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Red of Tooth and Claw is the fourth full-length album by the American five-piece indie rock band Murder by Death, their first for the Vagrant record label.[6] The title comes from a reference in Lord Tennyson's poem In Memoriam A.H.H. It was recorded by the Grammy-winning producer Trina Shoemaker at Dark Horse Recording Studio in Tennessee, and was released on March 4, 2008.[7]

Red of Tooth and Claw
Studio album by
ReleasedMarch 4, 2008
GenreIndie rock,[1][2] country rock,[3] country gothic,[4] folk,[2] Americana[2]
Length37:21
LabelVagrant[5]
ProducerTrina Shoemaker
Murder by Death chronology
In Bocca al Lupo
(2006)
Red of Tooth and Claw
(2008)
Good Morning, Magpie
(2010)

Red of Tooth and Claw is, as the singer/guitarist Adam Turla put it, a "Homer's Odyssey of revenge, only without the honorable character at the center."[8] It is a concept album, and a prequel to their second album, Who Will Survive, and What Will Be Left of Them?


Track listing


No.TitleLength
1."Comin' Home"3:35
2."Ball & Chain"3:02
3."Rumbrave"3:06
4."Fuego!"4:11
5."Theme (for Ennio Morricone)"2:49
6."A Second Opinion"3:19
7."Steal Away"2:05
8."Ash"3:32
9."The Black Spot"3:21
10."'52 Ford"2:25
11."Spring Break 1899"5:56

Reception


Professional ratings
Aggregate scores
SourceRating
Metacritic70/100[9]
Review scores
SourceRating
AbsolutePunk89%[10]
AllMusic[4]
Alternative Press[9]
The A.V. ClubC+[1]
Filter84%[9]
Punknews.org[11]
Sputnikmusic[2]

Critics compared Turla's vocals to those of Johnny Cash, Nick Cave and Nick Drake.[1][2][3][4]

Overall, critical reception has been positive. The album has a score of 70% on Metacritic, indicating generally favorable reviews. Alternative Press gave the album four stars, writing, "They've finally realized their full potential..." AllMusic described "...a taut, tense, elegant delivery..." and gave the album four stars as well, stating "the band's combination of a taut, tense, elegant delivery and poetic lyrics breathes life into each of Red of Tooth and Claw's songs."[4]

In a mixed review, Spin felt it "...runs low on contemporary touchstones or appeal."[3] The A.V. Club gave the album a C+, stating it "envisions turbulence, stages it professionally, and downplays Murder By Death's power to frighten listeners and conjure up dust storms." Sputnikmusic criticized the album for sounding too similar to the previous album.[2] Paste wrote that "the album triumphs on the sheer energy of the band’s performances—every one of them swirling, unapologetic tours-de-force."[12]


Personnel



References






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