Sweets from a Stranger is the fifth studio album by the British new wave group Squeeze, released in September 1982 through A&M. The album peaked at number 20 in the UK Albums Chart.[1] The band split up soon after a world tour for the record, and the two main songwriters went on to record 1984's Difford & Tilbrook. Squeeze reunited and released Cosi Fan Tutti Frutti in 1985. As with all Squeeze albums, Chris Difford wrote the words first and Glenn Tilbrook would write the music afterwards often editing Difford's material to create a streamlined narrative. Tilbrook would record a demo afterwards and play it for Difford.[2]
![]() | This article relies largely or entirely on a single source. (December 2015) |
Sweets from a Stranger | ||||
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Studio album by | ||||
Released | September 1982 (1982-57) | |||
Recorded | 1981–1982 | |||
Studio | Ramport, London | |||
Genre | New wave, power pop, post-punk | |||
Length | 46:24 | |||
Label | A&M | |||
Producer |
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Squeeze chronology | ||||
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Singles from Sweets from a Stranger | ||||
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Paul Carrack had left the band to work on his solo career and work as a studio musician. He was replaced by Don Snow. Snow would later appear with Procol Harum and Tina Turner on their respective albums and tours. Snow would later change his name to Jonn Savannah.
Within a year after the release of this album, Squeeze broke up. Difford and Tilbrook carried on releasing an album under both of their names before reforming Squeeze with the band's original drummer Gilson Lavis and keyboardist Jools Holland. Keith Wilkinson who had toured with Difford and Tilbrook replaced John Bentley for the reunion album "Cosi Fan Tutti Frutti".
In 1997, the CD was released in the UK with two bonus tracks, as part of the Six of One... box set. The set included the band's first six studio albums, each digitally remastered. These CDs were made available for individual purchase in 1998.
A 2008 reissue included the two 1997 bonus tracks, and added a further seven tracks.
Detailing the stylistic direction of Sweets from a Stranger,[3] Stephen Thomas Erlewine opined that Squeeze "wound up largely ditching the pop classicism of East Side Story for a gangly new wave experimentalism".[3] "I've Returned" has been likened to Bruce Springsteen in sound,[4] while Erlewine detailed "Onto the Dance Floor" to be "wannabe Bowie".[3]
Review scores | |
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Source | Rating |
Allmusic[3] | ![]() ![]() ![]() ![]() ![]() |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
AllMusic's Stephen Thomas Erlewine gave a mixed and predominantly critical summary of Sweets from a Stranger.[3] Despite noting "connections" to the band's acclaimed East Side Story and speaking positively of songs including "I've Returned" and the "sublime" peak "Black Coffee in Bed",[3] Erlewine wrote-off much of the effort as "new wave clatter".[3]
In retrospect both composers were critical of the album stating feeling that the songwriting and the production weren't up to par compared to what they did before.[5] The American edition of the album featured praise for Difford and Tilbrook songs which both felt created additional pressure to create a classic with every single song. Difford commented "You just write to please yourself first of all...if other people like it, that's a bonus."[2]
All songs written by Chris Difford and Glenn Tilbrook.
Squeeze
Additional personnel
Production
Authority control ![]() |
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