"The Crunge" is a song by the English rock band Led Zeppelin from their 1973 album Houses of the Holy. The song is a takeoff on James Brown's style of funk similar to the group's attempt at reggae with "D'yer Mak'er".[1] It was also released as the B-side of "D'yer Mak'er" in the US.
"The Crunge" | ||||
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![]() German single picture sleeve | ||||
Single by Led Zeppelin | ||||
from the album Houses of the Holy | ||||
A-side | "D'yer Mak'er" | |||
Released | 17 September 1973 (1973-09-17) (US) | |||
Recorded | 1972 | |||
Studio | Headley Grange, Headley, England | |||
Genre | Funk rock | |||
Length | 3:10 | |||
Label | Atlantic | |||
Songwriter(s) |
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Producer(s) | Jimmy Page | |||
Led Zeppelin singles chronology | ||||
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The song evolved out of a jam session in the studio. John Bonham started the beat, John Paul Jones came in on bass, Jimmy Page played a funk guitar riff (and a chord sequence that he had been experimenting with since 1970), and Robert Plant started singing.[2][1] For the recording, Page played a Fender Stratocaster guitar and it is possible to hear him depressing a whammy bar at the end of each phrase.[2]
In a contemporary review for Houses of the Holy, Gordon Fletcher of Rolling Stone gave "The Crunge" a negative review, calling it a "naked imitation", along with "D'yer Mak'er", as well as "easily" one of the worst things the band has ever attempted.[3]
Fletcher added, "[It] reproduces James Brown so faithfully that it's every bit as boring, repetitive and clichéd as "Good Foot". Yakety-yak guitar, boom-boom bass, astoundingly idiotic lyrics ("when she walks, she walks, and when she talks, she talks") — it's all there. So is Jones' synthesizer, spinning absolutely superfluous electronic fills."[3]
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Led Zeppelin | |
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Houses of the Holy | |
Physical Graffiti | |
Presence | |
In Through the Out Door | |
Coda | |
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