music.wikisort.org - Composition"Un Poco Loco" is an Afro-Cuban jazz standard composed by American jazz pianist Bud Powell.[1][2] It was first recorded for Blue Note Records by Powell, Curly Russell, and Max Roach on May 1, 1951.[3][4]
1951 single by Bud Powell
"Un Poco Loco" |
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B-side | "It Could Happen to You" |
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Released | 1951 (1951) |
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Genre | Jazz |
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Length | 4:42 |
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Label | Blue Note |
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Songwriter(s) | Bud Powell |
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Producer(s) | Alfred Lion |
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"Hallelujah" (1951) |
"Un Poco Loco" (1951) |
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Musical characteristics
"Un Poco Loco" is in thirty-two bar form.[4] On the original recording, improvisation was based on a single scale instead of a chord sequence.[2]
Legacy
In the late 1980s, the renowned literary and cultural critic Harold Bloom included "Un Poco Loco" in his list of the most "sublime" works of twentieth-century American art (from his introduction to Modern Critical Interpretations: Thomas Pynchon's Gravity's Rainbow).[5]
References
- Yanow, Scott (2000). Afro-Cuban Jazz. San Francisco, C.A.: Miller Freeman Books. p. 188. ISBN 978-0-87930-619-9. Retrieved 13 April 2019.
- Priestley, Brian (1991). Jazz On Record: A History. New York: Billboard Books. p. 99. ISBN 978-0-8230-7562-1. Retrieved 13 April 2019.
- Groves, Alan (2001). The Glass Enclosure: The Life Of Bud Powell (Reprinted. ed.). New York: Continuum. p. 124. ISBN 978-0-8264-4746-3. Retrieved 13 April 2019.
- McCalla, James (1994). Jazz, A Listener's Guide. Englewood Cliffs, N.J.: Prentice Hall. pp. 116, 123, 125, 194. ISBN 978-0-13-097940-7. Retrieved 13 April 2019.
- Kastin, David (2011). Nica's Dream (1st ed.). W. W. Norton. pp. 172, 173. ISBN 978-0-393-06940-2. Retrieved 13 April 2019.
Bud Powell |
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Years given are for the recording(s), not first release. Because Powell's discography features albums with the same title, record labels are identified to avoid any confusion. |
As leader or co-leader | |
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With others |
- Paris Jam Session (Art Blakey and the Jazz Messengers, 1959)
- Dexter Rides Again (Dexter Gordon, 1946)
- Our Man in Paris (Dexter Gordon, 1963)
- J. J. Johnson's Jazz Quintets (1946)
- Mingus at Antibes (Charles Mingus, 1960)
- Jazz at Massey Hall (Dizzy Gillespie, Charlie Parker, Mingus, Max Roach, 1953)
- New York Journeyman – Complete Recordings (Frank Socolow, 1945)
- Sonny Stitt/Bud Powell/J. J. Johnson (1949–50)
- Cootie Williams and His Orchestra 1941–1944 (Cootie Williams, Classics, 1944)
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Compilations and Box-sets | |
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Compositions | |
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Authority control  | |
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