Something Else!!!! (subtitled The Music of Ornette Coleman) is the debut album by jazz saxophonist Ornette Coleman. It was released by Contemporary Records in September 1958.[1] According to AllMusic, the album "shook up the jazz world", revitalizing the union of blues and jazz and restoring "blues to their 'classic' beginnings in African music".[3] It is unusual in Coleman's output in that it features a conventional bebop quintet instrumentation (saxophone, cornet, piano, bass and drums); after this album, Coleman would omit the piano, creating a starker and more fluid sound.
Something Else!!!! | ||||
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Studio album by Ornette Coleman | ||||
Released | September 1958 (1958-09)[1] | |||
Recorded | February 10, 22 & March 24, 1958 | |||
Genre | Free jazz[2] | |||
Length | 42:15 | |||
Label | Contemporary | |||
Producer | Lester Koenig | |||
Ornette Coleman chronology | ||||
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While working as an elevator operator in a department store in Los Angeles, Ornette assembled a group of musicians—teenaged cornet player Don Cherry, double bass player Charlie Haden, and drummers Ed Blackwell and Billy Higgins—with whom he could explore his unusual jazz compositions.[4][5] Coleman was introduced to music producer Lester Koenig of Contemporary Records by a bebop bassist friend of Cherry's, Red Mitchell, who thought Koenig might be interested in purchasing Coleman's songs.[4] When other musicians found the tunes too challenging, Coleman was invited to perform the compositions himself.[4]
Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Jazz Record Guide | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz Recordings | ![]() ![]() ![]() ![]() |
Tom Hull | B+[9] |
Though often controversial at the time,[10] music from Coleman's first album is now generally well received. Rolling Stone commented admiringly on the composer's "genuinely original voice" and "freakishly structured tunes".[11] All About Jazz reviewer John Barrett Jr. cautions that, though dissonant, this album is not the first of the free jazz movement with which Coleman is so associated.[12] Nevertheless, in 2007, All About Jazz credited the album with introducing "a new era in jazz", transforming the genre by demonstrating a style of music "freed from the prevailing conventions of harmony, rhythm and melody".[13]
Pianist Ethan Iverson has written at length about this album and other recordings from Coleman's early period.[14] His argument is that on his early albums Coleman's attempts to break free of chords and chorus-structures are hampered by sidemen who are unwilling to follow his cue.
Originally released under the Contemporary imprint in mono and then later (either in 1959 or 1960) issued with a different cover photo and in stereo. The stereo remix of the album was re-released in 1992 on LP, compact disc and compact cassette in collaboration between Contemporary and OJC.
All tracks composed by Ornette Coleman.
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