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"Twelve Thirty" a.k.a. "Twelve-Thirty (Young Girls Are Coming to the Canyon)", the song's main refrain, is a song by The Mamas & the Papas.

"Twelve Thirty"
Single by The Mamas & the Papas
from the album 'The Papas & The Mamas'
B-side"Straight Shooter"
ReleasedAugust 1967[1]
GenrePop rock, folk rock, psychedelic pop
Length3:24
LabelDunhill
Songwriter(s)John Phillips[2]
Producer(s)Lou Adler
The Mamas & the Papas singles chronology
"Creeque Alley"
(1967)
"Twelve Thirty"
(1967)
"Glad to Be Unhappy"
(1967)

After the release of the group's third album—Deliver—and their appearance as the closing act of the Monterey International Pop Festival, the group was scheduled to appear in England. The visit was catastrophic for the group, resulting in Cass Elliot leaving the group temporarily. The group had completed four tracks for their fourth album—initially titled Springboard—but when the group fracture occurred, progress on the new album stopped completely. Dunhill Records, hoping to keep the group in the public eye while personal matters were sorted out, released a greatest hits compilation, entitled Farewell to the First Golden Era, a smash hit at #5 on the charts, and certified gold. "Twelve Thirty," one of the completed songs from the fourth album, was included on the album in order to entice record buyers with new material, and simultaneously released as a single. "Twelve Thirty" would also appear on the now-retitled fourth album, The Papas & The Mamas, when finally released in the spring of 1968. The song peaked at number 20 as a single in the US, but failed to chart in the UK. The group would perform the song on The Ed Sullivan Show on 24 September 1967, in one of their last televised appearances as a group.


Song origin


The song was written by John Phillips[2] shortly after the band had relocated to Southern California in 1965. It is often cited as the band's last great single.[3] In a 1968 interview,[4] Phillips cited this arrangement as an example of "well-arranged two-part harmony moving in opposite directions".[2]

Jim Ward of Rolling Stone, said "Twelve Thirty" was "the last recording of the self-proclaimed 'Golden Era'", he added, "It's probably the best realized song the group has recorded."[5] Cash Box said that "a general aura of happiness...should give the public a feast on the new Mamas and Papas offering."[6]

The song was inspired by Laurel Canyon, a neighborhood of Los Angeles, California.[7] In the song, the writer says he used to live in "dark and dirty" New York City, where a broken clock on a church steeple was stuck at 12:30. John and Michelle had a difficult marital relationship then, and he compares this period to being in "the Canyon".[8] A popular interpretation is that girl "groupies" would party into the night at the homes of show business types in the canyon and wander home the next morning, passing the house and engaging the songwriter in conversation as they went. The song fades out during a repeat of the final chorus.[9] There is also an analysis of metaphor to epiphany or lifting of depression.[10][11]



The song is featured in Drew Goddard's 2018 film Bad Times at the El Royale.[12] The song is also featured during a pivotal scene in Quentin Tarantino's 2019 film Once Upon a Time in Hollywood.[13] Chris Hemsworth's character in Bad Times at the El Royale is inspired by Charles Manson,[14] while Tarantino's film portrays members of the Manson Family, as well as Michelle Phillips and Mama Cass. In his film the song plays prophetically as Manson girls drive up Cielo Drive in Benedict Canyon.[15]


Track listing


7" Vinyl
  1. "Twelve Thirty (Young Girls Are Coming to the Canyon)" (John Phillips) — 3:24
  2. "Straight Shooter" (John Phillips) — 2:57

Other recordings



References


  1. "The Mamas and the Papas - Twelve Thirty (Young Girls Are Coming to the Canyon)".
  2. John Phillips interviewed on the Pop Chronicles (1969)
  3. Greenwald, Matthew. "Twelve-Thirty: Song Review". Allmusic.
  4. Gilliland, John (1969). "O-S interviews" (audio). Pop Chronicles. University of North Texas Libraries.
  5. Ward, Jim (6 July 1968). "Album Reviews: The Mamas & The Papas". Rolling Stone Archived at Wayback Machine. Archived from the original on September 17, 2009. Retrieved 15 June 2013.{{cite web}}: CS1 maint: unfit URL (link)
  6. "CashBox Record Reviews" (PDF). Cash Box. August 26, 1967. p. 28. Retrieved 2022-01-12.
  7. Eliscu, Jenny (11 December 2008). "Hot Scene: The Return to Laurel Canyon". Rolling Stone Archived at Wayback Machine. Archived from the original on April 18, 2009. Retrieved 15 June 2013.{{cite web}}: CS1 maint: unfit URL (link)
  8. "California Dreamgirl". Vanity Fair. 20 November 2007. Archived from the original on 2020-10-21. Retrieved 2020-10-04.
  9. Kubernik, Harvey (5 March 2012). Canyon of Dreams: The Magic and the Music of Laurel Canyon (2012 (reprint) ed.). Sterling. pp. 138–139. ISBN 978-1402797613.
  10. "(18) the "Twelve-Thirty" Metaphor". 18 January 2015. Archived from the original on 2021-07-22. Retrieved 2020-09-21.
  11. "Blogger: Music Musing Music - Post a Comment". Archived from the original on 2021-07-22. Retrieved 2020-09-21.
  12. "Bad Times At The El Royale (Original Motion Picture Soundtrack)". Republic Records. October 12, 2018. Archived from the original on April 11, 2021. Retrieved July 22, 2021 via Spotify.
  13. Moran, Sarah (July 26, 2019). "Every Song in Once Upon a Time in Hollywood". Screen Rant. Archived from the original on July 27, 2019. Retrieved March 17, 2021.
  14. Lopez, Kristen (October 14, 2018). "How "Bad Times at the El Royale" Revives 60's Nostalgia". The Hollywood Reporter. Archived from the original on July 22, 2021. Retrieved July 22, 2021.
  15. Reilly, Phoebe (July 26, 2019). "Quentin Tarantino On Crafting a Vintage Soundtrack For "Once Upon a Time in Hollywood"". Billboard. Archived from the original on July 22, 2021. Retrieved July 22, 2021.
  16. Scott McKenzie, The Voice of Scott McKenzie Archived 2016-03-07 at the Wayback Machine Retrieved May 16, 2015
  17. Fajfrić, Željko; Nenad, Milan (2009). Istorija YU rock muzike od početaka do 1970. Sremska Mitrovica: Tabernakl. p. 104.



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