock track" with "a trace of calypso [to] add zest to a tremendous effort."[9]
A later incarnation of Manfred Mann, Manfred Mann's Earth Band, included a dramatically different live version of the song on their 1978 album Watch. The single edit omitted the prog middle part (previously released as a standalone instrumental under the title "As Above So Below" on 1975's Nightingales & Bombers) and included a few new guitar solos. Afterwards, the song has appeared on numerous live recordings, the middle part often including long solos and/or snippets of other songs. "As Above So Below" has been replaced with "Oh Well" and in recent years, the band often quoted "Smoke on the Water" as well before returning to the main hook. Therefore, live performances of "Mighty Quinn" often go on for over ten minutes.
A demo of 14 of the 1967 Basement Tapes recordings, including the first of two takes of "Quinn the Eskimo (The Mighty Quinn)", was produced in 1968, but was not intended for release. Recordings taken from the demos began appearing on bootlegs, starting with Great White Wonder,[7] a double-album bootleg that came out in July 1969. The first official release of the song was in 1970 on Dylan's Self Portrait album,[10] a live recording from 1969's Isle of Wight Festival. The live version (titled "The Mighty Quinn (Quinn the Eskimo)") was also selected in 1971 for the second compilation of Dylan's career, Bob Dylan's Greatest Hits Vol. II.[11]
When Columbia finally released The Basement Tapes in 1975, the song was not among the double-album's 24 songs (although an Inuk was represented on the album cover, alongside Dylan, The Band, and several other people meant to represent certain characters from some of Dylan's songs). However, ten years later in 1985, the second of the two 1967 takes appeared on the 5-LP Biograph set (this time titled "Quinn the Eskimo (The Mighty Quinn)").[12] This version was used again on The Essential Bob Dylan, a compilation released in 2000. The first of the two 1967 takes was not officially released until 2014, on The Bootleg Series Vol. 11: The Basement Tapes Complete.
The Manfred Mann version is noted for Klaus Voormann's use of a distinctive flute part. This was replaced in the Earth Band version with Manfred playing it on an organ.
Kris Kristofferson covered the song in 2012 for Chimes of Freedom, in honor of 50 years of Amnesty International. It has also been covered by Swiss rock groups Gotthard and Krokus. Jorn Lande covered this song as a hard rock rendition on his 2019 album Heavy Rock Radio II: Executing the Classics.
The first release of the song, the #1 hit by Manfred Mann, which topped the UK charts in February 1968, was released as "Mighty Quinn". When Dylan released a live version of this song on his album Self Portrait, in June 1970, the song was titled "The Mighty Quinn (Quinn the Eskimo)". This title was repeated when the same live recording was released on the album Bob Dylan's Greatest Hits, Vol. 2 in November 1971. When Dylan's original "basement tapes" recording of the song, backed by The Band and recorded in West Saugerties, New York in 1967, was eventually released as part of the compilation album Biograph, in 1985, it was entitled "Quinn the Eskimo (The Mighty Quinn)"; this is the title according to the official Bob Dylan website.[13]
Although they never played the song with Bob Dylan, the Grateful Dead started playing "The Mighty Quinn" in concert in 1985. It became a favorite encore among the Grateful Dead's fans, and remained so to the end of their career.[14]
In 1969, The Hollies put their own spin on "The Mighty Quinn", adding a prominent banjo accompaniment, a horn section, and a flute part in reference to Manfred Mann's version. The song was featured as the last song on Side 2 of Hollies Sing Dylan and was performed in concert in 1969 alongside "Blowin' in the Wind".
In 1969, Julie London sang a version of "The Mighty Quinn" on her final album Yummy, Yummy, Yummy. The album featured multiple covers of contemporary pop and rock songs with full orchestral arrangements, including "Louie Louie", "Light My Fire", and "The Mighty Quinn".
Leon Russell included a version in a medley with "I'll Take You There", "Idol With the Golden Head" and "He Lives (I Serve a Risen Savior)" that opens his album Leon Live.
Phish has played "Quinn the Eskimo" in concert a total of 38 times throughout their career, having first performed in 1985, two years after their formation.[15] The band performed the song at two of their festivals: Camp Oswego in 1999 and Superball IX in 2011.[16][17] Covers of "Quinn the Eskimo" appear on two Phish live releases: the 1999 live box set Hampton Comes Alive and the 2010 live DVD Alpine Valley.[18][19]
Noel Gallagher performed a live version for the Sky Arts show 'Out of the Now', on Thursday, 10 June 2021. The song closed a 12-song set performed at the Duke of York's Theatre in London's West End.
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A 1989 film, The Mighty Quinn, takes its name from the song; Dylan makes reference to the movie in his 2004 autobiography Chronicles: Volume One:
The movie featured a recording of the song performed in a reggae style by Michael Rose, Sheryl Lee Ralph, Cedella Marley and Sharon Marley Prendergast.[37]
The Adult Swim show Joe Pera Talks with You uses "Mighty Quinn" as a season 2 opener in the episode "Joe Pera Talks with You About Beans".[38] This was not the version performed by Manfred Mann, because in the show an 8th grade choir is singing the track. On the Adult Swim Podcast Joe states that it wasn't as expensive to get rights to the song because the children were singing.[39]
The song is popular with supporters of the rugby union club Harlequins, also known as the Quins, and is often sung during matches and when Quins are attacking.
It was also used as a walk-in song for the Canadian wrestler John Quinn, who was billed as "The Mighty Quinn".
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