music.wikisort.org - CompositionThe Best That I Could Do 1978–1988 is the first greatest hits compilation album by American singer-songwriter John Mellencamp, released by Mercury Records in 1997 (see 1997 in music). It compiles Mellencamp's most popular material recorded during his first decade with Riva and Mercury Records, beginning with 1978's A Biography, up through 1987's The Lonesome Jubilee, with a new recording of Terry Reid's "Without Expression". Mellencamp picked the songs for the album and also came up with the title for the album.[3] The album reached No. 33 on the Billboard 200.[4] This album and Rough Harvest came about because, after leaving Mercury Records for Columbia Records, Mellencamp still owed the label two more albums.[5]
1997 greatest hits album by John Mellencamp
The Best That I Could Do 1978–1988 |
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Released | November 18, 1997 (1997-11-18)[1] |
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Recorded | 1978–1997 |
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Studio |
- AIR Studios (London, England)
- Cherokee Studios (Los Angeles, California)
- Criteria Studios (Miami, Florida)
- TRC Studios (Indianapolis, Indiana)
- The Shack (Brownstown, Indiana)
- Belmont Mall (Nashville, Indiana)[2]
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Genre | Rock, heartland rock |
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Length | 58:51[1] |
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Label | Mercury |
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Producer | |
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Compiler | John Mellencamp |
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Reception
Stephen Thomas Erlewine of AllMusic.com said that the album's title was suitable and while it did not include all of Mellencamp's hits, it is a good summary of Mellencamp's "remarkably consistent" work.[1] Robert Christgau described it as the best of John Mellencamp, which to him is not saying much.[6] Entertainment Weekly gave the album a "B" rating, describing it as "uncomplicated but sophisticated."[7]
Track listing
Original release
Japanese edition
The version released in Japan features two additional songs ("Miami" and a cover of "Under the Boardwalk," tracks 2 and 15, respectively), and places "Lonely Ol' Night" before "Authority Song".
Personnel
Adapted from the album's liner notes.[2]
- John Mellencamp (a.k.a. "Little Bastard" on some tracks) – vocals, guitar, songwriter, producer
- Larry Crane – guitars, harmonica, background vocals, flutophone
- Tom Knowles – drums on "I Need a Lover"
- Robert "Ferd" Frank – bass, background vocals on "I Need a Lover"
- Brian Bekvar – keyboards on "I Need a Lover"
- John Punter – producer, engineer on "I Need a Lover"
- Rick Shlosser – drums on "Ain't Even Done with the Night"
- Mike Wanchic – guitars, background vocals; producer on "Without Expression"
- Kenny Aronoff – vibes on "Ain't Even Done with the Night", drums, background vocals, hammer dulcimer
- Eric Rosser – keyboards
- Steve Cropper – producer on "Ain't Even Done with the Night"
- Bruce Robb – engineer on "Ain't Even Done with the Night"
- Dee Robb – engineer on "Ain't Even Done with the Night"
- George "Chocolate" Perry – bass on "Hurts So Good"
- Dave Parman – background vocals on "Hurts So Good"
- Don Gehman – producer/engineer on "Hurts So Good" thru "Check It Out"
- George Tutko – engineer on "Hurts So Good"
- Mick Ronson – guitar and background vocals on "Jack and Diane"
- Toby Myers – bass, background vocals
- Carroll Sue Hill – keyboards, background vocals
- Greg Edward – engineer
- David Thoener – engineer on "Pink Houses"
- Sarah Flint – background vocals on "R.O.C.K. in the U.S.A."
- John Cascella – keyboards, accordion
- Lisa Germano – violin
- Pat Peterson – background vocals
- Crystal Taliefero – background vocals
- Dane Clark – drums on "Without Expression"
- Miriam Sturm – violin on "Without Expression"
- Andy York – guitars, background vocals on "Without Expression"
- Moe Z – keyboards, background vocals on "Without Expression"
- Corsillo/Manzobe-Design Monsters – art direction
- Paul Jasmin – photography
Charts
Certifications
Organization |
Level |
Date |
RIAA – US[16] |
Gold |
December 15, 1997 |
ARIA – Australia[17] |
Platinum |
1997 |
RIAA – US[16] |
Platinum |
July 20, 1998 |
ARIA – Australia[18] |
2x Multi-Platinum |
1998 |
RIAA – US[16] |
3× Platinum |
March 19, 2002 |
References
- Stephen Thomas Erlewine (2010). "The Best That I Could Do 1978–1988 – John Mellencamp". Allmusic Guide. Retrieved October 31, 2010.
- The Best That I Could Do 1978–1988 (CD Liner). John Mellencamp. US: Mercury Records. 1997. pp. 9–11. 314 536 738-2.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - White, Timothy (1997). "Who's To Say the Way a Man Should Spend His Days: The First Two Hundred Years of the John Mellencamp Story". The Best That I Could Do 1978–1988 (CD liner). John Mellencamp. U.S.A.: Mercury Records. p. 8. 314 536 738-2.
- https://www.allmusic.com/artist/john-mellencamp-p105068/charts-awards/billboard-albums
- "John Mellencamp: Album Guide". Rolling Stone. Retrieved November 6, 2012.
- "CG: John Mellencamp". Robert Christgau. Retrieved January 9, 2012.
- Wook Kim (December 12, 1997). "The Best That I Could Do (1978–1988) Review". Entertainment Weekly. Retrieved January 9, 2012.
- "Australiancharts.com – John Mellencamp – The Best That I Could Do (1978-1988)". Hung Medien. Retrieved February 20, 2021.
- "Item Display – RPM – Library and Archives Canada".
- "Charts.nz – John Mellencamp – The Best That I Could Do (1978-1988)". Hung Medien. Retrieved February 20, 2021.
- "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved February 20, 2021.
- "Official Albums Chart Top 100". Official Charts Company. Retrieved February 20, 2021.
- "John Mellencamp Chart History (Billboard 200)". Billboard. Retrieved February 20, 2021.
- "ARIA Top 100 Albums for 1997". Australian Recording Industry Association. Retrieved February 20, 2021.
- "ARIA Top 100 Albums for 1998". Australian Recording Industry Association. Retrieved February 20, 2021.
- https://www.riaa.com/goldandplatinumdata.php?table=SEARCH Type in "Mellencamp" under Artist.
- "ARIA Charts – Accreditations – 1997 Albums". Aria.com.au. Retrieved January 9, 2012.
- "ARIA Charts – Accreditations – 1998 Albums". Aria.com.au. Retrieved January 9, 2012.
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Studio albums | |
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Live albums | |
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Compilations | |
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Notable singles | |
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Other singles | |
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Related | |
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Authority control  | |
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