The Nephilim is the second studio album by Fields of the Nephilim, released in September 1988 by Situation Two/Beggars Banquet Records.[4] The record debuted at number 12 in the UK album charts.[5][6]
The Nephilim | ||||
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Studio album by | ||||
Released | September 1988 | |||
Recorded | 1988 | |||
Genre | Gothic rock | |||
Length | 55:23 | |||
Label | Situation Two/Beggars Banquet | |||
Producer | Fields of the Nephilim | |||
Fields of the Nephilim chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Pitchfork Media | (6.4/10.0)[2] |
Virgin Encyclopedia of Eighties Music | ![]() ![]() ![]() ![]() ![]() |
The album was recorded in The Justice Rooms, a former courthouse in England's Somerset countryside where defendants who were sentenced to death were hanged on site. “The place had a really cool vibe” recalls bassist Tony Pettitt.[7]
The Nephilim’s opening track, "Endemoniada", shares its name with a 1968 Mexican horror film and features a man growling “penitenziagite!”, sampled from Ron Perlman's hunchback character, Salvatore, in The Name of the Rose.[7] The album's top-charting single, "Moonchild", shares its name with Aleister Crowley's novel, while "Love Under Will" is a phrase from Crowley's Book of the Law.[7] The lyrics for "The Watchman" and "Last Exit for the Lost" reference H. P. Lovecraft's character Cthulhu.[7]
The third track "Phobia" is stylistically similar to Motorhead's hit song "Ace of Spades" including near identical guitar riffs
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